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#89341 | |
Blu-ray Count
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#89342 |
Active Member
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I received the Zatoichi set today and was a bit surprised/taken aback by the packaging. The cover art with the title and the back cover text were printed on top of the plastic like stickers. I was able to pull them off from the plastic wrapping and decided to try as best as I could to place them straight and centered on the box. I didn't like the idea of throwing those away and they are sticky on one side so you wouldn't be able to just slip them inside the case. Seems like this might be a point of controversy once others start receiving it.
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#89343 | |
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#89344 | |
Moderator
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I personally think you're viewing them the wrong way. The characters in almost all of his films experience some sort of isolation or discontent with life. That could be why you see them as "lacking comprehension". |
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#89345 |
Blu-ray Samurai
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Back in September, I purchased an imported David Lynch Box from Germany for what exchanged out at 22 dollars and change. I just watched Mulholland Dr. for the first time in my life, tonight. Wow! I am completely blown away! It is a true work of art as it lends itself out to have multiple interpretations. I plan on watching Inland Empire next.
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#89346 | |
Moderator
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#89347 | |
Blu-ray Samurai
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![]() I checked out what Kurosawa is available on blu and otherwise on Amazon and I saw the set you mention. Pretty nice set they put together for hardcore fans. Who knows? Maybe I'll become one? We'll see. ![]() |
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#89348 | |
Active Member
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Bows. |
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#89349 |
Blu-ray Guru
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Today is my birthday, and my wife surprised me with Shoah, Monsieur Verdoux, The Lady Vanishes, and Purple Noon. I'm pretty excited. The Chaplin and Hitchcock titles are upgrades of DVDs, which is one of the reasons I hadn't bought them before. All in all, I am pretty psyched. It's nice have a wife that supports my Criterion and blu-ray addictions
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#89350 | |
Blu-ray Samurai
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But yes, congrats, she's a keeper!! ![]() |
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#89351 | |
Blu-ray Guru
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#89353 |
Blu-ray Archduke
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![]() ![]() I have been aware of Lewis Allen's 1944 film, The Uninvited, for a long while now, having read occasional recommendations on horror movie lists and such, but I had always dismissed the movie as a comedic take on haunted house stories. My curiosity overcame my hesitation shortly after the release of this Criterion Blu-ray, thanks in large part to the inclusion of The Uninvited on Martin Scorsese's recent list of the 11 Scariest Horror Movies of All Time and to my increased appreciation for the acting of Ray Milland, whose roles I have enjoyed watching in films like Dial M for Murder, X: The Man with X-Ray Eyes, the criminally underrated Panic in Year Zero!, and, of course, Ministry of Fear, which is also available in a beautifully-presented Criterion Blu-ray edition. After seeing The Uninvited for the first time this evening, my verdict is that this is one of the finest Criterion Collection titles of 2013, and one of the best high definition transfers of a black-and-white 1940s film that I own. Charles Lang's cinematography is quite spectacular and it captures the sunny coastal landscapes and shadowy room interiors with equal vigor. The plot elements of The Uninvited makes me think of Alfred Hitchcock's Rebecca, which would work wonderfully in conjunction with this film for a double feature night, but the visual approach reminds me of Fritz Lang's dark noir aesthetic in Ministry of Fear. The ultimate result is a "Gothic Noir" of sorts that filters the conventions of beautiful women in distress and shady characters through an earnestly powerful horror framework that delivers on its promise of supernatural occurrences and ghostly apparitions. This film makes masterful use of sound effects, and, although I have been desensitized by decades of horror movie viewings, I felt an honest-to-goodness chill during an early scene where the sounds of an unknown woman's sobs are heard in the middle of the night by the new owners of the large seaside mansion. Levity does have its prominent place in this film, of course, but it only serves to remind us of how early cinema succeeded so well at maintaining a balance of comedy and nail-biting tension. Although The Uninvited is marketed as a low-price Criterion Blu-ray without an abundance of extras, I heartily recommend the visual essay supplement, Giving Up the Ghost, which packs a lot of information into its less-than-half-hour length, including specifics about the film itself, the directorial canon of Lewis Allen, the impressive career of Ray Milland, and the devastatingly tragic life story of Gail Russell, whose beautiful Stella character is the heart of this feature. Two radio adaptations round out the package in what has turned out to be one of the best Blu-ray surprises of my year. Last edited by The Great Owl; 11-26-2013 at 02:24 AM. |
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#89355 | |
Blu-ray Samurai
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#89356 |
Blu-ray Samurai
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Okay, what is the verdict on To Be or Not To Be? I recently read an article on a website where Slovenian philosopher Slavoj Žižek quoted this film... Is this recommended as a blind-buy?
Last edited by jw007; 11-26-2013 at 03:03 AM. |
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#89357 |
Blu-ray Guru
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#89358 | |
Blu-ray Samurai
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I'm curious to know also if Mr. Owl dislikes any films in the Criterion Collection. |
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#89359 | ||
Blu-ray Archduke
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I have not had any disappointing blind buys since I started collecting Blu-rays, because I'm attuned to what types of films cater to my tastes after learning many lessons during my days of collecting DVDs. These days, I stay away from the New Release racks at Best Buy or Target and, instead, scope out mostly older films that are now being given the respectful home video treatment that they might not have received on DVD. If I stumble across Blu-ray announcements of films that have earned stellar reputations, such as The Best Years of Our Lives, The Apartment, or Sunset Boulevard, I'm generally inclined to take a closer look to find out why the film is so universally well-regarded. In most cases, the masses are right. There are some films that I may not revisit as often as others, but I like to evaluate each one not only in terms of entertainment value, but also in terms of how the presentation (supplements, etc.) make a case for the film's legacy. I will not revisit Medium Cool as often, for example, but it's a fascinating movie that is presented beautifully by Criterion. Here are a couple of releases in my collection that I did not like, though. A Safe Place This was part of the America Lost and Found box set that I purchased because it includes a handful of great flicks. The French Pathe Blu-ray of Le Samouraļ This is my all-time favorite movie, but the high definition transfer is unacceptable for this edition. There are several Criterion titles that I have seen, but did not like enough to add to my collection in the first place, namely Rushmore, The Ice Storm, Brazil, The Devil's Backbone, and Being John Malkovich. I'm not a Criterion completist by any stretch. To illustrate my logic, here is my ranking of new 2013 films that I have seen so far this year (from another thread in the forum). [Show spoiler] Of these 2013 films that I have rented or seen in the theater, I will probably only end up purchasing four or five of them on Blu-ray. I do not own any films that suck, in my opinion, and that's why I do not have many negative User Reviews of my purchases. EDIT: I own Hitman on Blu-ray and love it, although the general consensus is that it is a horrible movie, so my definition of films that suck may differ from someone else's definition. Last edited by The Great Owl; 11-26-2013 at 04:02 AM. |
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#89360 |
Active Member
Nov 2013
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Picked up 3:10 to Yuma and the 39 Steps. Looking forward to watching these during my second helping of Thanksgiving dinner on Thursday night before the Steelers/Ravens game.
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