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Old 06-06-2018, 08:38 PM   #5481
Penton-Man Penton-Man is offline
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Originally Posted by Staying Salty View Post
Interesting choice of words.
https://www.youtube.com/watch?v=c4n6Z90S4ZI#t=5m27s

“stunned the world” is Larry putting it kindly, more precisely, looking back at the ITU meeting in spring of 2012, the submission was met with much skepticism and initially rejected - https://forum.blu-ray.com/showthread...m#post12602993
but later accepted https://www.itu.int/md/R12-WP6C.AR-C-0052/en

look long term

Last edited by Penton-Man; 06-06-2018 at 08:59 PM. Reason: added a link to the document for those with access
 
Old 06-06-2018, 08:46 PM   #5482
Penton-Man Penton-Man is offline
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HDR creator Tom Roper. He wrote about how time-consuming and convoluted it was,
True the HDR10+ production is a relative no-brainer as compared to DV, but with more experience, the DV work it’s not quite as intimidating (PITA) as Tom implies. A Dolby Vision training class was just given about a month ago at the Dolby Labs in New York City and are commonly available in the Burbank office.

For small shops or independents, the major stumbling block remains their initial investment/outlay cost for the complete Dolby Vision workflow pipeline installation (including hardware and software) and the yearly Dolby Vision mastering and playback service agreement.
 
Old 06-06-2018, 08:54 PM   #5483
Penton-Man Penton-Man is offline
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which included listening to a panel discussing HDR workflow….

In case inquiring minds were wondering what that content was on the screen behind the panelists, but were too shy to ask, it was from this - https://www.imdb.com/title/tt5290382/

later, duty calls.
 
Old 06-07-2018, 02:22 AM   #5484
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HDR MONITORS TESTING

Last month the EBU Videos Systems group organized an HDR monitors testing event.....
The result will be summarized in a report this summer and used to update EBU Tech 3325 and to create new test patterns.
Testing included measuring the monitors’ luminance ranges, uniformity, black level, color gamut, contrast ratio, transfer function, grey scale reproduction, delay time, and more. Pixel defects, image sticking, treatment of illegal signals, etc. were verified subjectively.

Until this summer’s report comes out, it can be revealed that it was interesting to see that the tests revealed a new type of effect, which may be called ‘dynamic burn-in’. It turned out that some monitors still show parts of (repetitive) moving images long after the signal has been removed. As with static burn-in, cleaning signals may be used to remove the effect, but they may be very screen-specific.
 
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Old 06-07-2018, 02:38 AM   #5485
Penton-Man Penton-Man is offline
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For World Cup fans, the production workflow explained….https://www.youtube.com/watch?v=c4n6...vLY5o#t=1h4m9s

Of course, as I explained to folks on the last page, the USA did’nt qualify . The reasons? well, don’t blame Jurgen (https://www.si.com/soccer/2018/05/16...orld-cup-usmnt) nor Bruce (https://www.amazon.com/Coaching-Amer.../dp/0062803948....
which makes the intro pic to this article even the more painful/ironic as a reminder - https://www.tvtechnology.com/news/fo...rld-cup-russia
 
Old 06-07-2018, 04:31 PM   #5486
Penton-Man Penton-Man is offline
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Testing included measuring the monitors’ luminance ranges, uniformity, black level, color gamut, contrast ratio, transfer function, grey scale reproduction, delay time, and more. Pixel defects, image sticking, treatment of illegal signals, etc. were verified subjectively.

Until this summer’s report comes out, it can be revealed that -
amongst the tested monitors, the measured video delay varied between roughly 20 and 60 ms which is obviously more critical and significant for certain use cases rather than others.
 
Old 06-07-2018, 04:36 PM   #5487
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a different focus group (including ‘Al Pacino’, ‘Owen Wilson’ , ‘Matthew McConaughey’, ‘George Clooney’ and others) also discussing HDR…..
https://vimeo.com/272982054
nobody found that vimeo clip at all humorous ^ ?

