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#173081 | |
Blu-ray Archduke
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I get what you're saying, through, because it took a while for me to get into the Tarkovsky groove at first. I've found that the films resonate with me a lot more as I age. |
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#173083 |
Blu-ray Ninja
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I was somewhat intimidated by Tarkovsky before viewing his films. I watched Stalker first and connected with it immediately and loved it. Then going into Solaris I was still intimidated. It blew my mind.
I've only seen those two films but I believe that's enough for me to say I'm a fan of Tarkovsky, and I'm looking forward to seeing the new restoration of The Sacrifice, I've held off of the old blu-ray for obvious reasons. |
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#173085 |
Banned
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#173088 | |
Blu-ray Archduke
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I owned Stalker on DVD, and watched it several times in that format. I was excited when I learned that it was out on Blu-ray, but the Blu-ray is still sitting unwatched for when I'm in that Stalker mood. |
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#173089 |
Blu-ray Ninja
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#173090 |
Blu-ray Samurai
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#173091 |
Expert Member
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Man, is the forecast that bleak? How disappointing.
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#173092 | |
Expert Member
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I'm afraid you are correct with that last phrase, as I feel Stalker and Solaris are easier to digest than most of his other films, with the exception of Ivan's Childhood, since that was his most "conventional" film. |
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#173093 |
Blu-ray Baron
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I watched Umbrellas of Cherbourg. I didn't hear of it until I saw it mentioned as a primary inspiration for La La Land, which was a movie I loved primarily because of the ending and thought much of the middle of was a drag.
This one starts slowly and I wasn't sold on it until Act II started, but at that point, I fell deeply in love with it. I didn't see why La La Land was compared to it so much until the ending, as the musical aspects are not even remotely comparable. Only the opening there is really a musical number, the rest of it is all musical performances that would be happening in "real life," almost like the movie was embarrassed to be a musical. I do love the first dance number there, but this! 100% of the dialogue is sung, and it seems like the score must have taken an incredibly long time to write. Which is really refreshing to me as a movie music nut, since most stuff I hear these days is either a collection of songs or paint by numbers crap thanks to movies usually budgeting about 2 weeks of time for the composer to do their work. This is not really even recitative, as it doesn't have the showy visual delivery - it's trying to treat it almost naturalistically, and the dialogue obviously is not written like song lyrics at all. And even with that, there were a couple songs I recognized immediately (I think I heard them played by jazz groups). One of the things that impressed me the most was how well it fleshed out the characters. In Act I, I assumed the situation would progress how it normally does in these kinds of things, especially given how thin Guy and Genevieve are presented. I thought the mother would just be a nagging shrew, I thought the rich guy would turn out to be a jerk, I thought Guy would come back mangled, etc. But it develops everyone somewhat realistically and doesn't seem to dislike any of its characters! Act II's warm portrayal of the mother/daughter relationship in particular was almost shocking for a movie of this vintage, especially one written by a man. And I was kind of dreading Act III, since Act I had completely failed to sell me on Guy, but it does such a good job with him that I barely missed Genevieve. And the ending, which I'm sure is really famous but I'd never heard about, worked on me like gangbusters. The production design is gorgeous and weird, especially the famous examples like the Deneuve's flowered blue dress against the same wallpaper or Madeline's orange dress on an orange wall, but the best moments are the occasional visual flourishes. The transition from Genevieve in the dress store into the wedding in particular. What a gorgeous movie! It's vastly better than La La Land in every respect other than that film's ending, which could be classified as industrial-grade tear gas. After watching the documentary on this disc and hearing Demy's reason for making this movie, the idea of this being the main inspiration makes more sense. Last edited by cakefactory; 01-21-2018 at 04:02 PM. |
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Thanks given by: | MifuneFan (01-21-2018), oildude (01-21-2018), plateoshrimp (01-22-2018), ravenus (01-22-2018), SammyJankis (01-21-2018), The Great Owl (01-21-2018), tisdivine (01-22-2018) |
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#173094 |
Blu-ray Emperor
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Just took a look at Film Forum's newest calendar (PDF), and there's some interesting Criterion / Janus related stuff included.
From March 23-29, they will be showing Belle de Jour, sourced from a new 4K restoration. This restoration was already released on BD in France, and Germany last year by StudioCanal, but this says it's a Janus Films release, so possible re-release? From April 6-12, FF will screen Mizoguchi's Story from Chikamatsu (Chikamatsu Monogatari) (1954), as well as Sansho the Bailiff, both sourced from new 4K restorations, and released by Janus Films. |
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#173095 |
Blu-ray Samurai
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#173096 |
Blu-ray Ninja
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Watched Jeanne Dielman for the first time ever this morning. Going into it I thought that it really couldn’t be as good as some make it out to be. Figured after 45 mins I would say, yeah I get it, and turn it off. 3 1/2 Hours later it was over and I was completely mesmerized the whole time. The 201 mins get more like 91 mins. I don’t know if it was me, but I was in a constant state of suspense the whole entire time. No idea why. I absolutely loved it.
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Thanks given by: | plateoshrimp (01-22-2018), The Great Owl (01-21-2018) |
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#173097 |
Moderator
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Thanks given by: | Doctor Jack (01-21-2018) |
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#173098 |
Blu-ray Ninja
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#173099 |
Blu-ray Samurai
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For those interested, TSPDT has updated their top 1,000 film list:
http://theyshootpictures.com/index.htm |
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Thanks given by: | javy (01-21-2018), The Sovereign (01-22-2018) |
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