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#7001 |
Special Member
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#7002 | |
Special Member
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Can you believe there was a 70mm screening of LoA in Dublin a couple of months ago........and I missed it ![]() I nearly cried. |
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#7004 | |
Blu-ray Duke
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#7007 |
Retired Hollywood Insider
Apr 2007
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So, I open up my PM box today and it sounds like this………..
http://www.youtube.com/watch?v=nA5B-F6QMC8 with links a plenty to HTFolks - lol ![]() http://www.hometheaterforum.com/htf/3509848-post1.html as well as, I’m sure, making *others* feel stupid regarding their observations and *analysis* of video processing artifacts prompting them to run to their computers for spin control, deletion, or *selective* editing ![]() http://www.hometheaterforum.com/htf/3510250-post39.html So, dobyblue or Jeff Keist, what sayeth the folks at WB home media about this? Make a phone call will ya, because if memory serves, one or both of you guys were in the loop on this title since the beginning. Amadeus got a brand spankin new encode and WB easily has the capability as well as the inhouse skill to do its own masters……….so, whaz up? I would doubt that in this case, they were hamstrung by a non-domestic HDCAM SR or D5 tape delivered by an outside content owner as was SPE with the deliverable for House of the Flying Daggers (and others) but, it would be interesting to know for sure. I’m a little curious about it. In the meantime, does anyone know the answer to a question I posed back here several months ago…………… https://forum.blu-ray.com/showthread...us#post1209500 Have any online reviewers alluded to or talked about the above ^ music in their descriptions? Last edited by Penton-Man; 02-17-2009 at 04:38 PM. Reason: spellin |
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#7008 |
Retired Hollywood Insider
Apr 2007
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https://forum.blu-ray.com/showpost.p...postcount=5774
^ The pics were from the 2007 Halloween party at the Bunny House, which I attended……again, purely for ‘research’ purposes. |
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#7009 | |
Blu-ray Duke
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#7010 | |
Blu-ray Knight
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I'm a little stunned at the apparent lack of backlash this title has received in light of it's "director's cut only" condition. Especially considering it's a shmancy book-style release, I'd think some folks would be calling for WB heads on the incompleteness factor alone. Isn't this supposed to be a definitive release (IMO, any release ought to be definitive, but they put this one in a special package and everything!)? Wasn't it the theatrical cut which won the Best Picture Academy Award (not that it matters to me, but... it does make for good marketing)? Robert Harris did mention this fact in passing in his review, before moving on to bigger and badder bad guys, but... Where's the outrage? |
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#7011 | ||
Blu-ray Samurai
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#7012 | |
Senior Member
Oct 2007
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Everyone is entitled to their own opinion, however there are anomalies in the general reviewing environment which makes things difficult. My perception is that Blu-ray is a stellar product, fully capable of recreating the look of cinema for home theater. Problems arise when some post their perceptions based not upon a projected image or high end flat screen, which makes Blu-ray shine, but on LCD monitors, some as small as 30+ inches, on which virtually anything will look quite acceptable. Take a short spin around the web, and see what reviewers are using for review, and you may be surprised. Much of this is less personal perception and more of a question of "at what size does the image begin to fall apart?" Once one gets to a reasonable size image, the next question becomes "what should one's expectations be for a 2009 Blu-ray product?" While things have gotten far better than they were a year ago, there may be some problems, or the use of older masters, which are not yet behind us. RAH Last edited by Robert Harris; 02-17-2009 at 06:51 PM. |
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#7013 |
Active Member
Dec 2007
Island of Jersey
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#7014 | |
Special Member
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I believe the print that was shown in Dublin recently belonged to the BFI, so I think they "tour" it occasionally and maybe have some screenings at Southbank in London (I'm just making assumptions here though). Try http://www.bfi.org.uk/ if you're keen, it might be worth contacting them about it. |
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#7015 | |
Blu-ray Knight
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It may seem a pedantic distinction to you, as for most practical purposes, these "devils" are interchangeable. I do think it's important, though, to frame our enemy accurately and make sure we really understand (and correctly communicate) the nature of the problem. |
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#7016 | |
Retired Hollywood Insider
Apr 2007
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For instance, given the last sentence of your above observation, he should enter politics with nonsense *scientific* information like this………….. http://www.avsforum.com/avs-vb/showp...4&postcount=46 Last edited by Penton-Man; 02-17-2009 at 06:35 PM. |
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#7017 | |
Retired Hollywood Insider
Apr 2007
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![]() I think between our inhouse Blu-ray.com reviewers and RAH, we’ve got all bases covered with online movie reviews. ![]() |
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#7018 | |
Retired Hollywood Insider
Apr 2007
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In practice, often times in the DI suite, I find that sitting say for instance, 2PH away from an ~ 24 inch display, is not the same as sitting 2PH away from the identical 1080p material projected on an ~ 110 inch screen for critiquing aspects of picture quality other than ‘color’. There may be other members here that actually have two displays (at least ISF calibrated) which are of grossly different sizes who can chime in as to their own personal anecdotal experiences of viewing the same content on each sized display (Kris Deering?). I think Robert may even have a “big” and “small” display in his own home and could (if he hasn’t already) view Amadeus on both sized displays at the appropriately coordinated seating distance and give his thoughts. For instance, this LCD is of probably higher quality (and cost) than will be found in most peoples’ homes………. http://pro.sony.com/bbsc/ssr/product-BVML230/ However, no matter how close one sits to this screen ^, we’ve found that it is just too darn small to use for Blu-ray mastering/encoding jobs. |
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#7019 |
Active Member
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Wow... OK.
I just want to thank RAH for his most honest comments on HTF. Things like this - in my view - can only help the issue. In light of this discussion concerning Amadeus, can we finally ask the question now?? --> What the hell is going on at WB and why is it taking them so long to finally get their acts together?!? It's not just Amadeus. I look at their recent releases and all of them are processed with DNR and EE (Pelican Brief, A Time to Kill, Being There, History of Violence, etc.) I know a lot of you guys (Penton, Jeff K, Bill H, etc.) are working with them to make things change and understand that this may be delicate. Comment as you wish... |
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