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#39581 | |
Banned
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#39583 |
Expert Member
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You know, I am actually really impressed by those graphs. I mean, it is no mystery that Criterion favors US, France and Japan, but I would have thought that Germany had a good chunk too. Still, the results are quite dissapointing. I mean, I know getting the rights for films at some countries is difficult but these results hardly reflect that "world cinema" motto of Criterion
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#39584 |
Blu-ray Ninja
Sep 2009
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#39585 | |
Power Member
Oct 2011
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Yes, I know I miss some good stuff these days that are still DVD-only, but I just can't bring myself to invest in that format anymore...unless I can find them lightly used in pawn shops for next to nothing. Titles I would have once bet a fin would never see the light of day in high-def (e.g. Island of Lost Souls, The Killing/Killer's Kiss, Revanche, Merry Christmas Mr. Lawrence, Blow Out, The Four Feathers, Drive He Said, and even The Monkees' Head), now have Criterion Blu-ray editions, while so many other higher-profile catalogue titles are not even available in Blu-ray, much less from Criterion. To date, vintage/catalogue Blu-ray releases have been so scattershot and unpredictable I just get paralyzed into inaction whenever I see a DVD-only title that happens to appeal to me. Last edited by ROclockCK; 11-16-2011 at 04:23 AM. |
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#39586 |
Power Member
Oct 2011
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Yes, interesting charts indeed ShellOilJunior. If you generated them yourself from Criterion spine data (they sure look Excel-ish to me), then what does the collection look like with a filter for all the OOPs they've lost to native rights holders? I suspect the U.S. share in particular would drop significantly.
Last edited by ROclockCK; 11-16-2011 at 04:24 AM. |
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#39587 |
Expert Member
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I dug out my old DVD of Anatomy of a Murder. (great film by the way) The region 1 disc is presented in "open matte" format (1.37) as opposed to the 1.85 that was used for theatrical presentations. I see that Criterion will be offering the film with a new 5.1 DTS-HD MA soundtrack, as well as the original english mono in LPMC. After reviewing the film, I believe it would be interesting to include the film in both aspect ratios. (like the recent MOC edition of Touch of Evil)
The only drawback to this would be the amount of space that two versions of a 160 min. film would take up on the BD50. |
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#39589 |
Blu-ray Guru
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Quick question.... Are the 3 films in the color trilogy connected in any way by plot or reoccurring characters? Or are they more or less 3 different stories with an over arching theme?
Last edited by Yankees0222; 11-16-2011 at 05:33 AM. |
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#39590 | |
Power Member
Oct 2011
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And Beresford's Breaker Morant would certainly be a treat for me... Last edited by ROclockCK; 11-16-2011 at 05:33 AM. |
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#39591 | ||||
Blu-ray Guru
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It's very good. Some critics felt that there wasn't enough because it was an 89 minute documentary, so the DVD includes these lengthy interviews as special features which was fantastic. Of course, another criticism is the use of the word "greatest". It's subjective to each person and in this case, these are her ten filmmakers that inspired her. Still, the fact that she was able to gain access to various filmmakers of different genres and countries is fantastic. Quote:
I have mostly all of them (missing the OOP "Carlos Saura's Flamenco Trilogy - because I didn't think I would be interested in it but now I am. And the other I am missing is "The Warped World of Koreyoshi"). With that being said, I will say that the Eclipse Series features wonderful films from Criterion (but not in the Criterion collection) that many people are missing out on because it's not on Blu-ray. From what I own, I can easily recommend them all but it depends on your interests. If you are going to purchase Bergman film on Blu-rays, you'll find yourself looking for more Bergman films not released via Criterion Collection that are available from other companies and of course, for his earlier films...you will want "Earl Bergman". The same with Louis Malle, you may love his work but then you will want to see more of it and this leads you to his documentaries which are available via the Eclipse series. Ozu is a fantastic filmmaker and if you love Japanese cinema that deals with the relationships of the family dynamic, you will want Late Ozu and also Silent Ozu (which is fantastic!) Samuel Fuller, if you enjoyed his films via Criterion and buying the Sony set, you will definitely want "The First Films of Samuel Fuller". If you love Kurosawa films, you will enjoy "Postwar Kurosawa" and also "The First Films of Akira Kurosawa". "Lubitsch Musicals" are so damn enjoyable if you love late 20's-30's comedies and the musicals are very entertaining. Larissa Shepitko is fantastic and the cheapest to get via the BN sale. "Silent Naruse" and "Oshima's Outlaw Sixties" I loved! I also enjoyed "Basil Dearden's London Underground" and "Chantal Akerman in the Seventies" a lot. Again, it's so subjective. Depends what you are into. I enjoy the Eclipse Series so much that I can list them all (but two which I have not seen and the recent two that I just ordered). But these sets are really awesome! But these sets are incredible and I know many Criterion fans are debating to buy these because many don't want to purchase DVD's anymore. That's understandable. But if you want access to films by filmmakers that won't be big sellers as individual releases or don't have the special features to support a major release via the Criterion Collection, the Eclipse Series is definitely worth it! And also, I recommend the other titles not on Eclipse or the Criterion Collection but are Criterion titles and you can possibly find them very cheap via this sale. The Red Balloon/White Mane Paddle to the Sea (I have not purchased "Paddle to the Sea" as I have watched it online but will buy one of these days) and also the following Essential Art House titles that have not been released on Eclipse or the Criterion Collection: "Last Holiday", "Gervaise", "Le Jour se Leve", "Mayerling" and "Kapo" The other two titles not available as singles, Eclipse or the Criterion Collection are: Murderous Maids (10 Years of Rialto Pictures set) Madayo (only in the AK100: 25 Films by Akira Kurosawa set) Quote:
Oh, not at all! There's a chance for a Blu-ray release for that title but the Sabu! Eclipse Series features "Elephant Boy", "The Drum" and "Jungle Book". Quote:
"Three Colors" are different stories in which the colors represent the French Revolutionary ideals of liberty or freedom, equality and solidarity. Each are different films, but each has its way of showcasing symbolism through the various dominating colors of each film. [Just wanted to add: Awesome films btw...worth purchasing!!!] Last edited by kndy; 11-16-2011 at 05:52 AM. |
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#39592 | |
Banned
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When on Blu, I don't know, since they only do one or two classic catalogs at a time in every batch, but it's When Not If. |
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#39593 | |
Power Member
Oct 2011
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#39594 |
Blu-ray Guru
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![]() [Show spoiler] Thanks! Thats what I thought but I heard someone say on here that starting with red would be like starting with return of the Jedi so that comment confused me a little ![]() I just finished watching blue and was really impressed ![]() ![]() |
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#39595 |
Blu-ray Samurai
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In regards to Eclipse ever becoming a Blu-ray based series, or the past sets being released as Blu-rays, I really can't see it happening. Blu-ray lives and dies on it's video and audio quality, not the film itself. Eclipse is a line that Criterion do practically zero work on in terms of cleaning and restoration and such, and it would defeat the point of the series entirely if they had to start sprucing up prints so they didn't look like some of the most poorly released Blu-rays out there. That's not to mention that, as far as I'm aware, most the Eclipse transfers are SD ones rather than HD, so they are going to look terrible on Blu-ray anyway if they're just upscaled to 1080p.
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#39597 |
Special Member
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#39598 | |
Expert Member
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