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#6101 |
Blu-ray Count
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#6102 |
Super Moderator
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After all this time, there's nothing to disprove all of us you have mantained that this transfer is a screw up. The main argument from the releasing studio and some of its associates was that "its DP approved"...now we know how that turned out to be, which is not a surprise at all. I do respect the opinion of the paying customers who liked the transfer.
Last edited by Blu Titan; 11-10-2012 at 08:26 PM. |
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#6103 | |
Retired Hollywood Insider
Apr 2007
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But worse, to defend a home media incarnation using those same phrases, i.e. ’in consultation with’ or ‘approved’ in an intentionally misleading fashion directed to un-knowledgeable, common shoppers is tantamount to a damage control cover-up of the actual Blu-ray production. For cripes sakes, for those unfamiliar with the post production process of a NEW motion picture, given typical contractual terms and lack of compensation for their time and skills, it’s not uncommon for the poor, unappreciated DP to not even be really involved in the DI process (meaning actually supervise the transfer in the DI suite) as anyone from the Director to the post supervisor to the editor to the producer, or worse, can turn up in those color correction sessions as the designated *image decision-maker*. |
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#6104 | |
Active Member
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To me those defending the transfer as excellent mostly fall into one of the categories below: -Selling copies on Ebay, trying to maximize their profits -Savini fans -Use the warm/hot settings on their TVs just for this blu -Never saw the movie before so they don't know how bad it looks now I find it most interesting the claims that the DP approved this, then we find out that we're being lied to. TT are not helping their reputation with this release. |
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#6105 |
Banned
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Again he was shown some screen grabs taken i think by one of the members on here then viewed them on who knows what ( we need to find out)............... not the Blu Ray????
I am not defending it as i have not seen it yet but you guys are jumping to all sorts of conclusions and portraying them as facts when this is clearly not the case. PS I will be viewing using equipment correctly set up. Last edited by Mr Kite; 11-11-2012 at 10:03 AM. |
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#6106 |
Active Member
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Aren't the facts still
1. The DP instructed colour timing changes to be made 2. Tom Savini, who has actually watched the Blu-Ray, thinks it looks 'fantastic' 3. The DP, who has only seen screen caps, has said that he was consulted by phone, and that the screencaps, which any sensible person will consistently say don't mean diddly, don't look good. Have I missed something or did Twilight Time's offer of a FULL REFUND for dissatisfied customers not happen? PS the warm setting is correct for every television I have ever seen. |
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#6107 | |
Senior Member
Jul 2012
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If you have a chance, watch the DVD or the HDX Vudu version first and then watch the blu-ray so you can see and hear exactly what was changed. |
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#6109 |
Senior Member
Jul 2012
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Here's the statement from Twilight Time about the DP.
"As promised, we have discussed NOTLD at the studio and are able to verify via SPE's Mastering Department, that our Blu-ray is indeed the approved transfer from 2010, generated for the film's 20th anniversary, and done in consultation with the film's director of photography." What a joke. Sony's mastering department just neglected to mention that the DP NEVER SAW the changes. |
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#6110 | |||
Blu-ray Guru
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Quote:
Quote:
![]() Last edited by Torrente; 11-11-2012 at 12:45 PM. |
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#6111 | |
Super Moderator
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Last edited by Blu Titan; 11-11-2012 at 02:11 PM. |
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#6112 |
Blu-ray Guru
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As I said to you by email before, those screenshots are gorgeous, you did a marvellous job on the coloring! I sure would have loved to see this color grading released on BD instead of the "other" ![]() You really should send this to the DP, I'm sure he would praise your work more than Sony's on this transfer, and he would probably validate your coloring!!! ![]() Last edited by Torrente; 11-11-2012 at 03:16 PM. |
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#6113 |
Expert Member
Aug 2009
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Assuming the screen he saw them in was calibrated and the caps were taken properly, then no, they don't mean "diddly". The caps on this very site are basically 1:1 with what's on the disc, JPG compression aside.
