The Criterion Collection

[I KEEL YOU]

Barton Fink is my favorite Coen Brothers movie as well. Along with 3 Women, the biggest mind **** "Okay, what the hell did I just watch?" movie I've ever seen.

This would be my #1 wish for a Criterion release, along with Drugstore Cowboy.

[Polaroid]

Finally upgraded to The Red Shoes Blu - can't wait to see this on blu, DVD was stunning so Blu will be impressive

Superb film as well!

[Clare2904]

RIP Bob

http://www.cbc.ca/news/arts/bob-hosk...t-71-1.2626773

"The Mafia? I've shit 'em"

[Clare2904]

Originally Posted by Polaroid

Finally upgraded to The Red Shoes Blu - can't wait to see this on blu, DVD was stunning so Blu will be impressive

Superb film as well!

If you are not blown away by the Blu-ray I suggest an immediate eye test

[Polaroid]

Originally Posted by Clare2904

If you are not blown away by the Blu-ray I suggest an immediate eye test

Just had a sneaky look at some screen grabs from the bluray and MY GOD.

Makes the DVD from Criterion look nasty! - It's actually changed a lot in terms of colour, lighting etc in the upgrade (for better!)

[Scottie]

Originally Posted by jayj15

Such a great film, I even have the movie poster in my room. Definitely has replay value for sure. Did you watch it on the UK bluray boxset? I know some people disagree, but I thought the video looked great! I'm not sure how much better a Criterion blu would look, in addition to the fact that the Coen brothers aren't big on extras or commentaries.

I watched an SD recording of it via The Sundance Channel. I can't even imagine how great it would look on Blu-ray, especially the

[Show spoiler]fire sequence in the hotel.

Originally Posted by I KEEL YOU

Barton Fink is my favorite Coen Brothers movie as well. Along with 3 Women, the biggest mind **** "Okay, what the hell did I just watch?" movie I've ever seen.

This would be my #1 wish for a Criterion release, along with Drugstore Cowboy.

I am a big fan of 3 Women and it is my favorite movie by Robert Altman. I love movies that make you think and think and keep thinking once it's over.

I also would love to see Drugstore Cowboy on Blu-ray, too. It's one of the only Gus Van Sant films aside from Good Will Hunting that I can tolerate and watch again.

Originally Posted by Coen

My Top 10 Coen

1. The Man Who Wasn't There
2. A Serious Man
3. Fargo
4. Barton Fink
5. No Country For Old Men
6. Inside Llewyn Davis
7. Miller's Crossing
8. Big Lebowski
9. True Grit
10. Blood Simple

Good list!

The Man Who Wasn't There is severely underrated.

I watched A Serious Man the other night and I was very underwhelmed by it. I couldn't really connect with anything said or done, hence why it's lower on my list of favorite Coens.

Originally Posted by Polaroid

Finally upgraded to The Red Shoes Blu - can't wait to see this on blu, DVD was stunning so Blu will be impressive

Superb film as well!

The Red Shoes looks BEAUTIFUL on Blu-ray. Enjoy the viewing!

[The Great Owl]

Sad news...

Bob Hoskins has died at the age of 71.

[The Peanut Monkey]

Yes, The Long Good Friday is an amazing film, and the ending stills remains a tour de force of emotional range. Too bad the current Blu's a little lacking.

[The Great Owl]

It's too bad that Criterion did not upgrade The Long Good Friday to Blu-ray.

This news cements my decision to put Who Framed Roger Rabbit at the top of my still-unwatched Blu-ray stack this afternoon. I haven't seen this movie in years, and I'm looking forward to this. I keep the Blu-ray stored with all of my other classic film noir movies and neo-noir movies, because it adheres to film noir conventions in so many ways.

Come to think of it, Bob Hoskins also starred in Brazil. I have not seen that movie since I was a freshman in college almost 25 years ago, though.

[Clare2904]

My first deliver from Deep Discount has just arrived.

Posted 18 April
Delivered to Quebec 30 April

8 business days ain't too shabby for me.

Let's have a look inside and see how they look

[Clare2904]

Originally Posted by Clare2904

My first deliver from Deep Discount has just arrived.

Posted 18 April
Delivered to Quebec 30 April

8 business days ain't too shabby for me.

