|
|
![]() |
||||||||||||||||||||
|
Best Blu-ray Movie Deals
|
Best Blu-ray Movie Deals, See All the Deals » |
Top deals |
New deals
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
![]() $45.00 5 hrs ago
| ![]() $74.99 | ![]() $27.95 1 hr ago
| ![]() $82.99 1 day ago
| ![]() $26.59 5 hrs ago
| ![]() $22.95 18 hrs ago
| ![]() $27.99 13 hrs ago
| ![]() $41.99 10 hrs ago
| ![]() $20.99 5 hrs ago
| ![]() $99.99 | ![]() $101.99 | ![]() $70.00 |
![]() |
#11241 |
Blu-ray Guru
|
![]()
While you're on the topic of animated titles and/or musical movies, I couldn't help thinking about two films that I would love to see, but will probably never see, released by Criterion:
The Triplets of Belleville Pink Floyd's The Wall What do you guys think of these titles? -Dave |
![]() |
![]() |
#11242 | |
Active Member
|
![]() Quote:
|
|
![]() |
![]() |
#11243 | |
Blu-ray Samurai
|
![]() Quote:
![]() With Neil Young and Tom Petty becoming big supporters of music on blu-ray, I hope that we get to see some/all of the Beatles catalogue come out on blu-ray (including the movies). I guess if Yoko, Paul, Ringo, and George's widow get greedy enough, this may happen. Hey...they allowed Cirque to do a Beatles themed show..why not!? ![]() |
|
![]() |
![]() |
#11244 | |
Blu-ray Samurai
|
![]() Quote:
![]() I've got The Triplets of Bellville on DVD and really enjoyed it. It would seem to fit in with the Criterion motif. It was released on DVD in the US by Sony, so I don't know if we'll ever see a release of it on Criterion. Disney continues to release animation titles very well on BD...CAN'T wait for Fantasia...I'm sorry that the BD release got delayed, but we should see it sometime next year. The Wall would definitely be of Criterion calibre, but it was released by Sony as well, so who knows?! There is a bevy of classic animation (that is not property of Disney or WB), that would be GREAT candidates for Criterion BD or any BD release. Felix the Cat (not the 60s cartoon...but the 20s silent shorts) would be a nice first effort. Image did a DVD release in 1999 and the collection is wonderful. There's old Fleischer cartoons as well, but I could see "rights" issues playing a big hand here...look how long it took to get the classic Popeyes from the 30s and 40s released on DVD, due to ongoing negotiations with WB and King Features... I told you not to get me started! ![]() |
|
![]() |
![]() |
#11245 | |
Blu-ray Knight
|
![]() Quote:
Revanche is great! And Playtime is an all-time favorite! Enjoy! |
|
![]() |
![]() |
#11246 |
Senior Member
|
![]()
So, Criterioncast have a pic up of what they are saying is the cover of "Thin Red Line". While the image could def be, its doesn't have any Criterion markings on it and even more awful is it has the bluray bar across the top. of course, its never gonna come out that way, but here's a link if you guys wanna see at least the image that might get used:
http://criterioncast.com/2010/06/17/...ction+Revealed what i did enjoy most from that article is the link they provided to more of Kellerhouse's work. here's that link for your visual enjoyment: http://www.kellerhouse.com/#/?item=WORK |
![]() |
![]() |
#11248 | |
Blu-ray Guru
|
![]() Quote:
The two were like Lennon/McCartney but the fact is that Truffaut was consistent, Godard was the revolutionary. Truffaut admired cinema and its auteurs, Godard had contempt towards cinema towards himself and his fellow filmmakers. And of course 1973, was the year the two had their most public split. We know from his films that 1968 and on...Godard was not the same type of director that people knew via the French New Wave. He lost support from critics and even several of his former friends/filmmakers. It's one thing that he had his own Super-8 video equipment but the fact is, unlike Truffaut, he was not getting any money. So, probably the most agressive thing he did was to criticize Truffaut on his film "La nuit americaine" (Day for the Night). Sent Truffaut a letter and called him a "liar" for leaving things out of his film and to make amends, Truffaut should send him money to make a film in response. (it's important to note that he even sent a letter for the film's star and an actor he had worked with, Jean-Pierre Leaud). What Godard received was a 20-page letter of 15 years of frustrations that Truffaut had with Godard. Jean-Luc. So as not to oblige you to read this disagreeable letter to the end, I begin with the essential: I will not enter your coproduction in your film. Second, I am returning your letter to Jean-Pierre Leaud: I have read it and find it disgusting. It is because of this that I fell tha the time has come to tell you, at length, that in my view you behave like shit. What he wrote to Leaud was