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#46822 |
Special Member
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#46823 |
Expert Member
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Well, yesterday's night I saw Oshima's Japanese Summer: Double Suicide and the first thing I thought after watching is why this isn't a main line release. I am absolutely IMPRESSED by it, I loved it from start to finish
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#46824 |
Blu-ray Guru
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#46825 |
Active Member
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Ended up watching a "divisive contemporary directors in the Criterion Collection" double feature last night with Rushmore and Tiny Furniture. Rushmore was up first, and I ended up completely in the "love it" camp. In fact, I can barely even discern where the hate might come from for this one. I found it very funny and ultimately a "feel-good" experience, though there are dark elements to the story and characters.
The humor was not as out-there as I expected considering the opinions I had heard going in. This put me over the edge into Wes Anderson fan territory, and I go there proudly. I look forward to watching this again, as well as his films that I haven't seen; The Royal Tenenbaums and Life Aquatic. I enjoyed Tiny Furniture (not nearly as much as Rushmore), but I understand the negative opinions for it to a degree. I thought it was a pretty thoughtful character study and presents a lot of interesting ideas. Where I can see the hate is in the insufferable characters. It's a bit of a surprise that I enjoyed Tiny Furniture, since I often find shrill, annoying women very off-putting. However, my perception was that this was intentional and part of the point, and didn't quite get to the point of getting under my skin. There was a point where I had some "ugh, girls" thoughts, and where I may have wished violence on Lena Dunham's character, but it ultimately added to the experience rather than ruining it. There were a few very funny jokes and it looks quite good considering (or even not considering) the genre it lives in. |
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#46826 | |
Moderator
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#46831 | |
Blu-ray Samurai
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![]() Rafelson and Schneider really broke the mould for TV with the show, and too many people are quick to write it off due to the whole "they never played their own instruments/wrote their own songs" misinformation (it was only the first two albums, and even then, Peter Tork is credited as a session musician on those first two albums, and Mike Nesmith contributed several tracks he wrote himself), which isn't as awful as people make it out to be, because a lot of groups back then were guilty of the same thing, but not as open about it. Rafelson was also heavily influenced by Godard and Fellini, and to be honest, if it hadn't been for the Monkees, we would have never had Easy Rider, and many of the other New Hollywood films, because Rafelson was able to produce the film with all the cash he made off the Monkees. The TV series also managed to get a hell of a lot of crap past the censors. It's far from the clean, wholesome, bubblegum enterntainment people think it is, what with all the references to drugs, war, homosexuality, beastiality, and all other less than PC topics. Some of the episodes were pretty terrible though (I'm looking at you "The Monkees Race Again"), but others are pretty ahead of their time (can you say, the already mentioned The Frodis Caper, or The Devil and Peter Tork?). Again, I'm still waiting for the snarky, negative, "go away little girl, you know nothing about films and why should we take you seriously because you like the Monkees" remarks that cropped up a few weeks back when I claimed Phil Ochs was a superior artist to Bob Dylan (and he still is). |
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#46833 | |
Blu-ray Samurai
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#46836 |
Active Member
Oct 2009
Canada
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#46839 |
New Member
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Hi! I'm looking forward to blu-ray upgrades for "The Royal Tenenbaums," "The Life Aquatic" "Grand Illusion," "La Strada" "Nights of Cabiria," "Umberto D," "Bicycle Thieves," "The Bad Sleep Well," "The Hidden Fortress," "Othello," "The Magnificent Ambersons," "Jules And Jim," "Shoot The Piano Player," "A Woman Is A Woman," "Band of Outsiders," "The Discreet Charm of the Bourgeoisie," "Simon of The Desert," "The Gold Rush," "The Circus," "The Kid," "Vengeance Is Mine," "Tokyo Olympiad," "Floating Weeds," "Ikiru," "Good Morning" (Ozu), "Tokyo Story," "Rashomon" & "Boudou Saved From Drowning."
It's about time these classics were brought back to the Criterion Collection in blu-ray format. I'm sick of all these "new" "modern" (except for Wes Anderson, whom I love) titles. We need the "classics of world cinema" oop of print titles restored to the collection. "Grande Illusion" is spine #1 and it's not even in print! |
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#46840 | |
Special Member
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