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#11661 |
The Digital Bits
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Check out where the average bitrates are floating these days on reference transfers. low 20s to 30s
TalkStr8t is in KJack's thread talking quite a bit. The max bitrate has been bumped to 60mbps Amir was an idiot with an agenda who didn't give a toss about Blu-ray, or even really HD DVD for that matter. The people like Talk, KJack, Penton, etc DO, and their coworkers who designed this standard are quality FIRST people. Avatar was full of computer animation, but that doesn't mean all 3D movies are going to be 75% CG like that one was (the glowy colors probably didn't help the "game" factor either). They also won't run close to 3 hours ![]() |
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#11662 | |||||
Active Member
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Anyhow, I have seen other 3D presentations as well and they all had problems that took me out of the picture, mostly motion blur with fast moving objects, objects in the foreground being not really sharp, and the general dimness of the picture. ![]() But as Blu-ray in my home theater is an absolutely better experience than in regular movie theaters round here, I will be sure to re-evaluate 3D when it arrives on Blu-ray. ![]() |
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#11663 | |
Retired Hollywood Insider
Apr 2007
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These things can actually be customized to specific film stocks for the most optimal effect (maintaining detail without producing secondary artifacts). I would like to see even a starter algorithm for let’s say Vision 2 200T 7217, if he could oblige. For all I know, the guy is the real deal as I don’t follow AVForums but, they seem like good all around folks to me. ![]() I would actually be a little more interested to see their comments on the Blu-ray of The Damn United…………… https://www.blu-ray.com/news/?id=3942, esp. if they have a thread on it where some old timers that lived through the experience expressed themselves regarding their recollections of the tumultuous events. That was before my time and from my sparse reading of English soccer history back then, apparently Brain Clough was a passionate supporter of *the beautiful game* ![]() On the opposite note, I do wish that some manager on some team in any country would openly criticize and strongly discourage (by fines if necessary) the continued *play acting* that goes on.........I'm talking about getting bumped and the player going down like he was shot with a 45 to the back of the head. It just cheapens the game. |
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#11664 | |
Retired Hollywood Insider
Apr 2007
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![]() I’m hoping that the exuberance exhibited during an early screening for Academy members https://forum.blu-ray.com/showthread...my#post2386710 carries on over to their nomination ballots. B.T.W., that pristine looking aerial footage during the motion picture was captured with a Sony F950 in a helicopter, something which I don’t think has been given due credit in the online reviews for the motion picture by the reviewers when they are handing out the camera accolades. |
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#11665 |
Retired Hollywood Insider
Apr 2007
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Hey, Jeff ……………………Got Snow?
![]() I hope you don’t badly break your leg walking on any residual slippery stuff, Merry Christmas ![]() ![]() |
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#11667 | |
Senior Member
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#11668 | ||
Special Member
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And indeed he was a believer in "beautiful football"; "If God had wanted us to play football in the clouds, he'd have put grass up there." Quote:
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#11669 | |
Power Member
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We had freezing rain and sleet over much of last night. Then the snow hit HARD about 9:00am and didn't let up until the middle of the afternoon. Sporadic power outages were happening all over the area. Winds have been gusting over 60mph and even knocking down trees and utility poles. Oklahoma City had a massive pile up on I-40. Much of I-44 from Oklahoma City down the Red River is closed. On the bright side, we're going to have our first White Christmas since 1988. I've had time to watch a rented BD copy of District 9 and have been watching episodes of Band of Brothers on Blu-ray. |
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#11671 |
Power Member
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I live in the Lawton-Fort Sill area. The snow amounts in our area vary widely. Amounts between 5" and 15". Lots and lots of snow drifts. "Thundersnow" was happening through much of the area.
It's been over 20 years since this area has had a White Christmas, and only 5 times over the past 100 years. |
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#11673 |
Banned
Feb 2009
Toronto
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Hey, kids, happy holidays and all that...
In the midst of lots and lots of big titles announced over the last few months, I missed out on this little gem: Soul Power Blu-ray Was really hoping for a two pack with "When We Were Kings", as I've yet to upgrade from my LD version. This is an =amazing= music doc - I saw it projected in digital at TIFF, and am so very pleased to see Sony picked it up for BD treatment. I had even missed that it was already released in Region 2 - hard to keep track! My long-ish review is here (http://filmfest.ca/2008tiff/03.html) for those that care about such things... I saw it linked, accidentally, from the BD.com "It Might Get Loud" review (mine's from the day before I saw the Soul Power flick http://filmfest.ca/2008tiff/02.html).... IMGL is also certainly worth picking up, and I'm pleased it's also seeing the light of Day on Blu! TIFF 2008 had some rediculously great music docs ("Every Little Step", "Sounds Like Teen Spirit", "Youssou N'Dour: I Bring What I Love") that are just now coming to the light of day... |
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#11674 | |||||
Retired Hollywood Insider
Apr 2007
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Wow, double-wow, I received a load of PM’s over the holiday from different lurking members imploring me to chime in ……………in the support of grain/film on the “LOST Season "5" really grainy” thread but alas, before I knew anything about the ‘controversy’, I see Super Mod Deci closed it down (good idea) because of some pre-holiday antsy-ness, so to speak.
