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#6823 |
Power Member
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MS using HD-DVD technology in the next generation of XBox would involve paying Toshiba a handsome amount of money in licensing fees. The HD-DVD format may be dead commercially, but any patents, copyrights and trademarks are still valid for decades to come. None of the technology is "public domain" at all.
Just my opinion, but I think it would be flat out STUPID for any game console manufacturer to produce a next generation platform without including Blu-ray compatibility as well as movie/multi-media streaming to built in or attached hard discs. It would just be laughably retarded. |
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#6824 | |
Blu-ray Knight
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that could be their undoing for their next system. |
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#6826 | ||
The Digital Bits
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However, they have piles of players left over. They don't even fix them, they just ship out a new one. ![]() Quote:
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#6827 | |
Senior Member
Oct 2008
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It would however be nice if studios would consider to release more movies where they already have new HD transfers. For example Sony to my knowledge has new HiDef transfers for all of the titles of the Boetticher collection and judging by one of the titles that was aired in the UK they look pretty good in HD. As they are very short it would be possible to release them as SL versions without any picture quality problems. @Penton Man: Can you shed some light on the inner workings involved in choosing certain classic titles with regard to expected sales in the short and in the long run, maybe also in relation with the costs involved for getting the necessary masters for the disc ? |
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#6828 |
Blu-ray Guru
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Well said. I too would rather they wait until it economically makes sense for the studios to put the work/$$$ into classics on Blu-Ray, rather than putting less than "the best it can be" versions out now.
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#6830 | |
Retired Hollywood Insider
Apr 2007
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http://www.youtube.com/watch?v=TZiWid5gO_E |
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#6831 | |
Retired Hollywood Insider
Apr 2007
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It can cost studios easily up to a hundred thousand dollars (or more) to restore an original film negative, depending on the extent of the restoration needed. For instance, the total cost for the restoration of Beckett (joint Academy of Motion Picture Arts and Sciences Film Archive and The Film Foundation funding) came in over the $100,000 mark. It didn’t even become economically viable to do a 4k restoration of Dr. Strangelove until 2006. Then for the large format film Baraka, just to scan the film elements at 8k necessitated the Bigfoot scanner to be run 24/7 for close to 4 weeks continuously (think big $$ and a tired Sasquatch). Several days ago, I posted some additional thoughts here……….. https://forum.blu-ray.com/showthread...30#post1547930 |
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#6832 |
Active Member
Apr 2008
Hertfordshire, England
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#6833 | |
Special Member
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#6834 | |
Senior Member
Oct 2008
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![]() I had the pleasure to talk to somebody at Fotokem in 2006 and back then it took them about the same time to do a 4k scan as it does now for doing it in 8k, which meant that for the 4k scan of Cleopatra the scanner had to run continuously for more than 2 months ! And your points about not reusing older HD masters in that other thread is exactly what I would have hoped to hear - with most new titles looking excellent these days the bar has been set very high and I would rather get classic titles later and in excellent quality than rushed and mediocre. |
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#6835 | |
Senior Member
Oct 2007
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A nominal production of average length, with a decently clean OCN and track can come in far lower. Hit the 1950s and numbers rise. |
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#6836 | |
Senior Member
Oct 2008
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When BoB came out I thought it looked good if not great but since then I have seen many excellent movies in HiDef and I also watched BoB on 70mm and upon revisiting it I was disappointed that it does not hold up as well as other titles like The Searchers, Grand Prix or How The West Was Won. I guess more than anything it is a case of shifting standards and putting it in the same sentence with Spartacus was a bit excessive. Spartacus on the other hand looked bad from the day I got it, Universal really needs to start from scratch before they release it on Blu-Ray. |
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#6837 | |
Senior Member
Oct 2007
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You're lumping a number of productions together with images harvested in different ways. Any image scan or input must be "final result" dependent. Spartacus will provide superb results with the scan of a 65mm IP. Easily done. RAH |
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#6838 | ||
Senior Member
Oct 2008
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You are right about the lumping. I was under the impression, maybe mistakenly, that the movies I mentioned were a better represented on HD than BOB, maybe due to the HD master of BOB being older and having originally been done for the DVD release only. Regarding an image scan being final result dependant, are you referring to the need to do new scans for Blu-Ray whereas some former HD masters where mainly done for a DVD release ? Quote:
Oliver |
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#6839 | |
Blu-ray Samurai
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#6840 | |
Senior Member
Oct 2007
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For example, scanning a 65mm OCN at 8k toward production on Blu-ray is a bit of a waste, as is dirt cleanup of an image at 4k, when not going out to film. Everything is budget vs. resolution dependent. RAH |
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