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#5361 | |
Retired Hollywood Insider
Apr 2007
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![]() https://vimeo.com/271709596 P.S. Who here knows their art? |
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#5362 |
Retired Hollywood Insider
Apr 2007
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#5363 | |
Retired Hollywood Insider
Apr 2007
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Note to z: there is also an option in Resolve Studio 15 to make a straight HDR10 file, not HDR10+ so a fair comparison could be produced. |
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#5365 | |
Blu-ray King
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[Show spoiler] [Show spoiler] ![]() Sorry! Couldn’t resist that song , it’s stuck in my head. Doubt anyone outside the UK will have heard of this song. So sorry for any major confusion. |
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Thanks given by: | mrtickleuk (05-27-2018) |
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#5366 | |
Senior Member
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The TV has to process the data "live" as it comes in, and it cannot see ahead. The TV's "Active HDR" or whatever custom system is used has no possible knowledge of a very bright or very dark scene coming up in 20 seconds which might be 1 second long or 1 minute long and affect the metadata values that would ideally be used. Think of it as the difference between single-pass live MPEG encoding, and two-pass slow very accurate MPEG encoding. For this reason alone, HDR10+ will always have the potential to provide the very best dynamic metadata, superior to anything the TV can conjure up on the fly. Last edited by mrtickleuk; 05-27-2018 at 03:24 PM. |
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Thanks given by: | Geoff D (05-27-2018) |
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#5367 |
Blu-ray Emperor
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All good in theory (and let's not forget that the first pass of DV metadata is ALSO generated by an automatic process), but a recent Samsung (I think?) demo of HDR10+ showed that the TV lagged slightly behind when processing the metadata anyway, although if they could get that latency issue sorted then it should still be superior to any in-house 'active HDR' processing. (People sometimes lump Sony in with the 'active HDR' crowd but it's not the case IMO, they use a tone map that ignores luminance metadata completely and analyses the content itself, assigning the incoming signal to what the TV can handle according to how it's been set up (almost like relative luminance, in a way).)
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Thanks given by: | jibucha (05-27-2018), mrtickleuk (05-28-2018) |
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#5368 |
Retired Hollywood Insider
Apr 2007
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Unless someone was doing a trial somewhere, I don’t think so and seeing Ramos smirk in HDR after this - https://www.dailystar.co.uk/news/lat...s-league-final
just would have made the match much the worse for me and I presume also for other supporters of the ‘beautiful’ game who’ve been familiar with his antics for years, like Geoff, see - https://forum.blu-ray.com/showthread...l#post15107284 |
Thanks given by: | woodspoon (05-28-2018) |
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#5369 |
Retired Hollywood Insider
Apr 2007
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#5370 | ||
Retired Hollywood Insider
Apr 2007
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Point being: ‘beauty’ is in the eye of the beholder. On Friday, June 1st at Cine Gear Expo: Arri Rental Presents Bradford Young ASC discusses Solo: A Star Wars Story TIME: 5:45 pm to 6:45 pm LOCATION: Sherry Lansing Theater Last edited by Penton-Man; 05-27-2018 at 05:19 PM. |
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#5371 |
Retired Hollywood Insider
Apr 2007
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For Sony Venice fans, prior to that ^, footage from this shoot - http://www.xdcam-user.com/2018/05/sh...h-sony-venice/ will be shown –
Sony Presents Alister Chapman Presents A Desert Adventure with VENICE TIME: 4:30pm - 5:30pm LOCATION: Sherry Lansing Theater |
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#5372 | ||
Retired Hollywood Insider
Apr 2007
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screams for an HDR pass….. because not just for specular highlights, but HDR is also about precise control of deep darkness and shadows |
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#5373 | |
Retired Hollywood Insider
Apr 2007
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a reminder - https://www.blu-ray.com/movies/Game-...lu-ray/202472/ |
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#5375 |
Retired Hollywood Insider
Apr 2007
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IMO, the best tone and gamut mapping scheme be…. https://patents.google.com/patent/WO2014130343A2/en
At the end of the day it’s really a balancing act how consumer televisions best do display management, because on the one hand in trying to preserve the brightness of the pixel, that may introduce color shifts that make detection of subtle shades difficult to see. Whereas, on the other hand, tone and gamut mapping can work to preserve these subtle gradations by maintaining hue subtleties in the remapping process, but in so doing may sacrifice the overall luminance a bit. Some AV journalists think accuracy to creative intent (mastering display) is synonymous to the most pleasing subjective image (as seen on consumer display) when they do their comparisons, which is not always the case. |
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#5376 |
Special Member
![]() Mar 2010
Portishead ♫
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#5377 | |
Blu-ray Samurai
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#5378 | ||
Retired Hollywood Insider
Apr 2007
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Thanks given by: | Steedeel (05-28-2018) |
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#5379 | |
Retired Hollywood Insider
Apr 2007
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#5380 |
Retired Hollywood Insider
Apr 2007
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