It was quite the comedy relief hit as an ‘educational’ trailer among a room full of professionals (paid geeks) during a technical presentation. Oh well, I guess hobbyists are a more discerning lot with regards to such things.
 
Old 06-07-2018, 04:43 PM   #5488
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technology marches on.....
pic sent to me from someone at a show this week overseas –

 
Old 06-07-2018, 05:38 PM   #5489
Staying Salty Staying Salty is offline
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Talking Is there a DoVi double dip in the future?

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There is a difference between what the specs say CAN be done and what ACTUALLY is being done. DV is capable of frame by frame adjustment capability for content creators but that is not what is happening with current material. It’s basically like car manufacturers spec’ing cars with a top speed of 200 mph, but what is being sold only does 155 mph.
So, if I am understanding this correctly, there are two DoVi improvements that are not being implemented on current DoVi discs. One is ICtCp and apparently the other is frame by frame adjustments. Our future panels will be able to take advantage of the 12 bit encode being done now, so that's a good thing.

I am all for the best picture I can afford, but it would have to be a special movie for me to double dip a DoVi title (or am I just kidding myself ).

Anyway, the future is looking bright for DoVi.
 
Old 06-07-2018, 09:42 PM   #5490
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Quote:
Originally Posted by Penton-Man View Post
nobody found that vimeo clip at all humorous ^ ?

It was quite the comedy relief hit as an ‘educational’ trailer among a room full of professionals (paid geeks) during a technical presentation. Oh well, I guess hobbyists are a more discerning lot with regards to such things.
I missed it the first time around - I watched it a few minutes ago and really loved it! Particularly the Christopher Walken line calling back to a certain Saturday Night Live skit. Pretty decent impressions, too. Thanks for the link!
 
Old 06-08-2018, 02:40 AM   #5491
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Quote:
Originally Posted by D-Nice
There is a difference between what the specs say CAN be done and what ACTUALLY is being done. DV is capable of frame by frame adjustment capability for content creators but that is not what is happening with current material. It’s basically like car manufacturers spec’ing cars with a top speed of 200 mph, but what is being sold only does 155 mph.
Quote:
Originally Posted by Staying Salty View Post
So, if I am understanding this correctly....
D-Nice baby! Man, that’s a blast from the past. Last I remember of him was from years ago when he gave a presentation at one of Robert’s old Value Electronics shootouts in the past (live streamed) and kept mentioning how he loved D-Kuros and how many D-Kuros he personally owned. What’s the fine guy up to these days, is he still active?

Anyway, give me a few moments to find a reference link in order to fully reply to your post.
 
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Old 06-08-2018, 02:55 AM   #5492
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Quote:
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There is a difference between what the specs say CAN be done and what ACTUALLY is being done. DV is capable of frame by frame adjustment capability for content creators but that is not what is happening with current material.
Frame by frame dynamic metadata is a relatively unused feature of Dolby Vision. That said, is has been utilized for deliverables. Ask ‘em – http://www.kmppost.com/#/work

As to ICtCp and my interest (the ITU in particular), a high performing standardized method of evaluating color fidelity is critical to evaluation of systems and equipment in this new age of WCG/HDR and the initiative is endorsed by many, e.g. http://nabanet.com/wp-content/upload...-0300MSW-E.pdf .

A color difference based upon the ICtCp signal format I’d say most in the international standards community feel is the best scheme.
 
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Old 06-08-2018, 03:03 AM   #5493
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I missed it the first time around - I watched it a few minutes ago and really loved it! Particularly the Christopher Walken line calling back to a certain Saturday Night Live skit. Pretty decent impressions, too. Thanks for the link!
You’re very welcome for I was beginning to worry that all you guys were exclusive Jason Statham fans -



 
Old 06-08-2018, 03:15 AM   #5494
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Quote:
Originally Posted by Penton-Man View Post
D-Nice baby!...What’s the fine guy up to these days, is he still active?

