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#11561 |
Power Member
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Penton,
Watched D9 last night. Jaw dropping video transfer on that one. Kudos to Sony on one of the best presentations I've seen this year. The International is also one of the best I've seen this year and I use it for reference and demonstrations quite a bit. Also, have a great holiday season everyone! |
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#11562 |
The Digital Bits
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Cliff, good rant
![]() Given the problems NTSC has with reds, to what would you attribute the general red/warm push in late 90s/early 2k color timing that we see being moved away from today? I was watching Rocky last night and Adrian looked like she'd been running laps (the red push accentuated the rouge she had on big time) |
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#11563 | |
Retired Hollywood Insider
Apr 2007
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I wrote this tidbit back in October…………. https://forum.blu-ray.com/showthread...ed#post2378194 Add to that ^, the fact that the principal photography was intentionally scheduled and shot during the wintertime in Johannesburg to provide the necessary *look* for the film because summertime in South Africa tends to be more green and lush……not too indicative of a war zone, unless you’re talking about someplace like Southeast Asia. You vont pretty? ![]() This is pretty…………commercial directed by another Michael – http://www.huffingtonpost.com/2009/1..._n_382412.html P.S. Finally, after 14 long years, the tradition continues ![]() Virginia are National Champs………again!http://www.ncaa.com/sports/m-soccer/...121309aaa.html |
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#11564 | |
Retired Hollywood Insider
Apr 2007
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![]() And the same to you and your family. ![]() |
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#11565 |
Retired Hollywood Insider
Apr 2007
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#11566 |
Blu-ray Baron
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The funny thing is, some of them claim to see differences on the images which don't even exist! (see the Inglourious Basterds compare thread over there).
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#11567 | |
Retired Hollywood Insider
Apr 2007
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http://www.avsforum.com/avs-vb/showp...3&postcount=39 For once, I agree with the guy (eric.exe) ![]() And not to mention the conveniently ignored basic fact of just what honest percentage of screenshot affectionados have ever had their computer displays properly calibrated………even once? Something which we discussed here in the past………. https://forum.blu-ray.com/showthread...ed#post2480294 P.S. I've seen the theatrical presentation (not the Blu-ray yet) and the digital grade by Yvan Lucas from EFilm looks quite good. ![]() Tip of the hat to him. ![]() Of course, the way Robert Richardson lights, he probably had very little leeway in how to make everything look 'right'. ![]() Inglourious Basterds is a tour de force in the art of lighting and Robert R. should be a serious contender for at least an Academy Award nomination for his work....in my opinion. |
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#11568 |
Expert Member
Sep 2007
Southern NM
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Penton,
I am awaiting with great anticipation the arrival of my copy of D9, the early reviews I have read are not helping with the patience quotient. I missed it in the theater because it barely stayed any time in our little 10 screen plex here, so I think I can safely say that this is one of my most anticipated BD releases of the year. I just wanted to ask if the audio track on this release is one of the 96/24 tracks like the excellent 'Leon' soundtrack? From the reviews, the audio is very good, so I am not concerned if it is not, I am just curious. Thanks, and happy holidays to you and yours, Chris |
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#11569 | |
The Digital Bits
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#11570 |
Banned
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Interesting controversy on screenshot science...
http://criterionforum.org/forum/view...245912#p245912 |
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#11571 |
Blu-ray Guru
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Tarantino's films are interesting with lighting. Often it seems their scenes tend to alternate between using a soft, uniform look across the frame to scenes that use one or two specific sources to blow everything else out. It's been hit-and-miss somewhat in the past. For instance, the way the overheads tended to whiteout Uma Thurman's blonde hair in the House of Blue Leaves (Kill Bill 1) seemed a bit much in some shots. Basterds really seems to hit the sweet spot though--dictating the viewer's attention at times yet encouraging one's eyes to wander a bit at others. Very impressive work.
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#11572 | |
Blu-ray Samurai
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#11574 | |
Developer
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Beaver: [Show spoiler] http://www.dvdbeaver.com/film2/DVDRe...ce_blu-ray.jpg Blu-ray.com: [Show spoiler] Beaver's screenshots seem to average around 250-300kB in size, while Blu-ray.com screenshots average around 1-1.5MB. And as always, screenshots should not be used to judge image quality ![]() Last edited by iceman; 12-15-2009 at 08:25 PM. |
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#11575 |
The Digital Bits
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Wasn't Beaver doing it before Xylon popularized it?
Ice, if you read the thing from David MacKenzie, he has a hypothesis that in addition to the compression, that there is some kind of resampling/filtering that's enabled on PowerDVD that's causing it Essentially like so many before him, he's failed to RTFM ![]() |
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#11576 | |
Developer
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![]() Last edited by iceman; 12-15-2009 at 08:25 PM. |
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#11578 | |
Expert Member
![]() Apr 2008
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Even though those that use screen shots as illustrated purposes with the knowledge behind it tend to get lumped in with those that don't and make blanket statements, Michael and David's comments are ones I've come to respect and trust. |
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#11579 |
Expert Member
![]() Apr 2008
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Congratulations to Sony Pictures Classics for 3 out of the 5 best foreign film nominations for the Golden Globes.
Broken Embraces (Los abrazos rotos) (Spain) The Country of Spain El Deseo SA; Sony Pictures Classics A Prophet (Un Prophete) (France) The Country of France Chic Films/Page 114/Why Not Productions; Sony Pictures Classics The White Ribbon (Das Weisse Band - Eine Deutsche Kindergeschichte) (Germany) The Country of Germany X Filme Creative Pool/Les Films Du Losange/Lucky Red; Sony Pictures Classics |
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