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#92322 |
Blu-ray Ninja
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Here's the follow-up:
http://www.cia.edu/files/cinemathequ...uejanfeb14.pdf The Pier Paolo Pasolini retrospective that I mentioned in my September-October Cinema Talk is now upon us, and I’m happy to report that we will be showing the two key films in the series that I feared would be too expensive for us: Teorema and Pigsty. The films are still expensive, maybe too expensive (as is the whole series, for that matter), but I am proceeding in the hope that we will be able to cover costs. Film series like this (i.e., near-complete retrospectives of major film artists, consisting of new 35mm copies printed from the best-available elements) don’t come around often, so when they do, we want to show them—even if it threatens to break the bank. The films in this retrospective are costing us two or three times what we normally pay for movies (and we can show each one only one time), so to defray the high costs, we are raising our admission prices for the series. Tickets to the Pasolini films will cost $12, $9 for Cinematheque members, $7 for those age 25 and under. I realize that $12 is a lot of money for a movie ticket in Ohio. But I also think it is a fair price for what people will get. Moviegoers routinely pay more than that to see first-run 3-D movies, and that $3-$3.50 “surcharge” to rent 3-D glasses that are then returned—I mean “recycled”—isa scam. 3-D movies are shown digitally, so they already enjoy the distribution/projection cost savings that digital pro-vides. The Pasolini films, on the other hand, will be shown in bulky, heavy (but exquisitely beautiful) 35mm film prints—the medium in which they were created. These prints have had to be imported from Italy (and will eventually be returned there) at considerable cost. Circuiting them from theatre to theatre around North America is also not cheap. And projecting 35mm movies is not just a matter of pushing keys or buttons from the lobby or a remote location. A trained opera-tor has to be present in the booth at all screenings to unpack, inspect, and run the movies, and two projectors are required to show these special prints. Projecting film is always more labor-intensive and ex-pensive than showing digital. Perhaps we should start charging a $1-$3 “35mm surcharge” for every movie we show from celluloid! It certainly makes more sense than a 3-D surcharge. But getting back to the Pasolini price, $12 is way cheaper than tickets to concerts, plays, or performances—even those shown in HD at movie theatres. And these Pasolini film classics are no less special than “live” events. Since Cinematheque members will pay only $9 to see these movies (a $3 savings instead of the usual $2), maybe now is the time for non-members to join. A 12-month, 365-day Cinematheque membership is still one of the best bargains in town, costing only $35 ($20 if you’re 65 or older or a student). Membership entitles you to a discount to any film we show (not just the Pasolini programs) and you would also start receiving this calendar in the mail. At any rate, I hope filmgoers will understand the need to charge more for this special series. Its success will help guarantee more retrospectives like it in the future. |
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#92323 | |
Blu-ray Knight
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#92325 |
Blu-ray Archduke
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I had no idea either. I'm holding tight to my DVD of Night of the Demon/Curse of the Demon right now, but I'd love a North American Blu-ray release.
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#92328 |
Blu-ray Prince
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#92329 | |
Blu-ray Samurai
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It's my favorite Mann, despite my hatred for its dated score. EDIT: Totally misread the post. I need coffee. |
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#92330 |
Blu-ray Prince
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#92332 |
Blu-ray Samurai
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#92333 |
Blu-ray Knight
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Personally, I love it. I'd certainly recommend it, particularly if you liked Carax's other films.
FYI, Carlotta should be releasing both Boy Meets Girl and Mauvais Sang on Blu-Ray sometime this year. Hopefully Criterion can get their hands on Pola X and release the full TV cut. |
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#92334 | ||
Blu-ray Prince
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#92336 | |
Blu-ray Champion
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#92337 | |
Blu-ray Champion
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#92338 | |
Blu-ray Champion
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#92339 | |
Blu-ray Champion
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