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#2961 | |
Blu-ray Samurai
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#2962 |
Retired Hollywood Insider
Apr 2007
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is audiences liked the first one so much - https://www.youtube.com/watch?v=-kT2R-NF0wY#t=4m26s the south Korean movie theater went ahead and purchased a 2nd unit. That one would have gone to/and been in a commercial LA location this month.
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Thanks given by: | gkolb (10-06-2017) |
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#2963 |
Blu-ray Guru
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Red updated their VistaVision sensor to what is now called the Monstro 8K VV. Specs are the same, but apparently it has better dynamic range and color.
http://www.red.com/news/red-announce...weapon-cameras |
Thanks given by: | Robert Zohn (10-06-2017) |
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#2964 | ||
Retired Hollywood Insider
Apr 2007
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Thanks given by: | PaulGo (10-07-2017) |
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#2965 |
Retired Hollywood Insider
Apr 2007
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z, have you shot anything recently in V-Log (Davinci Resolve 12.5 for HDR mastering) or simply straight HLG (with no real dedicated grading) to your channel on YouTube?....last I recall was your footage of the eclipse as seen from the Seattle area.
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Thanks given by: | zmarty (10-07-2017) |
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#2966 | ||||
Active Member
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In other news, I just finished color grading Cosmos Laundromat for HDR. If your device supports YouTube HDR, you can see it there. I also made a version that you can download and play directly on a 4K HDR TV: https://drive.google.com/uc?id=0B7Gr...wnload I switched from Resolve 12.5 to 14 ![]() |
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Thanks given by: | mrtickleuk (10-07-2017), Robert Zohn (10-07-2017) |
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#2967 | |
Power Member
![]() Aug 2007
North Potomac, MD
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http://www.lightreading.com/video/4k.../d/d-id/731338 |
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Thanks given by: | zmarty (10-07-2017) |
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#2968 | |
Senior Member
Sep 2010
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ARRIS UHD HDR Android TV could be your next STB.
"At IBC 2017, ARRIS International plc (NASDAQ: ARRS) unveiled a new portfolio of UHD HDR set-top boxes with Android TV™ along with professional services to help simplify and accelerate the launch of Android™ based TV services for operators around the world. …" http://www.prnewswire.com/news-relea...300518593.html http://www.arris.com/products/android-tv-video-devices/ ![]() ![]() Arris will certify the new ARRIS UHD HDR STB for HDMI 2.1 when the HDMI 2.1 spec is finalized. These Universal HDR STB are compatible with all existing operational HDR formats. |
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Thanks given by: | Robert Zohn (10-07-2017) |
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#2971 |
Retired Hollywood Insider
Apr 2007
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Rocky, did you guys scare away member BrownianMotion (strong HDR10+ promoter) or is he just resting?
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#2972 |
Retired Hollywood Insider
Apr 2007
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#2973 |
Retired Hollywood Insider
Apr 2007
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^
Choosing Encoding Parameters for High-Dynamic Range Streaming High-Dynamic Range (HDR) could be a very powerful storytelling tool for cinema and television. Yet, HDR's newness also means that we don't have consensus on how best to prepare and distribute HDR content to consumers. This paper will provide data and analysis on the impact of various HDR encoding options on video quality and bitrate. Specifically, this paper will examine permutations of PQ, HLG, Y'Cb'Cr', ICTCP, encoded resolution, and bitrate using open-source encoders such as x265. Video quality for each permutation will be measured using publicly-available non-proprietary objective video quality metrics. The key takeaway will be unbiased data and analysis for video quality and compression efficiency that can be used when designing HDR streaming services. Background: Today, we have two different ways of mapping light to HDR code values: Perceptual Quantizer (PQ) and Hybrid-Log Gamma (HLG). We also have the option of representing color as either Y'Cb'Cr' or the newer alternative ICTCP. For HDR adaptive bitrate streaming, we need to choose which compression levels and encoding resolutions to use when we create adaptation sets; but we don't yet have a complete understanding of how resolution and compression could interact to alter the highlights and deep darks that make HDR so visually potent. When viewed altogether, the many permutations of HDR encoding can make designing an HDR streaming service too complicated and uncertain. We need a simpler way to make the best choices. Speakers: Sean McCarthy |
Thanks given by: | mrtickleuk (10-08-2017) |
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#2975 | |
Retired Hollywood Insider
Apr 2007
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Thanks given by: | zmarty (10-07-2017) |
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#2976 | |
Retired Hollywood Insider
Apr 2007
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![]() I am somewhat familiar with the short as having seen several scenes analyzed in professional study group meetings as potential HDR test content wrt encoding, e.g. – ![]() |
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Thanks given by: | zmarty (10-07-2017) |
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#2979 |
Retired Hollywood Insider
Apr 2007
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Out of all the video guys (be it journalists and/or professional video engineers) who preach online or at trade shows/conferences about human vision and dynamic range or human vision and resolution (its capabilities/limitations) Sean’s probably the only one I can think of offhand who could actually tell if shown two unlabelled pictures - - which one represents a pic of the topography of the cornea vs. a pic of the layers of the retina on an OCT….which is quite basic to those involved in imaging science.
The rest of the soapboxers when speaking about the human visual system (HVS) remind me of grade school kids presenting term papers based on a couple hours of research with some simply being better at their homework assignment than others, rather than having any real formal training and firsthand experience. No matter what the venue (he was also speaking at IBC 2017), I think Sean’s presentations are worth a listen for attendees of the SMPTE 2017 Annual Technical Conference & Exhibition interested in cutting edge concepts geared toward implementation. |
Thanks given by: | DanBa (10-09-2017) |
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#2980 |
Retired Hollywood Insider
Apr 2007
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gkolb, or others (BrownianMoition?) interested in the business of choosing spiffy brand names and such, follow-up info to theatrical HDR topic after-work post from Oct 5 - https://forum.blu-ray.com/showthread...t#post14167202
A day later, Oct. 6th from an outside website that chased trademark apps - http://www.letsgodigital.org/en/4492...ng-cinema-led/ |
Thanks given by: | gkolb (10-08-2017) |
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