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#1401 | |
Retired Hollywood Insider
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This should be an easy to understand article for most readers here… http://www.nature.com/articles/srep0...c-2095c5ebfd90 So, why do I feel I can speak somewhat authoritatively about the fovea and vision? Because, I know what a normal fovea…. ![]() and an abnormal fovea look like…. ![]() and what is causing the problem, exactly how my friends in the clinical sciences proceed to fix it, what complications could happen, what are the visual acuity expectations afterwards, etc. Last edited by Penton-Man; 06-23-2018 at 06:56 PM. Reason: reposted exact same original pics after the free image hosting services changed urls |
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Thanks given by: | DanBa (03-18-2017) |
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#1402 |
Retired Hollywood Insider
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No problemo.
![]() (Also in Dolby vision), I call on thee Egyptian ![]() |
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#1403 | ||
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Once ATSC 3.0 tuners come out with HEVC decoders won't that mean that ATSC 3.0 will have to use HEVC? Even today MPEG-2 is still used by US broadcasters. ATSC 3.0 may be more flexible but I can't see how they could change anything major without obsoleting older equipment. Hopefully broadcasters will switch to 4K after the ATSC 3.0 transition. |
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#1404 | |
Retired Hollywood Insider
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From the peer reviewed paper by a Professor from Berkeley having a research interest (advanced) in this topic…. https://optometry.berkeley.edu/peopl...r-od-phd-faao/ ![]() So then, the applied vision science implication for video engineers and hobbyists to be aware of is that hyperacuity allows us to see/recognize things like image degrading artifacts….. ![]() In other words, in conclusion, thee overall resolving power of the human visual system is determined by the eye + the brain functioning in conjunction and the 120 cpd figure is 4x greater! than the 30 cycles per degree (cpd) of 20/20 vision. |
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Thanks given by: | DanBa (03-19-2017) |
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#1405 | |
Retired Hollywood Insider
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#1406 | |
Retired Hollywood Insider
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https://www.youtube.com/watch?v=bKtTxQmgru4#t=7m18s |
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Thanks given by: | DanBa (03-19-2017) |
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#1407 |
Blu-ray Emperor
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Hmmm, so there's actually a reason why I seem to be far more susceptible to things like aliasing and tiny little visual gremlins like that, despite my need to wear corrective lenses? Heh, 20/20's overrated. I sure is special, boss!
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#1408 |
Retired Hollywood Insider
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Until dem robots come down thee aisle.
Seriously, what this all means is that the eye to screen distance charts that some people commonly reference on the internet somewhat underestimate our true viewing capability because they base their charts on simple visual acuity (Snellen VA) and don’t take into consideration the functionality of our entire human visual system, i.e. what happens distal to the optic nerve. ![]() That said, once the camera or objects move sufficiently fast enough, static resolution becomes more moot and we require higher temporal resolution (HFR) for sharper pictures. |
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#1409 |
Retired Hollywood Insider
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![]() Last edited by Penton-Man; 03-22-2017 at 06:06 PM. Reason: added the word 'NAB' |
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#1410 |
Retired Hollywood Insider
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Some comments regarding 4K (finishing visual effects in 4K, etc.) during the panel discussion...https://www.youtube.com/watch?v=bKtTxQmgru4#t=31m23s
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Thanks given by: | MarekM (03-25-2017) |
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#1411 |
Blu-ray Guru
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A couple of interesting THR articles ahead of CinemaCon.
Ymagis' CinemaNext Unveils New Premium Cinema Model - They're introducing a Dolby Cinema like theater called Sphera using their EclairColor HDR system, and it could come to the US. CinemaCon: Sony to Unveil Laser Projector - I assume it might go in the above Sphera theaters. But it could possibly make its way to other "premium large format theaters." Like has anyone ever heard of Cinemark's proprietary HDR system? Is theatrical HDR going to become splintered factions like the audio systems (Dolby vs DTS vs Auro)? Any chance of a standardized theatrical HDR? Last edited by puddy77; 03-21-2017 at 03:42 PM. |
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#1412 |
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Color Volume Dominates 2017 4K Ultra HDTV Comparisons - HDGuru article that includes comments from a Dolby rep. Interesting that he seems to defend LG's RGBW subpixel structure against Samsung's attacks, while remaining on message that Dolby Vision plays to the strengths and minimizes the weaknesses of any DV display.
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#1413 |
Retired Hollywood Insider
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Hoping to hear some audience feedback from the screening of Pirates of the Caribbean: Dead Men Tell No Tales, scroll down to the bottom....http://cinemacon.com/schedule#horizontalTab3 as Yehya won’t be reviewing the movie until May.
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#1414 |
Retired Hollywood Insider
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Last night I stopped by my local Best Buy to purchase a small part which I needed quickly. Browsing thru the TV section I overheard a customer talking to the BB employee saying…”I’m in the market for a new television. Are the Samsung QLED tvs a more advanced form of OLED?”
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Thanks given by: | gkolb (03-22-2017) |
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#1415 |
Retired Hollywood Insider
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At thee upcoming NAB, precisely here, the UltraHD Forum will have demos including the showing of HLG content.
HLG continues to be studied at the international standards working group level…. https://www.itu.int/md/R15-WP6C-C-0213/en |
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Thanks given by: | MarekM (03-25-2017) |
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#1416 | |
Power Member
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Last edited by PaulGo; 03-22-2017 at 03:52 PM. |
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Thanks given by: | gkolb (03-22-2017) |
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#1417 |
Retired Hollywood Insider
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Nope
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#1418 | |
Senior Member
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#1419 | |
Blu-ray Samurai
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Clearly Dolby is making financial statements. Can't go around knocking a tv that makes them money ![]() |
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#1420 | |
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https://forum.blu-ray.com/showthread.php?p=13204106 |
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