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#139381 |
Blu-ray Samurai
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#139382 |
Senior Member
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Since he's my favorite director, I would take any Leone film they could get their hands on, but I would prefer Once Upon a Time in America, especially if there were any special features pertaining to the long development of the project. A copy of Harry Grey's book The Hoods would be nice too. That thing is so damn expensive.
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#139383 |
Senior Member
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So does the roadshow count as a release to get Oscar nominations this February, or do they go off of the wide release date?
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#139384 |
Blu-ray Archduke
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The Hateful Eight is listed on the Internet Movie Database as a 2015 release. It would make sense to categorize it as such, even with the standard version of the movie not taking place until January 1, 2016.
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Thanks given by: | WonderWeasel (12-15-2015) |
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#139385 |
Blu-ray Samurai
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The roadshow version is the version that will count for Oscars. It's also the version that's been screened for awards.
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Thanks given by: | InvisibleLoad (12-15-2015), WonderWeasel (12-15-2015) |
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#139386 |
Senior Member
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Phew, I was worried it was getting the "bury it in the new year" treatment for some reason!
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#139387 | |
Special Member
Jun 2010
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Can't wait for Hateful Eight the actors, the music... As someone who has not been happy with Tarantino's work since Jackie Brown I still live in hope, but honestly if it wasn't for the calibre of actors (Bruce Dern... effing legend) and the music... then I probably wouldn't give a damn. |
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Thanks given by: | WonderWeasel (12-16-2015) |
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#139393 |
Blu-ray Guru
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#139396 | |
Power Member
Sep 2012
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#139397 | |
Special Member
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That rule has created some strange awards anomalies over the years. For example, Casablanca was shown theatrically in New York City and in other cities before the end of 1942. Accordingly, it won a lot of 1942 film prizes from other groups. But it didn't screen in Los Angeles until January of 1943, so it was ineligible for the 1942 Academy Awards, and Mrs. Miniver went on to win the Best Picture Oscar for 1942. A year later, Casablanca was nominated for the Best Picture Oscar of 1943, and won. An even more extreme example involved Charlie Chaplin's film, Limelight. It was released in New York in 1952, and won several awards that year from the National Board of Review and the New York Film Critics Circle. However, it didn't play at any theatres in Los Angeles until 20 years later, in 1972. Having finally qualified for Oscar consideration, it received a nomination for the Best Original Score of 1973 ... and won! One final anecdote, this time revolving around cuts and prints rather than release dates. The roadshow version of A Star Is Born debuted in 1954 to almost universal critical acclaim. But a week after the premiere, Warner Brothers famously recut the film. A debate still rages about how and why Judy Garland failed to win the Best Actress Oscar for her performance in the film, with many of her supporters maintaining that if Oscar voters had all seen the original cut, she would never have lost to Grace Kelly in The Country Girl. The point here being that regardless of which version of a film gets nominated, in the end the most important factor is which version of a film the Academy members actually see. |
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Thanks given by: | ajburke (12-16-2015), ashedmaniac (12-15-2015), CriterionBlues (12-15-2015), easydreamer (12-15-2015), IronFingaz (12-16-2015), Martin_31 (12-16-2015), oildude (12-16-2015), slm (12-15-2015), WonderWeasel (12-16-2015) |
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#139398 | |
Expert Member
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I'm sure Gallows is coming someday. I would guess 2016. |
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#139399 |
Power Member
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Forgive my ignorance but what's different between the roadshow and standard version? I've been in the dark of late with health, family, and a newborn.
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#139400 | |
Special Member
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