Let's have a look inside and see how they look

All perfect, even the Digipak of King of The Hill. I did have a slight heart attack when the disc on top was Stake Land I thought, Oh God, I've got the wrong order. I have the 5 I ordered plus this one. Nothing on the packing slip to say it is a freebie so I'll contact them.

Before I put these with the rest of my collection I need to adapt a famous movie quote

"You're gonna need a bigger shelf"

[bwdowiak]

quick question.. in the Ozu trilogy of films, Late Spring, Early Summer, and Tokyo Story, do the actors play the same characters? for example: Chishû Ryû is in all 3 films. do these 3 stories center around the same characters?

I've seen Tokyo Story, but plan to watch all 3 on Hulu starting chronologically.. haven't seen the other 2

[Scottie]

Originally Posted by bwdowiak

quick question.. in the Ozu trilogy of films, Late Spring, Early Summer, and Tokyo Story, do the actors play the same characters? for example: Chishû Ryû is in all 3 films. do these 3 stories center around the same characters?

I've seen Tokyo Story, but plan to watch all 3 on Hulu starting chronologically.. haven't seen the other 2

He played the role of the father in both Late Spring and Tokyo Story, so I'm going to assume he did so as well in Early Summer, though I haven't seen it.

[Scottie]

I just found out that one of the art house theaters in my state will be showing "A Hard Day's Night" in early July.

If I like the film, I may go and check it out. That would be a cool experience!

[MifuneFan]

Originally Posted by bwdowiak

quick question.. in the Ozu trilogy of films, Late Spring, Early Summer, and Tokyo Story, do the actors play the same characters? for example: Chishû Ryû is in all 3 films. do these 3 stories center around the same characters?

I've seen Tokyo Story, but plan to watch all 3 on Hulu starting chronologically.. haven't seen the other 2

No, they're all different characters and storylines. Ozu never made any sequels, but he did remake or re-imagine a few movies (Floating Weeds, An Autumn Afternoon, and Good Morning are all examples). You don't really have to watch any chronologically.

[Ausjdm]

Originally Posted by iScottie

I watched an SD recording of it via The Sundance Channel. I can't even imagine how great it would look on Blu-ray, especially the

[Show spoiler]fire sequence in the hotel.

I am a big fan of 3 Women and it is my favorite movie by Robert Altman. I love movies that make you think and think and keep thinking once it's over.

I also would love to see Drugstore Cowboy on Blu-ray, too. It's one of the only Gus Van Sant films aside from Good Will Hunting that I can tolerate and watch again.



Good list!

The Man Who Wasn't There is severely underrated.

I watched A Serious Man the other night and I was very underwhelmed by it. I couldn't really connect with anything said or done, hence why it's lower on my list of favorite Coens.



The Red Shoes looks BEAUTIFUL on Blu-ray. Enjoy the viewing!

Why is Blood Simple so low on everyone's list?! I think it's in their top 5!

[Clare2904]

Originally Posted by Polaroid

Just had a sneaky look at some screen grabs from the bluray and MY GOD.

Makes the DVD from Criterion look nasty! - It's actually changed a lot in terms of colour, lighting etc in the upgrade (for better!)

Honestly, hand on heart, I found it mesmerising. I do love the ballet and theatre so not sure if that enhanced my viewing experience. That said, it is radiant

[TJS_Blu]

2014 Cannes Classics line-up, I think I got the titles right, Google Translation is at bottom of post. Should get several Criterion upgrades out of this, hopefully.

