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#1961 | |
Blu-ray Baron
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#1962 |
Special Member
Sep 2007
less than 10 minutes from Akihabara
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Did he say that before or after the Warner announcement?
Either way though, even if it was true at the time Spielberg wouldn't have allowed it without a Blu-Ray release. |
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#1963 | |
Banned
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After. Supposed to rally the troops I guess since it would have been a huge title in HD.
Quote:
I'm willing to bet we'll get Indy on BD when Indy 4 hits home video. |
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#1964 | |
Power Member
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North Potomac, MD
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One of the reasons I enjoy the insiders thread on Blu-ray.com it the honesty of the insiders. People will always look at things from their own perspective, but you guys in my opinion have show a degree of honesty which make me proud to be a member of this forum. I only wish the politicians were as honest and forthcoming as you guys! |
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#1965 | |
Active Member
Sep 2006
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#1968 |
Banned
Oct 2007
Los Angeles
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#1969 |
Active Member
Dec 2007
Island of Jersey
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#1970 |
Blu-ray Guru
May 2007
PSNetwork: groovyone
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Nice one, Max!
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#1971 | |
Retired Hollywood Insider
Apr 2007
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You know it’s quite astute you mention that because I bring good news as well as bad news to the faithful here so that they can be informed as possible. Everyone naturally remembers the heads-up for all the good news (recently, like my hint to wait for another blast ![]() ![]() ![]() For example, 1. Don’t count on LoA on Blu-ray for quite awhile. 2. Don’t count on the SCE insider to appear soon on this forum, if ever. 3. Don’t count on any photo shoot from our mystical model, (you guys will just have to wait for the dirty blonde I talked about that we captured with a twenty (20) megapixel still camera). 4. Despite the fact that everyone was getting their spirits way up last year for an imminent move by WB (within days) to publish exclusively in Blu back in Sept.? which was floated on this forum as a done deal by a rogue AVS member, I shot it down completely within hours. 5. The revelation that in many HD suites that do the high-def encoding/authoring across a wide segment of the studio and post house business were exclusively using pro CRT monitors…….I think DaViD remembers that well ![]() So, you see, if BD50 availability for Uni was truly a concern, you would indeed hear about it. Honestly, I am getting a little concerned at this time regarding the advancement of Blu at the rate we had expected, because of one thing………….the economy, since if things continue the way they are going, potentially the decrease in consumers’ discretionary spending will indeed become a factor in the adoption rate of the format by the mainstream public. The year is young and this is the slow season but, it should be interesting to see how many new high definition TV’s are sold during the upcoming winter Holiday season. |
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#1972 |
Retired Hollywood Insider
Apr 2007
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#1973 |
Retired Hollywood Insider
Apr 2007
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#1974 |
Active Member
Nov 2007
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I was wondeering, since it has been alluded to several times that some master films are in great shape and others are in shambles. How does this happen? The studios don't have temp/humidity/fireproof vaults where they keep these? Or do directors get to keep their masters?
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#1975 | |
Retired Hollywood Insider
Apr 2007
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Many studios have historically used originals as a printing negative, which can be extremely punishing. That’s the reason why so many negs no longer exist. Ironically, the more successful the film was, the more damaged it got! Some were then stored improperly for decades. Factors include such things as temp, relative humidity, air circulation, air purity, physical storage and most importantly cleanliness in regards to DUST and SCRATCHES. Many film preservationists believe that with the proper storage, film should last a long time (like 100 years or more). When I get some time perhaps next week I will further elaborate on the strategies of good film preservation……thinking in terms if any one locale (God forbid) ever suffers a nuclear attack or some catastrophic event like a major earthquake (I’m serious here). But spicy, I think that you may be confusing the terms “master” and “films” and to what has been “alluded” to several times. Sure, there are cases of *original film elements* that are/were in “shambles”, witness The Godfather series at Paramount before S. Spielberg became proactive on the matter to help out F.F.C. But the more immediate concern to impatient home theatre enthusiasts are the HD masters (generally tape) and the “shambles” some are in which delays their appearance on Blu-ray by studios that care about the quality of their product……and have to invest time and money into redoing those. Before the onset of the high-def format (Blu-ray), the HD masters were created with the knowledge that there would be down conversion to DVD. Which means that any artifacts on the created HD masters would pretty much be camouflaged at the resolution of the DVD format in consumers’ homes……..except maybe those with screens greater than 100” or so. Now, with the increased resolution of Blu-ray compared to DVD, people are visulaizing much more transparency to the original HD masters than they did in thee ole days with their DVDs. This has revealed or magnified blemishes that the studios never had to deal with before. Now they do. Which means that I know of at least one studio that is reviewing each and every HD master they own to check if the production of a new HD master is warranted before release on Blu-ray. In fact, to take it to a higher level, if during that process of review, the film itself is on the “due” list for archival purposes then a full blown digital restoration (or more) of the original film elements may be in order............ which means that HD master production would possibly be delayed even longer and based upon the new *restored* source. |
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#1977 | |
Senior Member
Mar 2007
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#1978 | |
Blu-ray Samurai
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#1980 | |
Moderator
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![]() Seriously: There should be duplicates kept somewhere else. You can't guarantee any region is stable. So, some redundancy is demanded. Last edited by dialog_gvf; 03-21-2008 at 09:14 PM. |
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