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#17921 | |
Power Member
![]() Aug 2007
North Potomac, MD
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#17922 | |||
Blu-ray Count
Jul 2007
Montreal, Canada
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The issue is you are making a too common mistake PMs link is not a consumer presentation but one for the biz, when they talk of one format he is not saying what you get from Vudu will be the same as from Bestbuy or some other source but that bestbuy and vudu will get the same thing. That is for example why he said at some point that they have licensed (so far) 5 DRM. Since DRM is part of the data file (if it was not it woul;d be easy to strip off and useless) obviously the data will be different. My understanding is that for simplicity UV will have 5 "categories" but that does not mean that they would necesserily nbe 100% the same from all sources. And that is to make it simple (after all I guess, for example and since he did not go in detail, if you buy the SD version you don't want people to DL the 1080p from elsewere) I also see the world a bit different then you, you think of movie X 3D and movie X as the same film so if the 5 choices are 240p (hand held),480p (SD), 720p, 1080p (low) and 1080p high you say "there is no 3D but I see it as two different content, so to continue with the idea movie X would be available in 320,480,720,1080l,1080h but they can also have movie x 3d in those same levels. So you would not need it as one of the categories and so not mentioned as such. for example on Vudu http://www.vudu.com/movies/#!content...-Needs-Moms-3D http://www.vudu.com/movies/#!content...ars-Needs-Moms are not treated as the same film. |
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#17923 | |||
Expert Member
Aug 2007
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Sorry for dumping another novel on your thread Penton-Man, I'll try to keep this one shorter. We're still trying to figure out how this crazy UV thing works still, I think.
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I fully expect streaming providers to downgrade the quality, it'll probably happen automatically if it's using adaptive streaming. There's not much reason to offer lower-quality files for download though, since bandwidth and space concerns are better handled by using lower-resolution files, unless the studios are providing super high-quality massive bitrate encodes that have to be downgraded to be practical. Which would be nice, since I'm sure someone would offer those straight up. ![]() Quote:
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#17924 | |
Retired Hollywood Insider
Apr 2007
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![]() http://bleacherreport.com/articles/7...s-danny-noonan |
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#17925 | |
Retired Hollywood Insider
Apr 2007
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I’m honestly beginning to think that all this ‘40’ is the new ‘30’ and ‘50’ is the new ‘40’, etc. talk is all nonsense. |
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#17926 |
Retired Hollywood Insider
Apr 2007
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Thanks. I need it as the pain meds cause me constipation to the point I feel bloated like a whale, plus I'm sure they prevent me from getting a good, deep sleep (no R.E.M. sleep) and I just lay in bed drifting in and out of espisodes of shallow sleeping.
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#17927 |
Retired Hollywood Insider
Apr 2007
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#17928 |
Retired Hollywood Insider
Apr 2007
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Thanks
![]() “How intense would your 3-D movie-going experience be if you felt a falling sensation when a James Bond leaps from a plane, or a creepy hand on your neck at the right moment in a horror movie? And let's not even think about its applications at the hands of a firm like Vivid Video”.... http://www.fastcompany.com/1772583/d...ies-and-gaming |
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#17929 | |
Retired Hollywood Insider
Apr 2007
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![]() Plus, according to this article (prompted by the fact that as of last July 13, manufacturers will be able to license technological framework for a fee and can begin linking their products up to UltraViolet’s digital rights locker) you’re helping to do Hollywood’s job for them ![]() http://gigaom.com/video/ultraviolet-b2b-launch/ Which means you (and Anthony) are also ultimately providing a service to the consumer ![]() |
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#17930 | |
Expert Member
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#17931 | |||||
Blu-ray Count
Jul 2007
Montreal, Canada
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![]() as for "by the time Blu-ray dies there'll be better codecs" better codecs be damned, I want 4k losslessly ompressed video ![]() my issue with better CODEC, (or encoders) is that lossy is losssy why not have both? I don't care about file size, I care about quality, if one day we can get a 5GB file on a better encoder that matches a 50GB BD today why would I want that 5GB file that matches BD today and not a 50GB file that looks much better? Quote:
but video format is imaterial you don't DL/stream video you DL/stream data, some of which is DRM, some video and some audio. You realize if Vudu DRM is one of the 5 that Vudu gets the A/V file and then add their DRM to it so that you DL Vudu data so why is it so hard to accept that they can also change the BW while they do that in order to fit waht Vudu has in the specs (assuming it is different then some of the other providers and the data given by the studio)? Quote:
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#17932 | |
Senior Member
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Danny Noonan: I planned to go to law school after I graduated, but it looks like my folks won't have enough money to put me through college. Judge Smails: Well, the world needs ditch diggers, too. ![]() |
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#17933 |
Banned
Feb 2009
Toronto
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wet (don't own a dry, although cert'd for it - willing to take donations towards one should your Sony stocks improve
![]() Excellent dive, actually, just off the wharf... 15ft of water for about 70 min, saw a tonne of bass, crabs, starfish, etc. My first "cold" saltwater dive (temp was 70F) |
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#17934 | |
Power Member
![]() Aug 2007
North Potomac, MD
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The film tells the story of a scientist who discovers a parasite in human beings, called a "Tingler", which feeds on fear. The creature earned its name by making the spine of its host "tingle" when the host is frightened. In line with several other Castle horror films, including the 1958 Macabre and 1959 House on Haunted Hill, Castle used gimmicks to sell the film. The most well-known for The Tingler was called "Percepto!", which featured vibrating devices in some of the theater chairs which activated in time with the onscreen action. http://en.wikipedia.org/wiki/The_Tingler |
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#17935 | |
Blu-ray Guru
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#17936 | ||
Site Manager
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#17937 | |
Special Member
![]() Feb 2008
Region B
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#17938 | ||
Retired Hollywood Insider
Apr 2007
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![]() I will say one thing in general about the technical aspect of 3D motion picture production (native stereoscopic acquisition) and 3D post production, which some readers may be unaware of. If you shoot ‘good’ 3D, you have so much control in post (and I’m not referring to converting [2D -> 3D] but rather, tweaking the native 3D footage in post) that, in experienced hands, working with a modern 3D capable DI system, and under no inhibiting time constraints, you have the ability to make ‘great’ 3D out of ‘good’ 3D footage. This is why, for example, 3D filmmakers are now starting to embrace shooting parallel and doing HIT (horizontal image translation) in post. What the engineers for the House of Mouse research facility in Pittsburgh are working on in the lab is more akin to a very elegant and highly sophisticated version of tactile stimulation with electronics rather than another human assisting in the experience, like with this ![]() |
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#17939 |
Member
Jan 2011
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#17940 | ||
Active Member
Feb 2011
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