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#32942 | |
Member
Aug 2010
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And that's why I need a girlfriend ![]() |
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#32943 |
Blu-ray Count
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hello
I posted this in the barnes and noble criterion sale forum but I would be willing to trade my copy of the man who fell to earth for pale flower and beauty and the beast criterion blu rays. pm me or let me know if you are intrested |
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#32944 | |
Moderator
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That's a pretty good deal.... especially since people are using these 20% off member coupons plus cashiers are letting them do some $8 off $40 deal etc.... I heard people getting CC Blu-rays for $14.xx + tax..... not too shabby! |
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#32945 | |
Blu-ray Guru
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#32946 | |
Expert Member
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#32948 |
Blu-ray Samurai
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My mother is watching my copy of Night of the Hunter right now.
![]() ![]() Last edited by BohemianGraham; 07-22-2011 at 02:23 PM. Reason: Grammar |
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#32950 | |
Active Member
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#32951 | |
Special Member
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![]() I've also watched 4 films in my Nikkatsu Noir set and I'd definitely recommend it. Seijin Suzuki films are also very cool (one of his is in the Nikkatsu set), but you should probably stay away from the Criterion Branded To Kill and Tokyo Drifter DVDs, as they're reportedly bad transfers. |
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#32955 | |
Blu-ray Guru
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Sid & Nancy on the other hand was licensed from New Line who is now merged with Warner, and Warner does not like to license films to others. |
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#32956 |
Blu-ray Samurai
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#32957 |
Blu-ray Samurai
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I just watched Red from The Three Colors Trilogy, and now I need this on Blu-ray. I rented it on DVD since I love The Double Life of Veronique, and I wasn't disappointed. I hope Criterion does announce Three Colors before the end of the year. I still have yet to see Blue or White.
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#32958 | |
Blu-ray Prince
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#32959 |
Member
Jul 2011
If you build it...
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Did these studios, especially Studio Canal, license their film libraries to Criterion for pennies on the dollar originally? It's not like most of the films they've taken back from Criterion are incredibly popular (outside a certain niche consumer), so unless they originally licensed the films for an incredibly low price and now Criterion isn't willing to pay a higher price, I'm not sure why these studios would let the license agreements expire.
If it's all about money, wouldn't a high-price license agreement be more valuable (you're guaranteed that money) than taking up producing all the discs for these films, marketing them, and then hoping they sell well? Or did the studios try to do that and Criterion just didn't have the resources to pay the higher license fees to keep the films? |
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#32960 |
Special Member
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