asking for money. Truffaut felt it was disgusting that a director would ask a poor actor for financial help. Truffaut had said that if the letter to Leaud was not included, he would have helped out Godard. In this 20-page letter, Truffaut went all out and of course, kept calling Godard "shit" to his unprofessionalism of trying to seduce his female actresses, not showing up to film festivals when he promisted to attend, calling Pierre Braunberger a "Dirty Jew" (interesting to note: that even his 70's filmmaking partner Gorin, when Gorin tried to recoup the money he had made with Godard, Godard made a similar comment which ticked Gorin off). But in the letter, Truffaut continued: "Anyone who has a different opinion from yours is a creep, even if the opinion you hold in June is not the same one you held in April. In 1973, your prestige is intact, which is to say, when you walk into an office, everyone studies your face to see if you are in a good mood." You have never succeeded in loving anyone or in helping anyone. Other than by shoving a few banknotes at them. Truffaut then added in the letter of all the times he went to bat for Godard, helped him financially especially in "Contempt" when Truffaut was asked to replace Godard and didn't. Telling Godard that he was jealous of him and including a letter when Godard demanded money from him for the production of "Two or Three Things". And ended with: "In any case, we no longer agree about anything." Needless to Godard continued his tirade towards Truffaut and even at his death, there were no signs of Godard letting up. "I am amazed that people who lack ideas for new films (including some old friends like Truffaut, Rivette, who don't have any more ideas than the guys whom they denounced twenty years ago), continue to adhere to the one and self-same system of filmmaking, which is easy to describe: a sum of so many million, multiplied by so many weeks, multiplied by a certain number of people." In 1977, he did a talk with students and reviewed his career and said that he was relieved that his films after "Breathless" were financial failures. In his mind, he felt it kept him from becoming what he thought Truffaut had become: someone who "Talks to nobody, except to Polanski". Godard felt that Polanski and Altman films "pretend to be intellectual when it's pure merchandise". He felt their style was dishonest. He felt that Truffaut was part of that group. I do feel that in 1973, that letter stung Godard to his core. No one would dare tell him how they felt about him in such a manner, nor use the past as evidence to show how Godard was to them and he used his friendship. I think it was stinging to him because it was Truffaut. The man who has helped him so much. Needless to say, both men are apples and oranges when it comes to their approach to filmmaking. Truffaut is right that how Godard is one month, he was different the other. Godard was complex and I think that's why we love his films. Godard inspired filmmakers with his attitude and doing things his way even if it angered his producers. While Truffaut, I admire him as a filmmaker and also his appreciation to the artistic work of filmmakers. But I think the way how people have used the Lennon/McCartney comparison works for Truffaut and Godard. These two created films that were loved by many, films that were even despised by critics at times and both were rebellious as well. But both veered into opposite paths and there was no way this relationship could ever be repaired. note: Source of information is from Richard Brody's "Everything is Cinema: The Working Life of Jean-Luc Godard". |
|
![]() |
![]() |
#11249 | |
Moderator
|
![]() Quote:
![]() Are they teamed up with another studio on this release?????? I hope not. EDIT: I don't have an opinion on which is "better", but I enjoy Truffaut's films much more than Godard's Last edited by Beta Man; 06-17-2010 at 04:41 PM. |
|
![]() |
![]() |
#11250 | |
Blu-ray Guru
|
![]() Quote:
![]() |
|
![]() |
![]() |
#11251 | |
Blu-ray reviewer
|
![]() Quote:
|
|
![]() |
![]() |
#11252 | |
Blu-ray Ninja
|
![]() Quote:
That cover could not be more perfect. Why? Because of the tree branches aspect. The entire point of the film, which is lost on most ppl understandably (takes multiple viewings), is the duality of "nature," both human and that which is around us. |
|
![]() |
![]() |
#11253 |
Blu-ray Ninja
|
![]()
I haven't seen wages yet. 400 Blows is still, imo, the best film released yet on blu. I'm a big fan of The Third Man and Last Year at Marienbad as well. I don't care much for Howard's End, Wings of Desire, or Walkabout. Revanche I think is a very solid film and has great PQ, but it's not a film I would watch many more times.