A Fistful of Dollars (Leone 1964) (restored 4K by L'Immagine of Ritrovata)
Paris, Texas (Wenders 1984) existing Criterion
How Yukong Moved the Mountains (Ivens/Loridan 1976) (Digital restoration made from 2K scanning 16mm negatives, conducted by the laboratory of CNC Bois d'Arcy. Calibration and finishes achieved by Eclair.)
Naked Youth (Oshima 1960) (4K digital restoration produced by Shochiku Co., Ltd - to be distributed by Carlotta)
Wooden Crosses (Bernard 1931) (Restored in 4K by L'Immagine Ritrovata Bologna film)
Overlord (Cooper 1975) (New Criterion)
Fear (Rossellini 1954) (a 4K restoration carried by L'Immagine Ritrovata Bologna project)
Blind Chance (Kieślowski 1981) (2K restoration presented by Polish Film Institute)
The Last Metro (Truffaut 1980) (Original negative scanned at 4K and restored frame by frame by 2K Digimage)
Dragon Inn (Hu 1967) (4K digital restoration performed by L'Immagine Ritrovata Bologna from negative)
Le jour se lève (Carné 1939) (4K restoration presented by Studio Canal)
The Color of Pomegranates (Parajanov 1968) (Restoration funded by The Film Foundation, World Cinema Project (New York) and performed by The 4K immagine Ritrovata.)
Léolo (Lauzon 1992) (2k digital seizure made from the original negative, its restored by the Cinémathèque québécoise)
A Matter of Resistance (Rappeneau 1965) (Restored 2K Mikros from the original negative, with restoration of stock shots film. - presented by TF1 DA)
Jamaica Inn (Hitchcock 1939) (4K digital restoration performed by 4K RRsat Europe - Cohen Film Collection presentation)
Les violons du bal (Drach 1974) (Restoration Silverway Media)
Blue Mountains, or Unbelievable Story (Shengelaia 1983) (Scan from the original negative in 4K by Gosfilmfond Russia - Gerogian National Film Center Presentation)
Lost Horizon (Capra 1937) (restored digital 4K by Sony Pictures Colorworks presented by Park Circus)
La Chienne (Renoir 1939) (Image restoration 2K (from a 4K scan) made by Digimage Classics and its restoration by Diapason. - presented by Les Films du Thursday)
Tokyo Olympiad (Ichikawa 1965) (4K digitally restored by Warner Bros.. Motion Picture Imaging and Audio Mechanics in Burbank presented by International Olympic Committee)


Wooden Crosses (Bernard 1931) existing Eclipse, the other title in this set, Les Miserable is available on blu from Pathe Classics...so this could be a straight upgrade of the set to blu-ray.
Tokyo Olympiad (Ichikawa 1965) would be an upgrade to the existing CC DVD.

MARIAGE A L’ITALIENNE & HUIT ET DEMI are also being screened.


Google tranlate:

[Show spoiler]A PER PUGNO DI dollari / A Fistful of DOLLARS / FOR A HANDFUL OF DOLLARS Sergio Leone (1964, 1:40)

To celebrate the birth in 1964 of the Italian Western, the Bologna Cinematheque will present a restored 4K by L'Immagine of Ritrovata FOR A HANDFUL OF DOLLARS directed by Sergio Leone in 1964 with Clint Eastwood and Gian Maria Volonte copy.
Projection made possible by the beneficiaries: the Paladino family and Unidis Jolly Film, which produced and distributed the film. Thanks also to the Leone family.

Thirty years of PARIS, TEXAS Wim Wenders (1984, 2:25)

Awarded by the Jury President Dirk Bogarde and delivered on stage by Faye Dunaway, the Palme d'Or Paris Texas thirty years. Wim Wenders returns to the Croisette (in addition to its selection Un Certain Regard THE SALT OF THE EARTH) with a restored copy of PARIS, TEXAS. After The Umbrellas of Cherbourg by Jacques Demy, Under the Sun of Satan by Maurice Pialat or The Leopard by Luchino Visconti, the Cannes Film Festival shows the restored copies of its Palmes d'Or.
HD transfer done Deluxe laboratory in New York, supervised by Wim Wenders, and Spirit Scan done at German laboratory CinePost Production. Scanning done by Criterion.

LOOK AT A REVOLUTION: Foolish Old Man Who Removed the Mountains of Joris Ivens and Marceline Loridan (1976, 1:11)

A presentation of Marceline Loridan and French Film Archives of the CNC.
Digital restoration made from 2K scanning 16mm negatives, conducted by the laboratory of CNC Bois d'Arcy. Calibration and finishes achieved by Eclair.

Seishun Zankoku MONOGATARI (CRUEL TALES OF YOUTH) Nagisa Oshima (1960, 1:32)

A presentation of the studio Shochiku.
4K digital restoration produced by Shochiku Co., Ltd.. under the supervision of Takashi Kawamata, cameraman Nagisa Oshima. The film will be distributed in France by Carlotta Films.

THE CROSS OF WOOD Raymond Bernard (1931, 1:55)

Presented by Pathé and Fondation Jérôme Seydoux - Pathé.
Restored in 4K by L'Immagine Ritrovata Bologna film.

