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#51341 | |
Senior Member
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Nothing would make me happier than to get some concrete evidence, but I remain unconvinced. |
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#51343 |
Expert Member
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I only watched La Haine but what an amazing film. I was expecting more of a crime drama type film but really it was just like a day in the life of 3 poverty stricken guys in France. I still really liked it thou.
Now I plan on going back to BN to pick up Night of the Hunter and Battle of Algiers. I can't decide on my third choice. My last purchases were La Haine and Down by Law so I'm kinda in a 90's kick. Trying to decide between Shallow Grave or Being John Malkovich. What do you guys think? |
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#51344 | |
Blu-ray Samurai
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#51345 | |
Power Member
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#51346 | |
Active Member
Jun 2012
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BJM is sort of surreal, deals with some existential things, sort of f's w/your brain, and has light comedic moments. SG is sort of a thriller, deals with some moral questions, is pretty straightforward, and has light comedic moments. I think BJM is the better film and is much more "rewatchable", so that would be my recommendation. They're both worth watching though. |
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#51347 |
Active Member
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I got The Seventh Seal and Make Way for Tomorrow. Both of them were really good movies.
Hoping to get Ophuls' Earrings of Madame de... and maybe Mafioso. Another one I'm thinking about is M. Hulot's Holiday, since I loved Playtime. |
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#51348 | |
Expert Member
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#51349 |
Expert Member
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I got many replies to my question so quoting isn't possible but thanks for all the recommendations and suggestions
![]() ![]() - Anatomy of a Murder - The Night of the Hunter - Sweet Smell of Success - 3 Women Seems like a decent batch to me ![]() |
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#51350 | |
Blu-ray Prince
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As an aside, I know you're just making conversation with the 90s kick comment and aren't explicitly looking for 90s titles but I have to throw this out just in case: Chungking Express. It's not just a good film made in the 90s, it very has a 90s feel and that particularly time period (the British lease of Hong Kong was about to expire) doesn't exactly play a part in the story (primarily because there isn't much story) but looms large nonetheless. In any event, it's a great film and you mentioned the 90s and blah, blah, blah... Last edited by octagon; 07-21-2012 at 07:29 PM. |
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#51351 | |
Expert Member
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They all have strong, largely positive reputations generally and I personally liked all the ones I've seen. A previous poster noted that he/she couldn't get into 3 Women but I think it's a very strong film. However, it does flow at a relatively slow pace with a tone that is rather dreamy and a bit surreal. It's ending may defy its viewers' expectations. Some people may have issues with this style of filmmaking but I see this approach as major strengths of the film. Other major strengths are the direction, writing and, especially, the acting by Shelley Duvall and Sissy Spacek. I think it's one of Robert Altman's best (in his long filmography). |
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#51353 |
Expert Member
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This afternoon, I watched, in its entirety...
Kes (1969) by Ken Loach ...an excellent film. On the surface, it's about Billy, a neglected, abused and lonely working class boy who proudly cares for a bird he found in the wild and which he named Kes. But, beyond that, it's a metaphor for the plight of all the working classes in the UK—though I would argue that it could apply to the same people no matter which country in the world they reside in. Billy is played by David Bradley, in a realistic and moving performance. In fact all of the performances and the style of the film seem quite genuine, without any signs of oversentimentality, like Loach's films in general. In fact, according to one of the extras on the disc, nearly all the characters are played by nonprofessionals, including Bradley. The most memorable and moving scenes include Billy's interactions with and care of the kestrel, especially as the bird flies around the vast open spaces of rural northern England; [Show spoiler] ; and [Show spoiler] .The film's cinematography by Chris Menges is quite gorgeous—particularly the exteriors of wide-open fields, rolling hills, trees and woods and the remains of crumbling brick facades. It's often (and deliberately) rather soft visually with a muted color palette. If you haven't yet experienced Kes, I urge you to do so. Last edited by BluPix; 07-21-2012 at 10:45 PM. |
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#51355 |
Expert Member
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I'm the same way. I tend to have too much in my schedule to sit through an entire film in one session. I typically break it up into two or three viewing sessions per film.
Some movies, though, are just so riveting that I've seen them in one sitting: Kes (which I saw just today, plus some of its extras); Salo; and The Battle of Algiers. I also remember recently rewatching a non-Criterion title, We Need to Talk About Kevin, unexpectedly in one sitting. |
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#51357 | |
Expert Member
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Criterion's films, generally speaking, really are chiefly geared toward more mature audiences. I think you can point to a majority of the films in the collection and say that each of them is unsuitable for persons below a certain age for one reason or another or several. It may actually be easier to list the Criterion films that are absolutely, thoroughly kid & family friendly. Last edited by BluPix; 07-21-2012 at 11:19 PM. |
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#51358 |
Expert Member
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#51359 | |
Expert Member
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#51360 | |
Expert Member
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