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#198722 | |
Special Member
Nov 2014
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Thanks given by: | JackBros (07-28-2020) |
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#198723 |
Blu-ray Guru
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So I went to BN to try to exchange my Rebecca with damaged disc 2 hub b/c it said online they had it in stock. Couldn't find it, so an associate there checked their returns drawer and we discovered that some bum had bought Rebecca, photocopied the art insert, put that and the earlier MGM disc in a 1-disc Scanavo case, and "returned" it as "unplayable."
People like this are why we can't have nice things. |
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#198724 | |
Blu-ray Knight
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#198725 | |
Blu-ray Knight
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Thanks given by: | DaBargainHunta (07-28-2020), mja345 (07-29-2020) |
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#198726 | |
Blu-ray Guru
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#198727 | |
Active Member
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#198728 | |
Blu-ray Prince
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Thanks given by: | Professor Echo (07-29-2020) |
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#198729 |
Blu-ray Prince
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Storm Center (1956)
![]() Random thought #1: Apparently no other movie, ever, has used the title "Storm Center." I find that somewhat shocking. Random Thought #2: I recently watched a couple of Bette Davis movies from the '30s. This was released in 1956. Did she really age 50 years in two decades or was she purposely made to look older for this movie? Storm Center is about the "Red Scare" of the 1950s where innocent, law-abiding American citizens were branded communists with very little cause and without any proof. While this is a somewhat heavy-handed treatment of the subject, Bette Davis is as good as ever playing a small-town librarian who refuses to pull a book about communism from the local public library - even though she vehemently disagrees with its contents - because she is staunchly against the censorship of thoughts and ideas. Once Bette is branded a "commie," the movie pulls back to show how this affects the entire town - the politicians, parents, and especially a misunderstood little boy she doted on who was a veracious reader in a time when it was more acceptable to have a baseball glove in your hand than a book. (I'm lucky my parents were never like this. They always encouraged me to read.) Even though the movie isn't exactly subtle, it ends up packing a surprising wallop by the end. DaBargainHunta's Decree: Bette Davis is typically described as stern and no-nonsense onscreen, and while she certainly plays that to great effect here, she also adds layers of warmth and vulnerability to her character and performance. (Subtitles: Yes!) Last edited by DaBargainHunta; 07-28-2020 at 11:19 PM. |
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Thanks given by: | belcherman (07-28-2020), mja345 (07-29-2020), Professor Echo (07-29-2020), Reddington (07-29-2020), thebalconyfool (07-29-2020) |
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#198730 |
Blu-ray Knight
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I ran into Atherton in Hollywood in the late 80's and was going to post about it here, but no matter how careful I tried to compose my post, I figured someone might still be offended by it, which was not and never would be my intention. I sent you a PM about it instead and if you are offended by it, I give up!
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#198731 |
Active Member
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This is a little random and won't be helpful for everyone, but Target.com has matched Amazon's $23 price for most Criterion blurays, and there's a Target Circle Buy-One-Get-One-50%-Off deal on movies right now. That discount on top of the 5% off with a Target red card makes for a pretty nice savings on two Criterions -- about $10 cheaper than buying at Barnes and Noble.
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Thanks given by: | belcherman (07-29-2020), bwdowiak (07-29-2020), Dankk (07-29-2020), keke (07-29-2020), Professor Echo (07-29-2020) |
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#198734 |
Blu-ray Samurai
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#198735 |
Blu-ray Duke
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If I’ve said it once, I’ve said it 187 times: Buffalo 66’ NEEDS to get a Criterion release.
From now on I’m going to make at least one post about Buffalo 66’ every 4-6 weeks. And if you think I’m kidding, then you don’t know a damn thing about Ray Jackson. I’m a pit bull. I’m relentless when I want something. I’m an angel-headed hipster looking for an angry fix. I’m borderline psychotic when it comes to three things: original Nacho Cheese Doritos, vintage 80s erotica and Buffalo 66’. ...FACT. The opening 10 minutes or so where he can’t find a place to go to the bathroom is arguably the greatest 10 minutes in the history of cinema. “Don’t tell me to relax!...Get your Freaking Face out of my pants!“ Last edited by Ray Jackson; 07-29-2020 at 08:31 AM. |
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Thanks given by: | civiclx (08-20-2020) |
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#198737 | |
Expert Member
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#198738 |
Blu-ray Samurai
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Ray, is that your roundabout plea to get "The Brown Bunny" on BD as a bonus feature on "Buffalo '66" so you can see Gallo getting his dong worked?
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Thanks given by: | ShellOilJunior (07-30-2020) |
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#198739 | |
Blu-ray Guru
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#198740 |
Blu-ray Knight
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A couple of rewatches of films I was probably not in the right mood for on first viewings:
Soderbergh’s Sex Lies and Videotape is still more cerebral and detached than it probably should have been to really hit home emotionally, especially since that more cerebral approach perhaps also needed the John Mullany character to be more multi faceted than the one note character he ends up being. But there is still lots to like here, the writing is laced with some nice humour and wit and although James Spader gets a lot of the plaudits, I think the two MVPs here performance wise are Andie MacDowell and Laura San Giacomo. Their complex sisterly dynamic forms as much of the core of the film as the Spader-MacDowell dynamic that ultimately takes centre stage. Soderbergh’s direction has some inspired editing choices but largely his skill here is with the actors and the writing and he lets those aspects take centre stage, the best example obviously being the centrepiece scene depicted on the Criterion cover. Criterion’s blu looks largely stunning (some scenes look noticeably noisy though) and the sound is also greatly improved over Sony’s blu and does not sound as muffled. Polanski’s Cul De Sac had a working title of Waiting for Katelbach and really that tells you all you need to know. A full blown cinematic version of absurdist theatre, this is both a grim comedy and a hilarious tragedy, played out in a remote British island setting with a three character dynamic that is equal parts hilarious, pathetic and ultimately tragic. Donald Pleasance gives a performance I had not thought he was capable of giving based on other later movies I had seen him in, perfectly embodying a level of snivelling emasculation against his psychologically domineering wife and the American gangster that invades their home and which is evident in his every tic and utterance, but which also convincingly switches to intellectual snobbery during the last act party scene when he is more comfortably in an upper class English setting. He is ably matched by gravelly voiced Lionel Stander who has some hilarious reactions to the couple’s antics but is equally as pathetic in his delusion of his boss Katelbach arriving to save him. Françoise Dorleac rounds out the main trio in a performance that makes much more out of a thinly written character than should have been possible. She comes across as irresistible as Pleasance’s character sees her but thankfully plays out the more conniving part of her character in a way that still keeps you on her side rather than in a traditional femme fatale mould. Polanski directs the hell out of this, it’s perhaps a little too long but the blocking framing, editing and lighting are amazing throughout and meticulously planned, but every now and then there will be an edit or a cutaway that perfectly syncs with the more anarchic feel of the writing to create a convincing sense of anything being possible in the next scene. Criterion’s blu looks okay enough but unspectacular. Fine detail and depth in particular are a bit lacking and reveal the age of the HD master. This could really benefit from a new scan of the OCN but I doubt that is happening anytime soon. |
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Thanks given by: | mja345 (07-29-2020), The Sovereign (07-29-2020) |
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