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#2481 | |
Moderator
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![]() UGH! How odd. A full press restoration of a classic will HURT the box office of a remake, I would think. Why go see a remake when you can see the real thing? Gary P.S. Other things (accumulated): Harris (LoA for Columbia) - Studio Scorsese - Director Steve McQueen quote (went to same acting school as De Niro) - Actor Panic Room (Jody Foster) - Actor Taxi Driver Last edited by dialog_gvf; 04-11-2008 at 03:42 PM. |
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#2482 | |
Banned
Oct 2007
Los Angeles
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#2483 |
Banned
Jul 2007
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Lowry and IMAX are not real time. Real bad artifacts were easy to see nonetheless some years ago. Have not seen recent Lowry or IMAX DRM material.
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#2484 | |
Retired Hollywood Insider
Apr 2007
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All of my comments were related to DVNR 2k image processing systems in post work for theatrical presentations. In that regard, grain can be quite obtrusive in film that has been pushed in the lab or under and over-exposed in the camera………intentionally or not. Also, I didn’t even get into the topic of with effects work how easy it is for mismatched grain structure to ruin a composited scene - when the grain in different elements is dancing to different beats. Grain/noise reduction processes used further downstream specifically with home video versions in mind is a completely different subject of which I guess is indeed the current concern. Let me say this. I think of grain like salt in your meal. It’s a very personal and subjective thing……..i.e. different people certainly prefer different amounts. I think that there is no *right* amount. Personally, I like a little salt in my meal (films), on the other hand, I personally don’t like an excessive amount of salt. More importantly, if I’m the chef, I don’t like my recipe (including salt content) altered further on down the line no matter where people are eating my delicacy (home theater)……….which I think is what you are getting at. Sometimes I think that new members to the home theater experience believe that the more crystal clear a Blu-ray movie is………the better the “PQ”. They fail to realize that movies are not intended to be like a crystal clear broadcast of an NFL game on a Sunday afternoon. Directors, D.P.’s etc. are artists and movies are an expressive medium of which grain content is one ingredient. Happy ? ![]() |
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#2485 | |
Retired Hollywood Insider
Apr 2007
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Michel, in fact, if you play “upright bass” or are a “rockabilly kid”, you may just be able to charm more info out of this person (see bottom box on the left--- “Jeff’s Company”) ……………………. http://profile.myspace.com/index.cfm...friendID=49355 |
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#2486 |
Retired Hollywood Insider
Apr 2007
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P.S.
In fact, I think it is even possible to apply very mild grain reduction in real time (to particular scenes) that results in no artifacts visible to you or anyone else for that matter, if the operator is very careful and judicious with the process. |
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#2487 |
Retired Hollywood Insider
Apr 2007
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Folks, my day is done and it’s off to the city of Sun and Fun.
Have a Blu weekend. ![]() |
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#2488 |
Member
Aug 2007
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#2489 |
Banned
Jul 2007
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Possibly. But why bother if the reduction is so subtle you need the original and split screen to see minor differences? Usually this stuff is used to have some impact. And that can easily translate to benefits (less noise/grain) and costs (artifacts).
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#2491 | |
Blu-ray Ninja
![]() Jul 2007
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#2492 |
Banned
Jul 2007
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North by Northwest.
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#2494 |
Banned
Oct 2007
Los Angeles
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#2497 |
Banned
Oct 2007
Los Angeles
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#2499 |
Active Member
Apr 2008
Hertfordshire, England
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#2500 |
Banned
Oct 2007
Los Angeles
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