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#192361 |
Power Member
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Apologies if this has been answered earlier, but I’m curious to know why would Criterion spend money to do a 4K restoration of a title, let’s say Robert Zemeckis’ “I Wanna Hold Your Hand”, for example, and NOT release it on a 4K disc? To me it doesn’t make sense.
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#192362 | |
Blu-ray Baron
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#192363 | |
Blu-ray Knight
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Thanks given by: | Pinot Grigio (11-11-2019), The Edge (11-11-2019) |
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#192365 | |
Blu-ray Guru
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They were also mastering a lot of films in HD or 2K before they started releasing Blu-rays in late 2008. A large amount of Criterion's early Blu-rays of previously released films used the same masters for DVD-only editions released earlier. Likewise, there's UHDs that use 4K remasters that existed prior to the format like Blade Runner, E.T., Saving Private Ryan, The Bridge on the River Kwai, and Bram Stoker's Dracula. But a lot of these 4K masters are meant for preservation, not necessarily for actual UHD. Consider how we're 3 1/2 years into the format and by the end of 2019 there's going to be only a dozen pre-1980 films on the format (more than half from the late-1970s). Only two of those from boutique labels and one is actually just a German import (Flying Clipper from Flicker Alley). My gut feeling is that 99% of 4K restorations - not just Criterion - will never get a physical release, but will at least have a digital stream version. Which is fine because I can't see Criterion releasing stuff like King of Jazz or Multiple Maniacs on UHD. And even big titles like Seven Samurai and Dr. Strangelove are from alternate film elements since the camera negatives are lost. Last edited by Egbert Souse; 11-11-2019 at 06:40 PM. |
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Thanks given by: | The Edge (11-11-2019) |
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#192367 |
Blu-ray Duke
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Alphabetizing one’s collection is barbaric and crude imo.
Color spine and package height coordination is the only civilized method. Darks with darks, whites with whites, reds/oranges/yellows etc. Criterions have their own separate shelf of course. Try to put directors together when possible. But ultimately the aesthetic nature of the collection takes precedence. When done properly, it’s a tribute to the cultural evolution of mankind. ...the only thing that separates us from the animals. [Show spoiler]
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#192368 |
Blu-ray Samurai
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I blind bought that one last week. Look forward to reading your thoughts (when you have time). Willing to bet that you get to it before I do.
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#192369 |
Power Member
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#192371 |
Power Member
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Thanks given by: | Harry Güchenschlong (11-12-2019) |
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#192372 | |
Blu-ray Guru
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That would only leave The Chaplin Revue plus the rest of the First National films. Combined that would include A Dog's Life, Shoulder Arms, The Pilgrim, Sunnyside, The Idle Class, A Day's Pleasure, and Pay Day. The Image edition had the seven films separately while I think the Warner/MK2 editions didn't include the standalone versions of Shoulder Arms, The Pilgrim, and A Dog's Life. |
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Thanks given by: | Harry Güchenschlong (11-12-2019) |
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#192373 |
Power Member
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I mainly collect horror films, which I keep in their own section (organized alphabetically), but I do keep a separate section of shelves for my Criterion discs; I have an entertainment center, and the Criterion releases are on the top shelves, organized by spine number. I also keep my Ingmar Bergman set there in a separate, taller shelf cut-out.
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#192374 |
Special Member
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#192375 |
Senior Member
Jan 2019
Canadian Rockies
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It’s been a few years since I watched an old DVD rip of Kurosawa’s Dreams. Revisited it today via Criterion blu ray and wow what a stunning set if vignettes this it. A fantastic meditation on life.
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Thanks given by: | jayembee (11-11-2019) |
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#192377 |
Expert Member
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Thanks given by: | Harry Güchenschlong (11-12-2019), RojD (11-12-2019) |
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#192378 | |
Blu-ray Champion
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The first four, which all sit on one side of the room, have six shelves each. Bookcases 1&2 have boutique labels: Criterion, Cohen, Twilight Time, Warner Archive, as well as some smaller ones. Bookcase #3 starts off with the mixed US/UK Arrow, followed by other British boutique labels: Artificial Eye, BFI, Eureka, Indicator, and Second Run. Ones with spine numbers (Criterion, Eureka, Indicator, et al.) are shelved by spine number, others are straight alphabetical. At one point, I divided up the Twilight Times by source studios (Fox, Sony, etc.), but eventually changed it to straight alpha. Special-package sets from Criterion (Bergman, del Toro, Zatoichi) sit on top of BC #1. Bookcase #4 has multi-film sets on the top shelf. Starting on the second shelf are "one-off" films in alphabetical order. The other four bookcases (which are actually three-shelf bookcases atop two-shelf cabinets) are on the other side of the room. BCs 5&6 continue the alpha-shelved one-offs, changing over to film series shelved alphabetically by series (if done according to the main character, like James Bond or Harry Potter, it's by the last name). Series films are followed by short film collections, documentaries, and animated films. Animated films are shelved by studio, if warranted (Disney, Pixar, Illumination, Ghibli, etc.), with each studio's titles filed alphabetically. BCs 7&8 are for TV releases. One is for British, Canadian, Australian, and foreign-language shows, the other for the bulk of American shows. Premium channel (HBO, Showtime) series are on top of BCs 2-4. Oh, and because I'm a comics buff, I have two more compact bookcases with comics-based films in one, and comics-based TV shows and animation in the other. |
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#192379 | |
Blu-ray Champion
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