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#6114 | |
Power Member
Oct 2011
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In any case, if this latest news is correct, then Prinzi still hasn't seen the actual disc, just some screen caps! As others have pointed out, we don't know which caps were sent his way, and on what uncalibrated device he viewed them. And why was he lending his approval to an unseen master anyway? |
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#6116 | |
Power Member
Oct 2011
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![]() While some home video companies (*cough* Criterion *cough*) have routinely based their Marketing thrust on that "<Fill in the Blank> Approved" angle, what we have here is a company that simply licenses the best 'Studio Approved' HD master in the vault, and makes no 'creative' claims whatsoever beyond that. TT has one primary and inviolable job to do, which so far they have done exceptionally well...to professionally author and manufacture a master so that it best represents the studio asset that was entrusted to them for 3 years and 3000 units. So despite the inherent 'creative' revisionism of this NOTLD90 edition - something I don't happen to agree with unless it had been part of a clearly marked SE which included both interpretations of the film - TT did their production job here exceedingly well. They even went above and beyond with customers once they discovered that some fans were "horrified" (for the wrong reasons) by the results. I know from previous posts on Blu-ray.com that you understand more than most from the inside how 'delicate' the nature of a licensee's role truly is...that they are so far down the production food chain they must rely on their legally binding agreements...which means they must trust that the studio has handed them a 'signed-off' master which meets the expectations of everyone up chain who still has some say in what the movie should look and sound like. For a licensee to try inserting themselves into creative discussions over the specific colorist choices of a 'signed-off' studio master is w-a-y outside their scope, much less control. I mean, if the movie's DP was "consulted" only via phone, and the Director not at all, then why would anyone think that a mere licensee would have anything whatsoever to say about the colorist's choices...especially for a title originally shelved by the studio due to lack of commercial interest? Last edited by ROclockCK; 11-12-2012 at 03:54 AM. |
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#6118 | |
Special Member
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No, someone at sony DESERVES an ass chewing for the bs they've told TT. If that's the way they're going to do business it's a losing proposition for TT long term because they can't afford the credibility hit, Sony can. |
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#6119 | |
Retired Hollywood Insider
Apr 2007
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as well as hours of dailies viewing, at least some Digital Intermediate experience, and seeing the end product(s) of his labor on TV (given all the TV series and TV movies he’s shot) is fully aware of the value or limitations of screenshots which someone has sent him or directed him to view for assessment, before he were to make comment. In fact, I wouldn’t be surprised (given his digital experience) that he could tell you about more esoteric video things like the need for filtering the chroma in order to compensate for 4:2:0 color subsampling which can induce jaggies. If this is truly a valid concern and you think that Frank (the DP) gave a knee-jerk response based upon viewing an improper sample,well then, ![]() But, regardless, one thing it doesn’t change is the revelation of the DPs limited involvement with the Blu-ray transfer and the publicity scenario which followed exposing this ‘in consultation’ spin. |
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#6120 | ||
Retired Hollywood Insider
Apr 2007
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![]() I’ll post a follow-up on the nitty-gritty of some DPs involvement in the DI process on the 4K movie thread… https://forum.blu-ray.com/showthread...189830&page=17 Because unless the DP has a very good relationship with the Director and is adequately compensated for his time, it is not uncommon for that also to be a farce. DPs have been complaining about that for years behind-closed-doors and now they are beginning to comment publicly about it. But back to the Blu-ray, if you seek to assess blame, I think a reasonable person would conclude that TT is only a secondary intermediate player in this situation for *they don’t want to bite the hand that feeds them*. Given the fact that I've received subtle threatening emails in the past, honestly, I wouldn’t be surprised at all if somebody in authority (at the V.P. level) ‘gets to’ the DP (Frank) over the next few days by applying some sort of leverage or offering perks, and the DP recants or *modifies* his original assessment and the whole situation gets spun something like this - |
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