OVERLORD Stuart Cooper (1975, 1:24)

Restoration by The Criterion Collection (New York).
HD under the supervision of director Stuart Cooper from a new copy 35mm fine grain digital transfer. Mono encoded in 24 bits.

THE PAURA / ANGST / FEAR Roberto Rossellini (1954, 1:23)

As part of Rossellini, a 4K restoration carried by L'Immagine Ritrovata Bologna project.
Since 2011, Cannes Classics welcomes the ambitious Italian, The Rossellini Project project, a collaboration between Instituto Luce Cinecittà Cineteca di Bologna, CSC-Cineteca Nazionale and Coproduction Office, the latter responsible for international sales. After the presentation of La Macchina Ammazzacattivi (Machine to kill the bad guys, 1948) and Viaggio In Italia / Journey To Italy (Italian Journey, 1954), here's Paura Roberto Rossellini.
Print restored by Cineteca di Bologna with L'Immagine Ritrovata in collaboration with Istituto Luce Cinecittà, CSC-Cineteca Nazionale and Coproduction Office.

CHANCE (PRZYPADEK) Krzysztof Kieślowski (1981, 1:57)

A presentation of the Polish Film Institute.
2K restoration carried with calibration supervised by director of photography

THE LAST METRO François Truffaut (1980, 2:21)

Presented by MK2 and the French Cinémathèque, with the support of the Franco-American Cultural Fund, during the thirty years of the death of François Truffaut.
Original negative scanned at 4K and restored frame by frame by 2K Digimage. Restoration and calibration supervised by Guillaume Schiffman.

DRAGON INN (龙门客栈) King Hu (1967, 1:51)

A presentation of Chinese Taipei Film Archive.
4K digital restoration performed by L'Immagine Ritrovata Bologna from negative. The director of photography oversaw calibration.

DAY RISES Marcel Carné (1939, 1:31)

4K restoration presented by Studio Canal.
Work carried out by Eclair picture, restored by his Diapason in partnership with Eclair.

THE COLOR OF GRENADA (SAYAT NOVA) Sergei Parajanov (1968, 1:17)

Restoration funded by The Film Foundation, World Cinema Project (New York) and performed by The 4K immagine Ritrovata.

LEOLO Jean-Claude Lauzon (1992, 1:42)

A presentation of "elephant memory of Quebec cinema. "
2k digital seizure made from the original negative, its restored by the Cinémathèque québécoise. Technical Services: Technicolor Creative Services: Marie-José Raymond and Robert Jacquier for Elephant.

THE LIFE OF CHATEAU Jean-Paul Rappeneau (1965, 1:30)

Presented by TF1 DA.
Restored 2K Mikros from the original negative, with restoration of stock shots film. Calibration done in collaboration with Jean-Paul Rappeneau and Pierre Lhomme, director of photography. Restore the music of Michel Legrand by Stéphane Lerouge.

JAMAICA INN (THE TAVERN OF JAMAICA) by Alfred Hitchcock (1939, 1:40)

A presentation of Cohen Film Collection LLC.
4K digital restoration performed by 4K RRsat Europe - Ray King and Anthony Badger Finishing Post Productions Ltd - Jason and Marc Tufano Bijum.

VIOLINS OF BAL Michel Drach (1974, 1:44)

Restoration Silverway Media. Funding was provided by Port-Royal Films with support from the CNC and the support of the Foundation for the Memory of the Shoah.

BLUE MOUNTAINS (BLUE MOUNTAINS) Eldar Shengelaia (1983, 1:31)

A presentation of the Georgian National Film Center.
Scan the picture and sound made from the original negative in 4K by Gosfilmfond Russia.

LOST HORIZON (LOST HORIZONS) Frank Capra (1937, 2:12)
A presentation of Park Circus, in a restored digital 4K by Sony Pictures Colorworks copy, on the occasion of the restoration of several titles Capra.

THE ***** (<<female dog )Jean Renoir (1939, 1:35)
Film presented by Les Films du Thursday with the support of CNC and the support of the French Cinematheque and the Franco-American Cultural Fund (DGA - MPA - SACEM - WGAW).
Image restoration 2K (from a 4K scan) made by Digimage Classics and its restoration by Diapason.

ORINPIKKU TOKYO (TOKYO OLYMPICS) Kon Ichikawa (1965, 2h)
A presentation of the International Olympic Committee.
4K digitally restored by Warner Bros.. Motion Picture Imaging and Audio Mechanics in Burbank.

