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#15181 | |
Blu-ray Ninja
Sep 2009
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I hate keep bringing up Spielberg, with all of the fans of his here, but you hit on the points of why his films are just hard to actually sit through MORE THAN ONCE, telling yourself it's one of my favs. I own Spielberg movies. They just collect dust though. |
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#15183 | |
Blu-ray Ninja
Sep 2009
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#15184 |
Blu-ray Ninja
Sep 2009
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I'll be cool either way. I got the dvd, so I won't be left hanging if the blu doesn't have the awesome digi style. The packaging pics should be next up I believe. So in week now.
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#15185 | |
Blu-ray Ninja
Sep 2009
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Spielberg is smarter than Godard, if you want to talk about it in a business way. Why would Godard make movies for himself when you can be rich making movies? That's dumb if your talking business. Well Spielberg plays it safe, for $. Godard grew up with $, so he can do whatever he wants. Way that life is. Hence the last projects by these 2. Indiana Jones 4 vs a video camera film called Film Socialisme. One was making a film for money, while the other made one for himself. Sounds like one was playing it safe, rehashing ideas. But this is why I don't like it. Spielberg is on top of the world. Rich. Why still be safe and not do what you want? To get greedy. That is my dislike. Dennis Hopper made Easy Rider for Peter Fonda. What did he do after that? Made something he wanted, The Last Movie, didn't play it safe at all, and now is called "ahead of it's time". Didn't make $ though, and pretty much got booted from Hollywood at that time. Art VS Business! That is also why you see Hollywood's sequels and remakes rising. They don't want to shell out money for something they are not sure on. Keeping it safe. Hollywood=Business, not art. So why should I like a film made for money? All of these Kick-Ass and Toy Story 3 films are made for money, not you, but your money. Now Hollywood does let guys like Tarantino and Nolan loose because they have proven they can make the studio money just by the director's name attached to something. But screw you if your a new director with a new idea. They don't want another Hopper's Last Movie. They want Saw 8 or 9 or whatever number they are on. Goodnight everyone. Will see the pages of responses in the morning. ![]() Last edited by SpiderBaby; 08-20-2010 at 05:18 AM. |
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#15186 | |
Active Member
Jan 2010
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![]() I don't want to get into a defense of Spielberg - I just want to say... perhaps consider his film output, rather than bagging him for making money. To keep it on Criterion... didn't they release Close Encounters on laserdisc? BTW, if you like science fiction, you owe it to yourself to see Close Encounters on bluray. |
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#15187 | |
Blu-ray Guru
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For one, with a lot of the film studios hurting and many worried about the state of movies via the cinema, digital downloads, piracy, formats, etc. many of them want to depend on directors such as Spielberg, Ridley Scott, Roland Emmerich, Michael Bay, etc. to make money for the studio. These men create expensive films which typically make a ton of money and any deviation can be worrisome for them. As for Jean-Luc Godard, I admire him as a filmmaker but I do not admire him as a businessman. He burned bridges with his producers, his film partners and even his filmmaking friends because he kept asking for money from the directors, the talents, friends and family but his way of doing it was obtrusive and of course it was one of the reasons why his friendship with Truffaut, Jean-Pierre Gorin, Pierre Braunberger had ended. It's also important to note that films that we love and appreciate for their artistic style were not appreciated by the mass audiences. We always hear how Murnau's "Sunshine", Lang's "Metropolis", D.W. Griffith's "Intolerance", Tati's "Playtime" and the list goes and on and on of how these films were not successful but yet as much as we look back them on today as remarkable achievement, they were not seen that way back then and we saw the ramifications. D.W. Griffith's studio went bankrupt, Jacques Tati was financially crippled and it's a tough business where unfortunately the studios care more for blockbuster hits. No matter if "Transformers 2", "G.I. Joe - The Rise of Cobra" or even "The Last Airbender" were panned by critics, they made a lot of money and there is no doubt we are going to see continued sequels because they make money. And it's part of American culture that mainstream America prefers these movies and why people who follow foreign films tend to question American's taste in films. But I definitely understand what you are getting at. You are one of many cinema fans who have a disdain towards the Hollywood model. Films created for entertainment and also to make big money. But at the same time, I feel we are fortunate because we have access to a lot of fantastic films from other countries, the ability to watch fantastic films that many others will probably not want to see. But most importantly, as I am a member of other website forums that usually consist of hardcore film snobs, it's good to come and visit this thread because I don't have to read the usual "Hollywood films sucks", "mainstream films sucks" and just know that although a Criterion Collection thread, it's not too serious. It's not overly critical, we are not talking about which filmmaker utilizes marxist ideas or a Brechtian style, no one cares about if you read Trilling, Nabokov, Chabon, Austen... it's a laid back thread where I know its not populated by cineaste. As for the big films and artistic films, this is something that will continually be debated for Ad Infinitum. Some of us may be aesthete that can find enjoyment in the Andy Warhol screen tests or Cinématon but go outside of this thread and look what other people are excited about and it is what it is. They may not be cineaste but they are passionate about movies. I'm more happy that through forums like this Criterion Collection thread, I am reading more and more from people who were typically more of the type to purchase mainstream films but now are giving Criterion Collection films a chance and furthering their knowledge of film and stepping outside of what they are typically used to and enjoying it. And I am so tired and at this point of typing this message...that I have no idea what I'm typing about now and at this late hour I may have went into several tangents. I should have been a bit more laconic but you get the point...I hope. |
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#15188 | |
Blu-ray Duke
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#15189 | |
Blu-ray Duke
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#15191 |
Blu-ray Duke
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Funny you said that. I have notice for me that a lot of movies done in the last 15 to 20 years feel this way to me. I tought maybe I was alone in my weird ways on that one. I loved them as they came out and kept on seeing them from time to time but notice that with time passing more and more of them were losing me. I am not sure why that is but it really doesn't happen for movies that are pre 1990. Too much CGI that was cool at first viewing and then as the "cool" factor wear's off I start to see that the story is weak and it's truly not that good? I can't really say but I have been getting this feeling more and more in the last five years.
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#15192 | |
Blu-ray Guru
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It doesn't surprise me that Scott considers movies as business rather than art. Remember what David Mamet said: I like mass entertainment. I've written mass entertainment. But it's the opposite of art because the job of mass entertainment is to cajole, seduce and flatter consumers to let them know that what they thought was right is right, and that their tastes and their immediate gratification are of the utmost concern of the purveyor. The job of the artist, on the other hand, is to say, 'Wait a second, to the contrary, everything that we have thought is wrong. Let's reexamine it.' Ridley Scott makes mass entertainment. Yeah, many of their movies are really good (I'm a huge Alien fan), but they don't offer much beyond the surface. What you see is what you get. He did make art once, almost despite himself. The movie, of course, is Blade Runner. It's still baffling that he managed to make such a multi-layered movie (and not only aesthetically, but also thematically). (IMO of course.) |
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#15193 | |
Moderator
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Thanks for the heads-up Pro-B |
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#15194 | |
Special Member
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I thought American Gangster was horribly bland and added nothing new to the genre. Body of Lies was solid but not real memorable. And now with his only caring about money out in the open, what's next, PG-13 Alien Prequels? |
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#15195 | |
Blu-ray Samurai
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![]() Either way, we'll keep the pre-orders for now until we hear of another sale. CC |
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#15196 | |
Moderator
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Amazon had been doing random Criterion price-drops for a day or two here and there....... but they haven't dropped anything (other than Benny Buttons) below 30% off in a long time ![]() |
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#15199 |
Blu-ray Guru
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