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#6062 | |
Blu-ray Knight
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#6064 | |
Blu-ray Knight
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Frankly, I find more than a few BFI releases to have some bewildering extras or, at least to me, unappealing ones. I’m with you on your clarification point. For me, trailers are an integral part of the original film experience, etc. etc. I’ve posted so many defenses of trailers in threads I’m tired of hearing myself talk! I don’t like what may be a developing trend of leaving them off releases. New movies rarely include them and now Criterion has left them off some recent releases of catalog titles, which is irritating me, especially when some, like FAIL SAFE, are excellent. So you can roll your eyes over my original contention, but I stand by my post and will purchase the TT. YMMV! ![]() |
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Thanks given by: | minister_x (03-08-2020) |
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#6065 |
Contributor
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Fair enough!
![]() I agree that the absence on recent releases is very annoying - especially on boutique releases like Criterion. (Thankfully Arrow, Powerhouse et al are usually good at including them - as well as the BFI, for a large number of their releases.) |
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Thanks given by: | Professor Echo (03-08-2020) |
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#6067 | |
Blu-ray Knight
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We are in complete agreement on the inclusion of trailers as an extra and their recent absence. I get very frustrated at online Blu critics and forum members who consistently say “only” and “just” a trailer is included as an extra. Oh well, as I said before, I’m a broken record on this subject around here so I’ll give it a rest. But truly, I didn’t take any offense at your rolling eye emoji, I was only being persnickety, as I thought you were! Always nice to meet a new kindred spirit. ![]() |
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#6068 | |
Blu-ray Champion
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A well-made trailer is like a one- to three-minute short film. And, sometimes, a trailer might even have shots in it that aren't in the finished film. |
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#6069 |
Blu-ray Knight
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The William Friedkin directed and edited trailer for SORCERER is a work of art in and of itself. And incredibly, not included on any Blu release.
![]() I agree with Jayembee completely. In addition to his cogent thoughts, I would add my own personal fascination with how movies were promoted and marketed, especially back in the day when there wasn’t much more than trailers, the posters outside the theater and newspaper ads to get you to see a particular title. Trailers reveal so much about studios, filmmakers, advertising, zeitgeist, etc. They aren’t just a significant aspect of the original film experience, but of history and culture as well. |
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Thanks given by: | Aclea (03-09-2020), BagheeraMcGee (03-08-2020), dr727 (03-09-2020), jayembee (03-08-2020), minister_x (03-08-2020) |
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#6070 |
Power Member
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I like trailers, and not just film trailers - I've accumulated a collection of a few hundred DVDs full of video game trailers and other promo material. But I don't think I'd go as far as skipping certain releases just because they don't include trailers. They're nice to have, but in most or at least many cases YouTube or IMDb are good enough sources for me. As far as extras go, trailers are pretty low on my priority list, but I appreciate that some people might feel differently.
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Thanks given by: | minister_x (03-08-2020), Nedoflanders (03-09-2020) |
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#6071 | |
Blu-ray Baron
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The BFI absolutely have some baffling inclusions, but I think for them it's a case of promoting and making accessible their vast archive (they're a Film Institute after all) in a physical form outside of purely digitally through BFI Player. Often they're tangential but for example I really enjoyed the WWII public information shorts on Eye of the Needle, or the shorts by British Asian directors on My Beautiful Laundrette. They're special features where whether they're viewed with the main feature or not is immaterial - which I don't think is necessarily a bad thing in its own right. I suppose the reasoning for the nuclear film is the presence of uranium in the film. Last edited by CelestialAgent; 03-08-2020 at 09:50 PM. |
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#6072 |
Special Member
Mar 2014
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It’s a bit of a reach. If people have to ponder wtf an extra was included I’d prefer it if they just left it off.
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#6073 |
Blu-ray Baron
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I like the way Joe Dante - who cut his teeth editing them for Roger Corman - describes trailers: movie haikus.
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#6074 |
Blu-ray Baron
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Unfortunately in the past - at least up to the 90s - their attitude to trailers was horrifying. While they may have archived older trailers, anything comparatively recent that was donated would be cut up into key frames that would be added to their picture library as transparencies (even though they were always much lower quality than actual photos taken on the set). While I'd like to assume they only did this if they had two copies, I seriously doubt that was the case. And of course, those 'modern' 60s, 70s, 80s and 90s trailers they cut up are now vintage rarities in many cases.
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Thanks given by: | minister_x (03-09-2020) |
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#6075 | ||
Power Member
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I can totally see how this wouldn't appeal to everyone or might feel random compared to the often custom extras created for Criterion, Eureka, Arrow, Indicator, and the rest. |
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Thanks given by: | kidc (03-09-2020), minister_x (03-09-2020), mmarczi (03-09-2020), Nedoflanders (03-09-2020), Professor Echo (03-09-2020), Richard A (03-09-2020) |
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#6076 |
Power Member
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I also openly admit to not minding if a trailer is/isn't included. I like having the idea of having them included as a completionist but rarely watch—my usual motivation is when a film is avant-garde or un-categorizable (yet great!) and I wonder "how did the studio try to market this thing?"
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Thanks given by: | minister_x (03-09-2020), Richard A (03-09-2020) |
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#6077 | |||||
Banned
![]() Aug 2018
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All labels have releases with lesser extras (lesser as in "bad" extras, not as in less interesting ones because more tengential). The BFI have always favored including archive short features, features they're the only ones to include so often, while others might favor talking heads or visual essays stuff which aren't always a seal of quality. To each its own, but I hope that's not what you're calling bewildering or unappealing. On their recent Scandal release, the BFI have included stuff on the movie AND stuff on the real life events adapted in the movie AND a short feature unrelated to the movie but directed by Caton-Jones. And there's a trailer, probably sourced from VHS or whatever. Not many labels do such a 360° work on their titles (actually, the ones who do can probably be counted on one hand). Quote:
I guess it might be easy to apply it here because it's the same restoration and most of the extras are shared anyway but, say, if the TT was the older scan Film Detective used and the BFI the new 4K restoration, would you still favor the TT because it has the trailer ? Did you pass on the many movies only released by the BFI (for instance in their Flipside collection) because trailers were not included ? Maybe it's just me, but it can be seen as dismissing a release on a very specific point that might be considered unfair to the overall amount of editorial curation work input. Quote:
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Actually, I sometimes wish labels would be reaching to include whatever they can, just for the sake of including things that we would otherwise never see. Quote:
But I speak as someone who loves stuff like the COI collection. Last edited by johnpaul2; 03-09-2020 at 12:02 PM. |
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#6078 | |
Banned
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EDIT: That isn't to be disparaging against trailers and indeed I'm often puzzled by their non-inclusion. It's just on the whole they don't interest me. Last edited by Fnord Prefect; 03-09-2020 at 12:26 PM. |
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Thanks given by: | magnetiques (03-09-2020), mmarczi (03-10-2020) |
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#6079 | |
Active Member
Aug 2018
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Thanks given by: | dr727 (03-09-2020) |
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