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#15941 | |
Retired Hollywood Insider
Apr 2007
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![]() Maybe I should watch it again to see what you mean. Do you think Ondine – https://www.blu-ray.com/movies/Ondin.../12932/#Review strains credibility also or were you able to just go with the flow with that movie? |
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#15942 | |
Banned
Feb 2009
Toronto
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Amusingly, there are parts of Toronto they visit that, despite being a block or two away from where I'm typing, I've never bothered going to. For LA residents, this ain't new, but it's kind of comical for us here... |
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#15943 |
Blu-ray Knight
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P-Man, perhaps in your zeal to paint the "scientists" ignorant, you're overlooking the possibility that you are not seeing outrage emanate from their quarter for the opposite reason. Maybe they're well aware of the difference between digital processing used to create a movie and that used to prepare a video release of said movie.
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#15944 | |
Banned
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#15945 |
Blu-ray Knight
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#15946 | |
Retired Hollywood Insider
Apr 2007
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#15947 | |
Retired Hollywood Insider
Apr 2007
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That wasn’t a pitch to point out the scientists as “ignorant”. ![]() I just specifically referred to those folks collectively in the above post(s) because I think they are fascinated by all types of digital processing as a general topic of discussion and speculation and I was revealing some rather unique or perhaps at least, unappreciated information for them to reflect upon retrospectively after their screenshot analysis and hopefully real time viewing. Geez, chill Doc. |
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#15949 | |
Power Member
![]() Aug 2007
North Potomac, MD
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#15950 | |
Retired Hollywood Insider
Apr 2007
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![]() https://forum.blu-ray.com/insider-di...ml#post1864138 Honestly Doc, I think you overacted to my comment as I doubt many home video observers, screenshot scientist or not, would have picked up on the nuances of the non-linear color grading for Robin Hood of which I posted above, just like few if any could do log to lin conversion LUTs for the color of ancillary products like Blu-rays. They just seem to be more interested in the technical digital processing stuff than the mainstream forum folks. I really wasn’t singling them out in a negative fashion. If anyone should feel slighted with the above post(s) it should be Wally “I’m not a big fan of 3-D. Maybe it's because I'm a drunk and I get nauseous watching it” Pfister. Last edited by Penton-Man; 09-28-2010 at 08:31 PM. Reason: bolded 4 words |
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#15952 |
Banned
Feb 2009
Toronto
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#15953 |
Power Member
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I thought George Lucas had already announced that a couple years ago.
I'm skeptical the 3D conversion will be anything close to as good as native 3D photography. Obviously every object in a shot has to be isolated, extracted out of the background and floated into 3D space. Not only that, but each floating object then has to be given 3D volume to avoid looking like a flat cut-out. This is not easy to do, even with the latest and greatest technology in photo manipulation software. |
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#15954 | |
Banned
Feb 2009
Toronto
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All kidding aside, apparently they did tests, weren't happy, and it was shelved. Now they're happy, it's all official like. Let the naysayers speak (we're going to hear them for the next 6+ years no doubt). Meanwhile, got to see RED today (liked it quite a bit), well worth seeing. Also saw UNCLE BOONMEE, which won Palme D'or, and was terrrrrrible.... |
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#15955 | |
Banned
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#15957 | |
Retired Hollywood Insider
Apr 2007
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Looking forward to watching the Iron Man 2 Blu though. ![]() |
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#15958 | |
Retired Hollywood Insider
Apr 2007
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It's kind of ironic because one of the keynotes at the recent 3D Entertainment Summit in Hollywood was a rather provocative speech condemning the practice, in general, of all 2D -> 3D conversions. I hope George Lucas proves the speaker wrong. |
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#15959 | |
Retired Hollywood Insider
Apr 2007
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In regards to AVATAR, a little known factoid is that because of a problem with the stereo camera rig/set-up, a couple shots in AVATAR were actually 2D -> 3D conversions ![]() Another thing that few people realize is that (based upon what the exhibitors honestly thought their projectors could output in terms of foot-lamberts) Jim Cameron had the foresight and vision to actually customize the digital cinema files to best fit the variant projector capabilities of particular venues, so, different, so-to-speak, ‘light rated’ digital cinema packages were supplied to different theaters in order to better show-off the movie without audiences suffering from ‘the 3D looks too dark’ syndrome. Pretty insightful on the part of the filmmaker. ![]() |
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#15960 |
Banned
Feb 2009
Toronto
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Nice tidbits as always, P.
Meanwhile, I had one of the more egregious digital cinema moments yesterday - there's a sweeping, 360 degree pan at the beginning of RED that made the image stutter like it was having a seizure. The rest of the image was rock solid, but the "judder" (if in fact that's what it's called when there's no pulldown) was pretty damn stark. Last edited by sharkshark; 09-30-2010 at 01:00 AM. |
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