[CHEЯNOБLY!]

I was lucky enough to buy a CC copy of Pierrot le fou for a reasonable price.

The transfer looks immaculate! Rich colors, the clarity...

I watched this years ago, but couldn't get into it. However, I wanted to give it another try. Right now, I am glad I bought it for the transfer alone.

[Scottie]

Originally Posted by Ausjdm

Why is Blood Simple so low on everyone's list?! I think it's in their top 5!

I didn't find it very compelling nor did I enjoy any of the characters. Plus, I found it to be a little predictable at times.

It's not a bad film, just not the most engaging for me.

Originally Posted by TJS_Blu

2014 Cannes Classics line-up, I think I got the titles right, Google Translation is at bottom of post. Should get several Criterion upgrades out of this, hopefully.

A Fistful of Dollars (Leone 1964)
Paris, Texas (Wenders 1984)
How Yukong Moved the Mountains (Ivens/Loridan 1976)
Naked Youth (Oshima 1960)
Wooden Crosses (Bernard 1931)
Overlord (Cooper 1975)
Fear (Rossellini 1954)
Blind Chance (Kieślowski 1981)
The Last Metro (Truffaut 1980)
Dragon Inn (Hu 1967)
Daybreak (Carné 1939)
The Color of Pomegranates (Parajanov 1968)
Léolo (Lauzon 1992)
A Matter of Resistance (Rappeneau 1965)
Jamaica Inn (Hitchcock 1939)
Les violons du bal (Drach 1974)
Blue Mountains, or Unbelievable Story (Shengelaia 1983)
Lost Horizon (Capra 1937)
La Bête Humaine (Renoir 1939)
Tokyo Olympiad (Ichikawa 1965)


Google tranlate:

[Show spoiler]A PER PUGNO DI dollari / A Fistful of DOLLARS / FOR A HANDFUL OF DOLLARS Sergio Leone (1964, 1:40)

To celebrate the birth in 1964 of the Italian Western, the Bologna Cinematheque will present a restored 4K by L'Immagine of Ritrovata FOR A HANDFUL OF DOLLARS directed by Sergio Leone in 1964 with Clint Eastwood and Gian Maria Volonte copy.
Projection made possible by the beneficiaries: the Paladino family and Unidis Jolly Film, which produced and distributed the film. Thanks also to the Leone family.

Thirty years of PARIS, TEXAS Wim Wenders (1984, 2:25)

Awarded by the Jury President Dirk Bogarde and delivered on stage by Faye Dunaway, the Palme d'Or Paris Texas thirty years. Wim Wenders returns to the Croisette (in addition to its selection Un Certain Regard THE SALT OF THE EARTH) with a restored copy of PARIS, TEXAS. After The Umbrellas of Cherbourg by Jacques Demy, Under the Sun of Satan by Maurice Pialat or The Leopard by Luchino Visconti, the Cannes Film Festival shows the restored copies of its Palmes d'Or.
HD transfer done Deluxe laboratory in New York, supervised by Wim Wenders, and Spirit Scan done at German laboratory CinePost Production. Scanning done by Criterion.

LOOK AT A REVOLUTION: Foolish Old Man Who Removed the Mountains of Joris Ivens and Marceline Loridan (1976, 1:11)

A presentation of Marceline Loridan and French Film Archives of the CNC.
Digital restoration made from 2K scanning 16mm negatives, conducted by the laboratory of CNC Bois d'Arcy. Calibration and finishes achieved by Eclair.

Seishun Zankoku MONOGATARI (CRUEL TALES OF YOUTH) Nagisa Oshima (1960, 1:32)

A presentation of the studio Shochiku.
4K digital restoration produced by Shochiku Co., Ltd.. under the supervision of Takashi Kawamata, cameraman Nagisa Oshima. The film will be distributed in France by Carlotta Films.

THE CROSS OF WOOD Raymond Bernard (1931, 1:55)

Presented by Pathé and Fondation Jérôme Seydoux - Pathé.
Restored in 4K by L'Immagine Ritrovata Bologna film.

OVERLORD Stuart Cooper (1975, 1:24)

Restoration by The Criterion Collection (New York).
HD under the supervision of director Stuart Cooper from a new copy 35mm fine grain digital transfer. Mono encoded in 24 bits.

