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#4921 | |
Moderator
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#4922 | |
Retired Hollywood Insider
Apr 2007
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God love ‘em. ![]() At least over there, you can tell who’s still red and who is blue, unlike other places where they hide behind pre-processing technical esoterics that they have no actual first-hand experience or knowledge of. |
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#4923 | |
Retired Hollywood Insider
Apr 2007
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The ladies are doing just fine………thanks for asking. ![]() Maya still rules the pack with everyone following her lead. No summer mishaps that I’m aware of, such as rattlesnake bites, illness, etc. And to long-term readers, I finally got a decent pic of one of Maya’s pups ![]() Last edited by Penton-Man; 09-05-2008 at 01:28 AM. Reason: added a smile |
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#4924 |
Retired Hollywood Insider
Apr 2007
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^
Previous jpeg pic is mislabeled, it should have read "Maya's pup". This is a more current pic of the lady checking out her domain.... |
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#4925 | |
Senior Member
Mar 2007
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Let's bring back the "replication" issues BD50's are having... ![]() |
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#4927 | |
Active Member
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#4928 |
Retired Hollywood Insider
Apr 2007
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I received a pro PM in regards to the Blu-ray Miami Vice, which apparently is getting a lot of attention over the internet boards.
Well, firstly, I figure you either love or hate *the look*………there aint no in-between. Secondly, it seems that there are a lot of weird science authorities (you know what board I’m referring to) that have progressed from being over-night experts on DNR and EE to now being experts on the Viper Filmstream camera system. I would love them to tell me things like what the raw footage looks like from a Thomson Viper before it is color corrected because it has a definite biased hue pre-color correction, not to mention its other *peculiarities* . And you can’t even trust *official* sites like imdb because sometimes their information is either incorrect or incomplete, as they failed (probably not their fault) to list the Sony HDW-F950 as one of the capture devices utilized for the Miami Vice shoot (when it was used)………………. http://www.imdb.com/title/tt0430357/technical |
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#4929 | |
Retired Hollywood Insider
Apr 2007
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You have some kind of first-hand knowledge, being/have been either intimately involved in the off-road racing scene or are something like a relative, former next-door neighbor, etc. to Jeff W. I don’t believe the…….. “I took a wild guess” bit. Anyway, accept the Blu-rays with my sincere good wishes, you earned it. ![]() Next time I’m going to limit my contests to people actually living in the U.S. so my administrative assistant doesn’t have to spend her time filling out those customs slips and I don’t have to pay for out-of-country postage! |
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#4930 | |
Blu-ray Guru
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#4931 | |
Retired Hollywood Insider
Apr 2007
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In regards to giving credit where credit is due, I think I remember who the photographer was that captured that pic which Ben posted previously…………… https://forum.blu-ray.com/showpost.p...postcount=4995 His name was Larry Wilett and he worked for “Cycle” magazine. |
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#4932 | |
Retired Hollywood Insider
Apr 2007
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Later folks, as my back is killin me from haulin 50lbs.(or more) of water up the mountain on a day in SoCal that feels like HotLanta. |
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#4934 |
Blu-ray Guru
Sep 2006
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Last edited by Rob Tomlin; 11-05-2008 at 11:15 PM. |
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#4935 | |
Active Member
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#4936 |
Special Member
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Region B
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From the IFA conferrence:
http://www.dvdtimes.co.uk/content.php?contentid=68697 Frank Simonis, on behalf of the BDA said that due to the delayed launch of the PS3 and the number of languages in Europe (15 he says), "Things must be worked out on an individual country basis, putting Europe on a 1 year lag". Aren't there also people who speak multiple languages living in the USA? If things must be worked out on an individual country basis, would it be possible for the UK to have a separate release from the rest of Europe and to just put the English language on the UK release (or at least a lot less language audio tracks/subtitles than they have currently so that we can have our releases no later than the USA (assuming it's not still on theatrical release in the UK)? If there are people in the UK who speak Norwegian or Turkish etc they could still buy the many language full European version that comes out a year later. Also on the language thing in European releases, in the above link to the IFA conference, some people (in questions 2 & 3) asked for more non-English language high def audio on European releases of English language films I think, Warner said they "understand and will improve the situation", and Disney said "mathematics and bandwidth play a part but promise more support will come". If we're still going to have only 1 release for the whole of Europe with multiple foreign language tracks and many subtitle language tracks, won't increasing the bandwidth of the multiple foreign language tracks or making them lossless affect the quality of the video or affect how many bonus features we can have? Please could Warner & Disney or other studios reconsider and instead please could they only put the main (not dubbed) language track in the best quality (so that the picture quality and bonus features aren't negatively affected)? Last edited by 4K2K; 08-30-2008 at 12:19 PM. |
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#4937 | |
Special Member
Feb 2007
The Drowning Pool
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#4938 |
Special Member
Feb 2007
The Drowning Pool
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http://www.youtube.com/watch?v=eTK9mnTuea0
Its the IFA video. i dont really see where the negative spin is coming from, looks like some reporter needed to get a story going. the warner lady says first they are really happy with BD sales and title after title sales get better. but goes on how they plan to tap the PS3 market and to get stores to be more upfront with blu etc. what wound this causes i have no idea |
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#4939 | |
Moderator
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Many reporters are dense or have an agenda. Gary |
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#4940 | |
Retired Hollywood Insider
Apr 2007
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I believe that in regards to security and the shuttling of large amounts of uncompressed data all over, the answer would be Sohonet.....http://www.sohonet.co.uk/ They've built their own proprietary fiber optic networks connecting different cities around the world which can handle BIG volumes of uncompressed date over networks that are not Internet-based and they design systems for each film production almost on a case-by-case basis. For Quantum of Solace, they designed the system to handle the 60 - 70 Terabytes of uncompressed 4K and HD data captured with those Dalsa cams and other HD cams. For Speed Racer, they made an on-set network which allowed timed editorial rough cuts the same day material was shot. Last edited by Penton-Man; 09-01-2008 at 10:22 PM. Reason: fixed soho link - due to spelling |
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