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#10 | ||
Retired Hollywood Insider
Apr 2007
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![]() Quote:
Quote:
For one thing, unless one is referring to the HDR conversion (remastering) of old motion pictures (a la Rob Marshall’s Chicago in Dolby Vision), a new motion picture really wouldn’t be an HDR conversion, per se, even if one exactly exposes scenes as you typically would for only a traditional digital cinema finish (standard dynamic range) and then in post production do an ‘HDR’ finish because the HDR finish would actually come first (be your primary grade or hero master) and then with the aid of the DV plugin you’d then do a quick trim pass for other (standard dynamic range) deliverables. It’s just that in order to get the ‘full’ effect out of any high/extended dynamic range solution that can leverage the broad dynamic range at the sensor level of high end digital cameras, or film, I think there will have to be additional adjustments (incurring cost) on set during the production process. Last edited by Penton-Man; 12-06-2014 at 07:57 PM. Reason: typo |
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