THE PAURA / ANGST / FEAR Roberto Rossellini (1954, 1:23)

As part of Rossellini, a 4K restoration carried by L'Immagine Ritrovata Bologna project.
Since 2011, Cannes Classics welcomes the ambitious Italian, The Rossellini Project project, a collaboration between Instituto Luce Cinecittà Cineteca di Bologna, CSC-Cineteca Nazionale and Coproduction Office, the latter responsible for international sales. After the presentation of La Macchina Ammazzacattivi (Machine to kill the bad guys, 1948) and Viaggio In Italia / Journey To Italy (Italian Journey, 1954), here's Paura Roberto Rossellini.
Print restored by Cineteca di Bologna with L'Immagine Ritrovata in collaboration with Istituto Luce Cinecittà, CSC-Cineteca Nazionale and Coproduction Office.

CHANCE (PRZYPADEK) Krzysztof Kieślowski (1981, 1:57)

A presentation of the Polish Film Institute.
2K restoration carried with calibration supervised by director of photography

THE LAST METRO François Truffaut (1980, 2:21)

Presented by MK2 and the French Cinémathèque, with the support of the Franco-American Cultural Fund, during the thirty years of the death of François Truffaut.
Original negative scanned at 4K and restored frame by frame by 2K Digimage. Restoration and calibration supervised by Guillaume Schiffman.

DRAGON INN (龙门客栈) King Hu (1967, 1:51)

A presentation of Chinese Taipei Film Archive.
4K digital restoration performed by L'Immagine Ritrovata Bologna from negative. The director of photography oversaw calibration.

DAY RISES Marcel Carné (1939, 1:31)

4K restoration presented by Studio Canal.
Work carried out by Eclair picture, restored by his Diapason in partnership with Eclair.

THE COLOR OF GRENADA (SAYAT NOVA) Sergei Parajanov (1968, 1:17)

Restoration funded by The Film Foundation, World Cinema Project (New York) and performed by The 4K immagine Ritrovata.

LEOLO Jean-Claude Lauzon (1992, 1:42)

A presentation of "elephant memory of Quebec cinema. "
2k digital seizure made from the original negative, its restored by the Cinémathèque québécoise. Technical Services: Technicolor Creative Services: Marie-José Raymond and Robert Jacquier for Elephant.

THE LIFE OF CHATEAU Jean-Paul Rappeneau (1965, 1:30)

Presented by TF1 DA.
Restored 2K Mikros from the original negative, with restoration of stock shots film. Calibration done in collaboration with Jean-Paul Rappeneau and Pierre Lhomme, director of photography. Restore the music of Michel Legrand by Stéphane Lerouge.

JAMAICA INN (THE TAVERN OF JAMAICA) by Alfred Hitchcock (1939, 1:40)

A presentation of Cohen Film Collection LLC.
4K digital restoration performed by 4K RRsat Europe - Ray King and Anthony Badger Finishing Post Productions Ltd - Jason and Marc Tufano Bijum.

VIOLINS OF BAL Michel Drach (1974, 1:44)

Restoration Silverway Media. Funding was provided by Port-Royal Films with support from the CNC and the support of the Foundation for the Memory of the Shoah.

BLUE MOUNTAINS (BLUE MOUNTAINS) Eldar Shengelaia (1983, 1:31)

A presentation of the Georgian National Film Center.
Scan the picture and sound made from the original negative in 4K by Gosfilmfond Russia.

LOST HORIZON (LOST HORIZONS) Frank Capra (1937, 2:12)
A presentation of Park Circus, in a restored digital 4K by Sony Pictures Colorworks copy, on the occasion of the restoration of several titles Capra.

THE ***** Jean Renoir (1939, 1:35)
Film presented by Les Films du Thursday with the support of CNC and the support of the French Cinematheque and the Franco-American Cultural Fund (DGA - MPA - SACEM - WGAW).
Image restoration 2K (from a 4K scan) made by Digimage Classics and its restoration by Diapason.

ORINPIKKU TOKYO (TOKYO OLYMPICS) Kon Ichikawa (1965, 2h)
A presentation of the International Olympic Committee.
4K digitally restored by Warner Bros.. Motion Picture Imaging and Audio Mechanics in Burbank.

Thanks for the list! I hope Criterion ends up releasing some more Kieslowski.

By the way, maybe Cohen Films will finally put out Jamaica Inn now.