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#82281 | |
Blu-ray Archduke
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Risky Business Sixteen Candles Better Off Dead The Breakfast Club Ferris Bueller's Day Off Bill and Ted's Excellent Adventure I also have a few associated Blu-rays that are not "teen comedies", so to speak, but are films that I tend to view in the same nostalgic light. Stripes, The Karate Kid, The Lost Boys, The Goonies, Red Dawn, National Lampoon's Vacation, Ghostbusters, etc. On DVD, I've got... Real Genius Some Kind of Wonderful I will pull the trigger on Day One if either of those DVDs are upgraded to Blu-ray soon. Funnily enough, these are my favorite 1980s teen movies, and that's why I am holding tightly to the DVD copies. A few that I used to have on DVD and am currently waiting to buy on Blu-ray at some point (providing that the first three are even upgraded in the first place)... Can't Buy Me Love Hot Pursuit The Sure Thing Fast Times at Ridgemont High National Lampoon's Animal House I will be buying Weird Science when it hits Blu-ray this fall. This has jack to do with the Criterion Collection, except to say that Dazed and Confused stands up to most of these. Last edited by The Great Owl; 09-05-2013 at 07:10 PM. |
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#82282 |
Moderator
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Just finished ¡Alambrista! - definitely a really surprising film!
I didn't really like the director's style nor do I find high replay value in it, but I think it's an essential film to see, especially in recent years with the high percentage of illegal immigrant cases. |
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#82283 |
Blu-ray Samurai
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Now that's a list of some outstadning movies, some I thought only I was a fan of... especially Can't Buy Me Love & Some Kind of Wonderful. Just something about those movies resonates with my high school years, and loves. They are just some of the best. I really want Loverboy on blu too.
I just upgraded The Lost Boys, Risky Business, Ghostbusters, and Dazed and Confused. I still need to upgrade The Goonies and many many, many others. |
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#82284 | |
Blu-ray Samurai
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#82285 | |
Moderator
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You can't help but feel bad for these people who come over from their economically poor countries. They don't want many things except to make enough money to help their family back home. I'm not trying to get all political here, but we've seen in recent times how these immigrants have been coming over in larger quantities. Everybody likes to say how they are "taking all the jobs", but the only jobs they're really working are the ones that nobody else wants. As the film progressed, I went from loving it to strongly liking it. It got a little too repetitive and I wasn't a big fan of the director's style. Regardless of whether I'll watch it again or not (I more then likely won't), it is an important film, especially with how our world is today. It's a soft 3.5 / 4 for me and it comes recommended. |
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#82286 | |
Blu-ray Samurai
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#82287 | |
Moderator
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As the film progresses, work isn't really seen as the "hard" factor. It's the prejudice one has to endure and the language barrier that exists. The film also has a young Edward James Olmos, who portrays a drunk earlier on. ![]() |
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#82288 |
Special Member
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What about "the only jobs they're really working are the ones that nobody else wants at the wage the immigrant will work for."
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#82289 | |
Moderator
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However, I still feel that some of the jobs out there are so crummy that cost doesn't even become a factor anymore. |
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#82291 | |
Moderator
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I loved 3 Women. It's criminally underrated and often overlooked, but it's one of the most unique and rewatchable ones for me. |
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#82292 |
Blu-ray Prince
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#82295 | ||
Banned
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- MASH - The Long Goodbye - Popeye - Quintet ( ![]() ![]() - Buffalo Bill & the Indians - Secret Honor - Gosford Park And I'll say that of all the list...I had more fun watching Godzilla, Creature From the Black Lagoon, and Beast from 20,000 Fathoms. ![]() Those movies at least knew what they were doing, whereas Altman seems to play with a genre because he's just now finding out about it himself, and because letting everybody talk at once was just letting out his urges to direct stage instead, where he was for most of the 80's anyway. (As for Long Goodbye, that came out of the 70's "deconstruction" period between '71-'76, where we were just rediscovering old 30's-40's movie genres by reworking them into 70's cynicism, but because nobody ever saw old movies anywhere else except late-nite local stations or revival theaters, we thought old movies were a blur of nameless Westerns, old-musicals and detective movies. Here, we have Elliott Gould as Philip Marlowe in the usual hedonistic malaise of 70's LA, but y'see, it's the "real" version of the Bogart movies, because we have "Hooray for Hollywood" playing in the background! ![]() You really can't appreciate what we were all thinking before the VCR came along. Heck, most of us hadn't even taken a good look at the 30's Popeye cartoons before 1980.) Quote:
Still misses the "class" of having Ishiro Honda at the helm, though--And by the time they got to Revenge, their money was in kiddie matinees. (C'mon, let's embarrass Ab some more, that's the crowd we've got around this thread. ![]() Last edited by EricJ; 09-05-2013 at 10:34 PM. |
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#82299 | |
Blu-ray Samurai
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Thanks for the recommendation btw, I might check it out soon! ![]() |
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#82300 |
Power Member
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That's really not really accurate. Ever hear of the Take Our Jobs campaign (widely publicized on the Colbert Report, though it was a real effort). It tried matching up unemployed people with real paying farm jobs. The response was paltry.
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