Anyway, give me a few moments to find a reference link in order to fully reply to your post.
D-Nice is still very active and I follow him in the OLED calibration threads. Thanks for your reply and links.
 
Old 06-08-2018, 03:25 AM   #5495
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What’s the fine guy up to these days, is he still active?
I see he is active (over at AVS at least)…. http://www.avsforum.com/forum/465-hi...l#post56305128

Too funny , what with the PLETHORA of people all over the internet linking that HDTVtest video and using it as a gold standard by well respected calibrator Vincent, here we see well respected calibrator D-Nice completely disagreeing with the material/method root basis of the comparison……and crickets as to a reply by the masses.

Robert Z., it’s up to you to employ well respected calibrator Tyler P. or David Mackenzie (if he’s learned to pronounce ‘temporal’ correctly ) to be the ultimate arbitrator of these divergent assertions.

Last edited by Penton-Man; 06-08-2018 at 03:33 AM.
 
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Old 06-08-2018, 04:02 AM   #5496
Staying Salty Staying Salty is offline
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Quote:
Originally Posted by Penton-Man View Post
As to ICtCp and my interest (the ITU in particular), a high performing standardized method of evaluating color fidelity is critical to evaluation of systems and equipment in this new age of WCG/HDR and the initiative is endorsed by many, e.g. http://nabanet.com/wp-content/upload...-0300MSW-E.pdf .

A color difference based upon the ICtCp signal format I’d say most in the international standards community feel is the best scheme.
Can HLG do ICtCp????

That may be the 64 billion dollar question in the long run.
 
Old 06-08-2018, 11:29 AM   #5497
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Originally Posted by Penton-Man View Post
I see he is active (over at AVS at least)…. http://www.avsforum.com/forum/465-hi...l#post56305128

Too funny , what with the PLETHORA of people all over the internet linking that HDTVtest video and using it as a gold standard by well respected calibrator Vincent, here we see well respected calibrator D-Nice completely disagreeing with the material/method root basis of the comparison……and crickets as to a reply by the masses.

Robert Z., it’s up to you to employ well respected calibrator Tyler P. or David Mackenzie (if he’s learned to pronounce ‘temporal’ correctly ) to be the ultimate arbitrator of these divergent assertions.
Thank you, Tyler Pruitt and David Mackenzie will be co-staring (along w/several other video experts) at our 2018 TV Shootout.
 
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Old 06-08-2018, 11:55 AM   #5498
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So who to listen to, Vincent or D-Nice?
 
Old 06-08-2018, 12:02 PM   #5499
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Can HLG do ICtCp????

That may be the 64 billion dollar question in the long run.
Excellent question.

I'll take a stab at it and say from what I know ICtCp is limited to HDR that follow the PQ curve and can go beyond the HLG 1,000 nit peak luminance tone mapping.
 
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Old 06-08-2018, 04:15 PM   #5500
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So who to listen to, Vincent or D-Nice?
Lately, that sort of thing seems to be a common conundrum recently, because for instance I, being an Oppo 203 player and cat owner (as an aside, a cat that’s curious to play with all sorts of strings, like the dvhe.stn.uhd30 string), just a couple days back I travelled to the Oppo 203 thread as directed by my friend gkolb - https://forum.blu-ray.com/showthread...g#post15140263

and I red that well respected reporter John Archer claimed that according to his Oppo source, the Dolby Vision update was set to roll out in a day or two….. then, several posts later on the next page in clarification of his chicken metaphor, well respected Beta Tester JohnAV in response (a post which has since been deleted) was being totally dismissive of the Forbes news, implying it was incorrect.

What’s a man to do?

Cue……



P.S.
What I’ve discovered over the past couple days is that if I get to Birmingham on one of my travels I wouldn’t mind sharing a meal with mrtickleuk

Last edited by Penton-Man; 06-08-2018 at 04:18 PM. Reason: added a P.S.
 
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