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#402 |
Blu-ray Samurai
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#403 |
Blu-ray Knight
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Actually both pics look pretty damn good. On par or even better than the nit-starved DV pic, IMHO. Now I really feel like I'm not missing out on much, if anything at all. Would much rather have a 1200 nit TV that has slight clipping on only the most extreme highlights in a few movies, than have the whole picture downgraded to meet the TVs lower specs.
Speaking of extreme highlights, I read that the brightest measured area in The Lego Movie was only 1200 nits. I doubt that the sun scene here is much higher than that, if it is at all. WB realizes the UHD BD has HDR standards of 1000 nits min, and even though they may master at 4000, the actual brightest scene I bet is in the low 1000's. Edit: Yeah looking at the rest of the picture I notice that Ray's picture is a little darker, with greater color saturation (slightly different colors as well, notably the orange glow), which will reduce the amount of visible detail in some areas. So the settings are obviously different on our TVs. On my Sony all the settings are default except having color at 65 instead of 50. I'll take another pic at 50 to see if the color scheme is even closer to the DV pic (it's pretty close as it is). Also I'll take an alternate pic with the Sammy player on standard rather than dynamic mode. Last edited by bruceames; 08-30-2016 at 08:31 PM. |
Thanks given by: | ray0414 (08-30-2016) |
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#404 |
Blu-ray Samurai
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^^^my camera crushes big time. It's not that dark in person. I agree Bruce, id take slight clipping on a tv that has more horsepower than a weaker tv with slightly more detail.
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#405 | |
Retired Hollywood Insider
Apr 2007
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http://www.ibc.org/speaker-library/jaclyn-pytlarz Note to Bruce…now that’s ^ a smile ![]() |
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#406 |
Retired Hollywood Insider
Apr 2007
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Come to think of it, in terms of papers, as a follow-up to some of the Q&A from last year’s IBC Best Conference Paper, this year, ‘Image Adaption Requirements for High Dynamic Range Video under Reference and Non reference Viewing Conditions’ is a supporting paper for this upcoming IBC 2016 session, so it won’t be presented at IBC, but will be published as part of the Technical Conference.
Keep an eye out for it. |
Thanks given by: | Richard Paul (09-01-2016) |
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#407 |
Retired Hollywood Insider
Apr 2007
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Speaking of dee eye (and beyond, i.e. the HVS), either Pat from Dolby was misquoted here….“According to Griffis, the human visual system (HVS) can see just a handful of photons; perhaps 40" (http://www.displaydaily.com/display-...dr10-clarified) or else Pat needs to study up
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#408 | |
Senior Member
Sep 2010
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Samsung 65KS9500: Only HDR10, Edge-lit: $2800 http://www.bestbuy.com/site/samsung-...&skuId=5034500 Samsung 65KS9000: Only HDR10, Edge-lit: $2500 http://www.bestbuy.com/site/samsung-...&skuId=5035000 Vizio P65: Dolby Vision, HDR10, FALD: $2000 http://www.bestbuy.com/site/vizio-65...&skuId=4352400 LG 65UH7700: Dolby Vision, HDR10, Edge-lit: $1500 http://www.bestbuy.com/site/lg-65-cl...&skuId=4954100 Vizio M65: Dolby Vision, HDR10, FALD: $1300 http://www.bestbuy.com/site/vizio-65...&skuId=4989200 |
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#409 |
Blu-ray Knight
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I wouldn't be surprised if Dolby is not charging anything on hardware implementation in order to make money on content. They worked extensively with Vizio so it's very possible they even subsidized it, if not monetary-wise, then with their time.
Look at Netflix. They want every remote to have a Netflix button and cost to the manufacturer is not going to get in the way with that. |
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#410 |
Banned
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Dolby's licensing fees have always been more than reasonable, part of the reason they're on so many devices out there for audio. Fees were taken into consideration when they were recommended for both ATSC (for AC-3) and now ATSC 3.0 (with AC-4). DV is no different.
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Thanks given by: | bruceames (08-31-2016) |
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#411 | |
Blu-ray Knight
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#412 | |
Banned
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Enough Atmos and HDR. Oh 4K native films please. |
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#413 | |
Banned
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Actually no. The software is not really an issue. Dolby gets most of its money from the authoring packages and playback devices. Dolby wasn't really hurt (and by the same fashion DTS didn't make out like bandits) by most BD lossless tracks being DTS-HD MA instead of TrueHD. [Show spoiler]
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#415 | |
Banned
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Not enough BD100's available? The grading and authoring software for the latest dynamic Dolby Vision isn't ready for prime time? They're pissed off they didn't come up with this technology themselves and have to rely on Dolby? Something else? |
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#416 | |
Blu-ray Knight
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#418 | |
Banned
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Look at what Dolby did with AC-4 and Atmos compared to their competitors. Not even close. Offering high performance and solutions for encoding, playback, and hardware in spades. |
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#420 | |
Blu-ray Emperor
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Besides, it'd sure help if consumer players actually existed that could fully decode the DV UHD discs, no? Even if Pete is correct and the mastering, authoring etc for legit DV on disc has already been done, I doubt we'll see those respective get discs released until the playback hardware is in place to support it in the home. |
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