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#110721 |
Power Member
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Actually, my vote would be ROSEMARY'S BABY, so you've already got it! Though I think some of the creepiest scenes aren't from a horror movie, but rather a Shakespearean translation. The forest spirit in Kurosawa's THRONE OF BLOOD gives me chills every time. If you like Guillermo del Toro, you should definitely give CRONOS and THE DEVIL'S BACKBONE a look.
-Ben |
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Thanks given by: | flyry (09-16-2014) |
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#110722 | |
Banned
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Good god, that guy.... |
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#110724 |
Blu-ray Samurai
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Since you already have Roman Polanski's Rosemary's Baby, I'd recommend Repulsion. It"s mainly atmospheric with it's creepy B&W photography, but there are chills here and there.
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#110725 |
Blu-ray Guru
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#110726 |
Blu-ray Emperor
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#110727 |
Blu-ray Samurai
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#110728 | |
Moderator
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I spent my evening watching Merry Christmas, Mr. Lawrence. I have owned the film for quite awhile now, but have been avoiding it due to the plot description not really doing much for my interest level. Still, I went into it with a neutral attitude and I found it quite enjoyable, overall.
The film does a pretty good job at showing cultural clashes, cultural practices, and attempts to retain dignity and humanity in such poor conditions. While it is not a perfect film by any means, and I'm still not entirely sure what the narrative was trying to get at, it certainly passed the time. Quote:
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#110731 | |
Expert Member
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![]() ![]() ![]() Hah, not much of an actual horror movie, though, unless you're on acid. |
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#110732 | |
Active Member
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#110733 | |
Moderator
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![]() David Bowie did do a great job, though. Speaking of, I really need to get around to seeing TMWFTE. ![]() |
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#110734 |
Banned
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I first saw Repulsion when I was like 11, or there a bouts, and it has never left me. I found it utterly disarming and disturbing at that age; and to be honest, I still do pretty much.
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#110735 |
Power Member
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Well, it's not the end of the world that the announcments are pushed back a day, but it does seem kind of mean to not say that until the end of the day!
Having said that, it doesn't effect me since I wake up and the titles have just been announced most months, so I wasn't waiting and refreshing like many people. Didn't this happen right before the Zatoichi boxset announcement? Must be something big, right? ;D |
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#110736 |
Blu-ray Ninja
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#110737 | |
Moderator
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![]() Nagisa Oshima was a lion of the Japanese New Wave of the 1960s. The movies showcased in the Oshima's Outlaw Sixties set are some of the most complex of all the films available in Criterion's Japanese cinema library. They are filled with symbolism and frequent absurdities, and some of the story constructs can make parts of them difficult to grasp, but if you make the attempt to take hold the rewards are there in spades. One thing I find striking about Oshima is that in many of his films he asks uncomfortable questions of his audience about the darker side of the Japanese psyche. He often acknowledges the postwar implications of the death-obsessed nature of many in Japanese society during the militaristic period before and during WWII, including its cultural impacts and carryover into a rebuilt and thriving Japan. He was doing this at a time when few others dared such a thing. The films in this set were all made barely 20 years after Japan's surrender, and only 10 years after the signing of a final peace treaty with the US. Each film in the Eclipse set is unique, not just in plot, but also in overall look and "feel", even while re-using some of the same actors (who are invariably great in each role they play). In a way, Oshima's Outlaw Sixties is like a Japanese BBS set. Pleasures of the Flesh and Japanese Summer: Double Suicide are probably my favorites. The most complex and memorable film in the set by far, in my opinion, is Sing a Song of Sex. At its core, Sing a Song of Sex chronicles the actions of four disillusioned and frequently callous Japanese youths who seem only interested in pursuing a good time while remaining disinterested in the social activism swirling around them. Parts of the film are laugh-out-loud funny in the antics of the four students, making it both the most humorous and the most darkly serious film in the Eclipse set. It has multiple layers and subtexts involving, among other things, getting laid, forced sex fantasies, the poor treatment of Koreans in Japanese society, the clash of traditions vs 1960s modernism in post-war Japan, and even the deeper social and political meanings in bawdy pub songs sung by working class Japanese (hence, the title of the film). Ironically, the bawdy nature of these songs is why the young men enjoy them; singing these songs becomes the students only real connection to the social activism surrounding them. Last edited by oildude; 09-16-2014 at 11:03 AM. |
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Thanks given by: | Scottie (09-16-2014) |
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#110740 | |
Moderator
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It's available on Netflix and Hulu, so I would recommend checking it out on there before you commit to a purchase. It seems to be a love-hate type of film. |
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