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#88501 | |
Active Member
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At least Criterion is good enough to warn us of an impending upgrade. |
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#88502 |
Active Member
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Put me in the "slightly disappointed" camp for this month. Jules and Jim (and seemingly, Truffaut more broadly) doesn't do anything for me, but damn that's a nice cover. Anderson is way overrepresented (and considering there's already a FMF blu, this is overkill probably) but there are many worse films in the collection than his. Tess is the only one I'd conceivably blind-buy if there were enough stellar reviews of the disc when it comes out. I dunno, I think there are many attractive releases between now and February (Investigation of a Citizen..., Nashville, It's a MMMM World, maybe Thief/Rififi) that I'm not that bummed about a dud month (for me). And I'm genuinely happy for those people who are excited about some of these releases, as I know that feeling when a favourite of yours is announced
![]() And at the very least, it puts to bed those rumours of Breathless going OOP - I was close to shelling out $60-70 for the Blu over the last couple weeks, thank god I held off. |
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#88503 | |
Blu-ray.com Reviewer
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I'm thinking of swapping out one of the DVD's for the standard Blu-ray so it's together in one package. |
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#88504 |
Moderator
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#88505 | |
Blu-ray Archduke
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#88507 | |
Power Member
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It's hard to imagine Titicut ever getting a release outside of Zipporah films and The Devils and the animated films but can be crossed off as probabilities as well. So they're batting about .500 for realistic requests. I always liked the CriterionCast's 'for consideration' features. Don't know if they still do those, but they had some pretty interesting suggestions. |
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#88508 | |
Blu-ray Samurai
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There's a great unmined run of Carol Reed titles, maybe Criterion could do something like the Noel Coward box with them - Odd Man Out, The Fallen Idol, The Man Between, Outcast of the Islands, and The Key. They could chuck in a BD upgrade of Night Train to Munich. Sorted. Get onto it Criterion. ![]() |
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#88509 |
Expert Member
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Terrific lineup for February, including several I've been wishing for a long time Criterion would release on blu.
—Jules and Jim. This is sure to be a release-date purchase. I've been wanting to add a Criterion Blu version of it to my collection for a very long time. More Francois Truffaut is always a good thing and this is one of his essential films. (I'm still waiting for a Criterion blu-ray upgrade to The Adventures of Antoine Doinel box.) —Blue Is the Warmest Color. One of my favorite films I've seen in theaters this year, I'm looking forward to the full special edition on blu…though I may buy this version to tide myself over, especially if the price is lower than usual. —Foreign Correspondent. An upgrade from my current DVD. I always assumed Warner would be the studio to issue this on blu, but having it go Criterion is a nice surprise. (I guess Warner was pleased enough with Criterion's handling of its Badlands that it decided to give Criterion some more titles.) I love the cover. —Fantastic Mr. Fox. An upgrade from my current DVD of one of my favorite films from Wes Anderson and one that I always dreamed Criterion would release. In some ways this is a surprise because, to my knowledge, it's the first animated feature Criterion has released (correct me if I'm wrong). But, on the other hand, this is maybe not so surprising because most of Anderson's filmography has been released via Criterion already. The cover is very well done. —King of the Hill. Criterion also loves Steven Soderbergh, as do I, so I'm looking forward growing my collection of his films even more with this release, even though I haven't seen this particular film. I have already seen, however, The Underneath which was not bad. I like how Criterion sometimes gives us two features for the price of one. —Tess. Even though I already have the BFI blu-ray of this, one of Roman Polanski's finest films, Criterion's edition will be worth the purchase for the additional supplemental features. (I do keep wishing Criterion or another deluxe label—or anyone at all—would release on blu-ray Polanski's The Tenant which is from the same era of his career.) —Breathless. I quite enjoy this, one of Jean-Luc Godard's seminal films. However, this is the only package here that I'm unlikely to buy…because I already own Criterion's previous blu-ray release of it. ![]() February is turning out to be a month to look forward to. Last edited by BluPix; 11-16-2013 at 12:30 AM. |
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#88510 |
Blu-ray.com Reviewer
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#88511 |
Blu-ray Champion
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#88513 | |
Power Member
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nice thought though ![]() Last edited by TJS_Blu; 11-16-2013 at 12:51 AM. |
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#88514 | ||
Active Member
![]() Nov 2010
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There are plenty of critics circles, film festivals and smaller awards shows that will likely shower this film with accolades. At any rate, I'm sure the film's producers wanted it out in time for awards season and this was a stipulation of the license. I'm especially curious to see what Artificial Eye's edition will look like now, and if it'll be multi-region like their Kieslowskis were. But if Criterion has their usual Valentine's Day sale it may be hard to pass up at $13, even with a special edition imminent. |
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#88515 |
Power Member
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LOL. Yeah as far as the Best Picture, Best Foreign Language Film or Best Doc actually being the best, I'd agree. But it's far from irrelevant from the marketing perspective, which is the context under discussion.
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#88516 | |
Active Member
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Off topic but related to scifi cult classics am I the only one out there that liked Gattaca? |
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#88517 | |
Special Member
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#88518 | ||
Power Member
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And Yes, I am thankful that CC warned us of a future SE. |
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#88520 |
Blu-ray Samurai
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I already own the BFI release of Tess. I really like the film, and it looks great on Blu-ray.
Caught Blue is the Warmest Color in the theater. I might buy this edition since it's affordably priced. I felt the film was very good, but much longer than it needed to be - 30 mins. could easily have been removed. Not sure how often I would watch it since it is so long. |
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