So, for those who discreetly asked, like they say, better late than never, eh? Here goes…………. Quote:
![]() Albeit somewhat delayed…….. because of the Christmas holiday. Continue reading this post, and I’ll try in my humble way to ‘enlighten’ you as to some things that were not mentioned in that now locked thread which you may find interesting. P.S. I must say, I haven’t heard any recent negative reports about HTF, so your comment is somewhat surprising to me. As far as AVS, well, if they could just eradicate the *screenshot scientists* (who lead everyone around like sheep) and esp. all those that support them, it would jump up a magnitude in online credibility. It’s truly pathetic when these *scientists* can’t refrain from their veiled insults at least on Christmas Day – Quote:
Really poor form on your part, “Kram Sacul”. Anyway, on to LOST Season "5" - Quote:
![]() First, I would recommend that you have your new TV professionally calibrated by an excellent calibrator having some experience with Samsungs…….. http://accucalhd.com/ Following that, if you still are of the same personal opinion in regards to Season 5, and Blu-ray transparency to original source is of little or no importance to you, then just to be safe, I would avoid Door #1 and Door #2 here……… https://forum.blu-ray.com/showthread...st#post2325097 Quote:
Fact is jordy475, it is more a credit to the skill and competence of the cinematographers working under those conditions for the show to make it all happen with film…..meaning the dailies for Lost arrive 3 days later ![]() That truly is of significance to the cinematographers when evaluating for things like texture of the imagery because often times 'temporary solutions' are insufficient for this sort of thing plus, the schedule is so tight (the D.P.s actually alternate on each episode for which one lenser shoots, while the other preps for the next episode, with a few days scheduled for 2nd unit simultaneous shooting) Reshoots are rare and like jerwin indicated – costly, with such a grueling schedule. Regardless, they make do under the circumstances and like I said, it is a credit to the personnel behind the lenses to continue shooting with film. Quote:
![]() retablo, the specific answer(s) to your question lies here………. https://forum.blu-ray.com/showthread...on#post2641217 F.Y.I., little known fact - the raw stock is actually shipped over in refrigerated containers (on a boat) to Hawaii rather than by air carrier (which would seem more reasonable) because of more than one past experience of the stuff being irradiated ![]() |
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#11675 |
Retired Hollywood Insider
Apr 2007
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#11676 |
Retired Hollywood Insider
Apr 2007
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What’s for breakfast?
A roundtable with Directors Jim Cameron, Peter Jackson, Q.T., Kathryn Bigelow, Jason Reitman and Lee Daniels musing about their association (or lack there of) with the ‘Hollywood’ establishment - http://video.hollywoodreporter.com/s...id=57139948001 with the next clip that automatically loads, offering tidbits from them discussing what is/was the hardest thing to shoot and the last clip (my fave) being highlighted by Quentin’s thoughts on digital projection……with everyone else chuckling to themselves in regards to his future longevity as a Director in that regard. I suspect after watching this part, that the online accolades for Inglourious Basterds will take a decidedly upwards spike with the new knowledge (for some image capture fanboys) that Q.T. is an inflexible proponent of film for image acquisition as well as exhibition………..although, he doesn’t have a problem with the digital intermediate process for his motion pictures. ![]() So, I guess that makes some Directors like C.N. (see my sig), Paul Thomas Anderson and M. Night Shyamalan even more of a ‘film purist’ than Quentin. ![]() P.S. C.N. means Chris Nolan (The Dark Knight) Last edited by Penton-Man; 12-26-2009 at 04:50 PM. Reason: added a P.S. |
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#11678 |
The Digital Bits
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Like I've said in the other thread. It looks like they've started doing some post-plastic surgery on the actors. 7 years since the pilot is a long time, especially when it's only supposed to be 3
![]() The first 5 or so episodes definately look rougher than past seasons (the stuff in LA), but after that it's back in gear I'm with Tarantino. Shoot film (preferably 70mm ![]() Last edited by Jeff Kleist; 12-26-2009 at 11:40 PM. |
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#11679 | |
Super Moderator
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Shame when someone with so much skill is also affected by gravity so much and not much else. |
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#11680 |
Blu-ray Ninja
Oct 2008
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probably a silly question, but... for films shot digitally on 1080p cameras, is the digital intermediate done at the native resolution of the camera, or do they scale it up to 2K, and then scale it back down for the BD release?
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