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#6661 | |
Power Member
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![]() Quote:
Now, whether or not all those 12 bits make it out to your eyes via the display panel is another question, although that actually isn't critical. The important part is that all of the tone mapping and other HDR video processing is done at a high bit depth. Supposedly, quite a lot of Dolby Vision titles are actually made from 10-bit masters though. Last edited by David M; 09-12-2018 at 10:12 AM. |
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Thanks given by: | Agent Kay (09-12-2018), bruceames (09-12-2018), dlbsyst (09-12-2018), Geoff D (09-12-2018), gkolb (09-12-2018), LordoftheRings (09-12-2018), PaulGo (09-12-2018), Robert Zohn (09-12-2018) |
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#6662 | |
Banned
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#6664 |
Retired Hollywood Insider
Apr 2007
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Follow-up news to the motion interpolation portion of this post from Sept. 9, 2018 – https://forum.blu-ray.com/showthread...n#post15506292
Yesterday, this article was posted online - https://www.slashfilm.com/war-on-motion-smoothing/. |
Thanks given by: | LordoftheRings (09-12-2018) |
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#6665 |
Retired Hollywood Insider
Apr 2007
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#6666 | |
Retired Hollywood Insider
Apr 2007
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As I mentioned on the last page, which included one hyperlink to a previous post I made about ICtCp (but there are several others dating as far back as early 2016, e.g. https://forum.blu-ray.com/showthread...s#post11886102), introducing ICtCp, then following its progression thru JCT-VC for support in HEVC (https://forum.blu-ray.com/showthread...p#post12775898) and explaining in other posts along the way that I believe it is a superior color model for wide color gamut. I expect ICtCp to be adopted with regards to other aspects in the future too. |
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Thanks given by: | PaulGo (09-12-2018) |
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#6667 |
Retired Hollywood Insider
Apr 2007
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#6668 |
Retired Hollywood Insider
Apr 2007
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https://forum.blu-ray.com/showthread...y#post15512898
Follow-up - Saturday night is already sold out - https://www.ticketweb.com/event/top-...ickets/8645515 Friday night, still available – https://www.ticketweb.com/event/top-...ickets/8645495 |
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#6669 |
Retired Hollywood Insider
Apr 2007
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I like this one too(scroll down a little)....
https://www.dolby.com/us/en/about/dolby-cares.html |
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#6670 |
Blu-ray Emperor
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I always figured that plenty of stuff was 10-bit simply because it was locked in at that bit depth in the DI mastering and/or the rendering e.g. CG animated movies, and even now content is still being finished at 10-bit. So yeah, the encode itself may be 12-bit but that isn't a guarantee of the source being 12-bit. And the metadata-only DV enhancement layers that we've seen on several UHD discs so far would also bear that out, that there's literally nothing else in the DV layer to append to the base layer, merely upsampling it to 12-bit upon playback and adding in the dynamic metadata.
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Thanks given by: | multiformous (09-13-2018) |
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#6671 | |
Banned
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#6672 |
Special Member
![]() Mar 2010
Portishead ♫
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It feels real good to know that Dolby cares. We all care.
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#6673 |
Senior Member
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#6674 |
Blu-ray Baron
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#6675 |
Senior Member
Sep 2010
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Yes.
As far as I understand, the dynamic metadata are the input parameters for the Dolby Vision Display Management performing the tone and gamut mapping. Without the input parameters, the Display Management uses the default parameters. ![]() |
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#6677 | |
Retired Hollywood Insider
Apr 2007
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#6678 | |
Retired Hollywood Insider
Apr 2007
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![]() In the last step of Dolby Vision color grading, the post production facility typically creates a UHD Dolby Vision mezzanine master (MXF 12-Bit RGB JPEG2000 file + an XML) and OTT content creators like Netflix, etc. like to have it then formatted into an IMF file (depending on the frame rate either IMF Main Level 7, Sub-level 4 or IMF Main Level 6, Sub-level 3 (see p.7 - https://drive.google.com/file/d/0B37...5sMzNwcmc/view ) after which the mastering operator runs it thru a 2nd party encoder like a Dolby Vision supported Beamr encoder - https://beamr.com/vanguard-by-beamr-...hevc-codec-sdk and from that Dolby Vision IMF master, the home deliverable files are derived. As per my post above about UHD HDR streaming content, even though the transport into peoples’ homes is 10-bit HEVC, the 12-bit ICtCp mastering fidelity is maintained. |
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Thanks given by: | DanBa (09-13-2018), mrtickleuk (09-14-2018) |
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#6679 |
Retired Hollywood Insider
Apr 2007
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^ P.S.
Some smaller Dolby certified post house facilities and forward thinking indie filmmakers are hoping that someday Dolby offers their own budget Dolby Vision encoder to allow them to then take the mezzanine master, run it thru that Dolby Vision encoding device which would then generate a home deliverable file that the operator can play on some Dolby Vision supported consumer TV for Q/A and testing purposes of their content because the smaller outfits just don’t do enough Dolby Vision production to invest in expensive 2nd party Dolby Vision supported encoders and view the final step in the process. |
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#6680 | ||
Special Member
![]() Mar 2010
Portishead ♫
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_____ Last edited by LordoftheRings; 09-13-2018 at 09:43 PM. |
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