|
![]() |
![]() |
#11254 | |
Blu-ray Guru
|
![]() Quote:
I also heard that about Marienbad, but thought it to be a thought provoking masterpiece where I could discover new things with subsequent viewings. Another movie I always enjoyed and would like to see given a CC treatment, although a Blu release by anyone would suffice (I think Universal owns it now as it was put out on DVD by one of their studios) is David Lynch's Lost Highway. It is a little easier to digest than Mulholland Drive (which I liked) and Inland Empire (during which I fell asleep), and never got quite the respect I think it deserved, IMO. -Dave |
|
![]() |
![]() |
#11255 | |
Blu-ray Knight
|
![]() Quote:
With Playtime, its so good that I can't put it in words. The message is beyond words, but if I had to put it in words it would be: the evolution of human society from a warm/friendly atmosphere (pre-industrialization) to a cold/detached atmosphere (the film just showing the latter, but the main characters reaction to it is evident of the evolution IMO). The guy in the film just walks around the city but this message is evident throughout. The use of big metallic buildings and big glass windows on structures also seems metaphoric, symbolizing social as well as physical barriers between people. I also thought Marienbad was a true masterpiece. Last edited by surfdude12; 06-17-2010 at 05:29 PM. |
|
![]() |
![]() |
#11256 |
Blu-ray Count
|
![]()
Please tell me cover art listed on the press releases that Home Theater Forum posted is incorrect. I am hoping it was for advertising purposes only and not how the actual cover art will look. (Speaking of that tacky BLUE Border top of the case look)
http://www.hometheaterforum.com/foru...harade-blu-ray http://www.hometheaterforum.com/foru...d-line-blu-ray http://www.hometheaterforum.com/foru...wrence-blu-ray Last edited by PowellPressburger; 06-17-2010 at 05:35 PM. |
![]() |
![]() |
#11257 | |
Moderator
|
![]() Quote:
That's not how Charade and Merry Christmas Mr. Lawrence look on Criterion's website, and so far everything I have from them is "As Pictured" on their website, so I don't image them changing that now...... changing the packaging is one thing..... but I would expect them to represent the change on the website.... |
|
![]() |
![]() |
#11258 | |
Expert Member
|
![]() Quote:
Doubt it will happen, though. I would guess the blu bar is just a generic addition done for all to see. |
|
![]() |
![]() |
#11259 |
Blu-ray Samurai
|
![]()
You "packaging guys" (yes, I'm looking at you P&P right now, along with a handful of others) are the cream of the crop.
![]() I love how it's always something with some people every month. I guess I'm the only one in the forum that goes through life with a "I could care less about such trivial things" attitude. It's a lot less stressful, I've found. Anyway, I'm 99.9% sure that the blu-ray border along the top of the artwork is only for the press releases to differentiate between their DVD & blu-rays for retailers. It'll be okay, guys. ![]() ![]() CC |
![]() |
![]() |
#11260 |
Blu-ray Ninja
Sep 2009
|
![]()
The Thin Red Line cover I think is not complete yet (The Criterion bar is kind of shown on the left but no wacky C), for right now it's not bad, but the worst of the Sept releases by far.
|
![]() |
|
|
![]() |
![]() |
![]() |
||||
thread | Forum | Thread Starter | Replies | Last Post |
Criterion Collection | Wish Lists | Chushajo | 26 | 08-14-2025 12:45 PM |
Criterion Collection? | Newbie Discussion | ChitoAD | 68 | 01-02-2019 10:14 PM |
Criterion Collection Question. . . | Blu-ray Movies - North America | billypoe | 31 | 01-18-2009 02:52 PM |
The Criterion Collection goes Blu! | Blu-ray Technology and Future Technology | bferr1 | 164 | 05-10-2008 02:59 PM |
|
|