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#8881 |
Senior Member
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I wouldn't lose sleep over it if I were you, you're really not missing much. I had both sets but was so unimpressed with the content I sold them. The sets are padded out with very underwhelming extras, way too many talking heads, and some of the films don't benefit in any noticeable way from an HD upgrade. I compared my DVD's of The Angelic Conversation (BFI) and The Last of England (Second Sight) with the Blu-Ray's and I could not tell the difference, so I'm more than satisfied with the DVD's. The films that do benefit are the obvious ones like Caravaggio, Sebastiane, and Jubilee, and you can buy all those separately.
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Thanks given by: | andantelise (08-20-2022) |
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#8884 |
Blu-ray Baron
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Don't quote me on this, but I want to say that only releases from a certain point in time (maybe 2018ish?) have limited edition booklet runs.
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Thanks given by: | Mr. Thomsen (08-23-2022), TheHistorian (08-22-2022) |
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#8886 | |
Senior Member
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The BFI really went to town with those packages. I absolutely adore the sets and have gone back to them on numerous occasions. |
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Thanks given by: | andantelise (08-23-2022), D27 (08-26-2022) |
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#8887 |
Senior Member
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My reply was to someone who was agonising about missing out on the sets and my point was that they aren’t worth losing sleep over as most of the content is available separately, plus the super 8 footage does not benefit in any massive way from the HD upgrade. It’s great you have the sets and are happy with them, I personally can live without them.
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#8888 | ||
Blu-ray Guru
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#8889 |
Blu-ray Samurai
Jul 2020
Hammer House
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Recently watched HEROSTRATUS. It's certainly one of the more outre films I've seen in awhile.
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Thanks given by: | dallywhitty (08-23-2022), Quuhod (08-23-2022) |
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#8890 |
Blu-ray Grand Duke
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#8892 |
Senior Member
Jul 2015
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Fun bit of trivia about that movie, in a recent book about Christopher Nolan, The Nolan Variations, he talks about seeing Herostratus when he was younger and seeing art movies in London and how it made a huge impression on him and his early work. BFI should slap a quote from him on the cover if they ever do a repress, they'd likely shift some extra copies!
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Thanks given by: | Quuhod (08-23-2022) |
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#8893 |
Expert Member
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Less than a 1000 units left of the Get Carter limited UHD in BFI's warehouse;
https://www.facebook.com/groups/bfid...7426729881571/ |
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#8894 | |
Blu-ray Guru
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#8895 | |
Expert Member
![]() May 2011
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![]() ![]() Pat (Cassie McFarlane), an ordinary London girl with a caring family, a job she enjoys and her own flat, seeks nothing more than to settle down to a life of married, middle-class conformity. Her cosy world is jolted when she meets Del (Victor Romero Evans), a charming and vaguely discontented toolmaker, who soon moves in but then loses his job, causing them both to challenge their assumptions about each other and their aspirations. Special features
Product details RRP: £19.99 / Cat. no. BFIB1472 / 15 UK / 1981 / colour / 106 minutes / English language, with optional subtitles for the Deaf and partial hearing | original aspect ratio 1.66:1 // BD50: 1080p, 24fps, PCM 2.0 mono audio (48kHz/24-bit) |
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Thanks given by: | CelestialAgent (08-26-2022), dr727 (08-27-2022), magnetiques (09-05-2022), RayBadrick (08-27-2022), Richard A (08-26-2022) |
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#8896 |
Power Member
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Brilliant release! Looking forward to it! BFI is unstoppable these days.
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#8897 |
Senior Member
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Since BFI has started releasing some Robert Bresson titles would it be plausible that they release A Man Escaped? It was released in the UK by Artificial Eye in 2018 so maybe they still hold the rights? I would just prefer BFI's extras and booklet (I don't believe the AE release has either).
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Thanks given by: | Aunt Peg (08-28-2022) |
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#8899 |
Active Member
Feb 2021
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I bought the Gaumont French release of Lancelot Du Lac which comes with English subtitles. I think they are releasing The Devil, Probably at some point. Would be nice if the BFI could pick these up.
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#8900 | |
Expert Member
![]() May 2011
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![]() ![]() At the height of the Depression, Anni (Herta Thiele, Mädchen in Uniform) and her family are evicted from their Berlin apartment and forced to move in with her boyfriend, Fritz, at Kuhle Wampe, a lakeside camp on the outskirts of Berlin that now accommodates the ever-growing numbers of the dispossessed. Exquisitely photographed by Günther Krampf (Nosferatu), this semi-documentary combines inspired montage sequences with intimate realist and comic scenes of Anni’s family life, driven along by Hanns Eisler’s celebrated score. Conceived at the political and artistic watershed of the waning Weimar Republic, it was swiftly banned in 1933 as the Nazis took power and was rarely seen for many years. Special features
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Thanks given by: | CelestialAgent (08-31-2022), Django100 (09-01-2022), dr727 (08-31-2022), Modman (08-30-2022), Mr. Thomsen (09-02-2022), Richard A (08-31-2022), wabrit (08-30-2022) |
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