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#17941 |
Retired Hollywood Insider
Apr 2007
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Tough one yesterday, so I only had one post in me and couldn’t reply to anybody. Sorry, nothing personal.
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#17942 | |
Retired Hollywood Insider
Apr 2007
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#17943 |
Retired Hollywood Insider
Apr 2007
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#17944 | |
Retired Hollywood Insider
Apr 2007
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![]() I actually started playing golf again, after having watched that movie when it first came out theatrically....for I had totally given up on the sport, prior to the flick. |
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#17945 | |
Retired Hollywood Insider
Apr 2007
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Suit up.jpg
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Last edited by Deciazulado; 08-17-2011 at 11:59 PM. |
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#17946 | |
Retired Hollywood Insider
Apr 2007
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http://www.broadcastingcable.com/art..._Treatment.php Or, for those interested in more *adult* oriented fare – http://newswire.xbiz.com/view.php?id=137508 |
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#17947 |
Retired Hollywood Insider
Apr 2007
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#17948 |
Retired Hollywood Insider
Apr 2007
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Lovely. I can’t wait. At the rate I’m going, I think the highlight of my day when I’m in my 60’s will be a successful bowel movement.
Hey, do your thing with the pic I posted above….even though the picture ‘metadata’ is yet another dead end for those *investigators* out there. ![]() |
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#17949 | |
Retired Hollywood Insider
Apr 2007
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Well, for one thing, when the 3D filmmaker has two cameras (even if the lenses are perfected matched, which is not a given), you have two different optical paths and it is impossible to align the cameras perfectly during a shoot, even using the best available rigs. Whereas in post, with some tweaking, you can align the images even better which leads to a more harmonious outcome. So, a good practice would be to converge in-camera at the furthest object in the scene in order to capture as much depth as possible and subsequently to converge the horizontal image translation during post production. That’s it for 3D post production teaching, as my attention span per post I do is rather limited these days. |
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#17950 | |
Retired Hollywood Insider
Apr 2007
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Plus, I just don’t have the heart to ask my wife to drive to the pharmacy and pick up another drug for me as she’s already gone above-and-beyond. Haven't seen FD 5 yet. |
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#17951 | |
Blu-ray Grand Duke
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That just gave me an idea: Hmmmmmm....wings.... ![]() |
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#17952 | |
Blu-ray Count
Jul 2007
Montreal, Canada
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#17953 | |
Senior Member
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#17954 |
Special Member
![]() Feb 2008
Region B
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I didn't say there was a table that said it didn't support 3D. I said 3D was missing from the list of supported video specs in the linked page.
See section 3.2.4: http://uvdemystified.com/uvfaq.html Penton-Man, does Ultraviolet currently support 3D? Last edited by 4K2K; 08-18-2011 at 01:12 PM. |
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#17955 | |||
Active Member
Feb 2011
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![]() I wish you all the best and keep nurturing that delicious sense of humor you possess. ![]() |
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#17956 |
Blu-ray Knight
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![]() ![]() ![]() ![]() ![]() http://www.deadline.com/2011/08/ridl...-blade-runner/ My brain has absolutely no idea what to do at this moment. |
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#17957 | |
Senior Member
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#17958 | |
Power Member
![]() Aug 2007
North Potomac, MD
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#17959 |
Retired Hollywood Insider
Apr 2007
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#17960 | |
Retired Hollywood Insider
Apr 2007
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Heck, when I mentioned that more than half of Transformers: Dark of the Moon motion picture was 2D ->3D converted (and hinted about it months prior to Variety breaking the story), not one movie critic or consumer (at least I’m aware of) even questioned the presence of converted material because it was marketed as *all shot in 3D* and the flick looked so good because the converted scenes blended seamlessly with the native 3D acquisition. Fact of the matter is that conversion works especially well if used in conjunction with natively shot 3D. In hindsight, when the Transformers: Dark of the Moon 3D Blu-ray streets, I wouldn’t be at all surprised if the armchair Monday morning quarterbacks will suddenly *find* converted scenes *retrospectively* which they would have been otherwise completely clueless to, especially if you check their orginal thumbs way-up impressions of the 3D after having seen the theatrical release at their local Multiplexes. Same thing applies to Avatar, just to a much lesser extent in terms of 2D ->3D conversion contribution, as it was also marketed to the public as being *shot entirely in 3D*. Heck, the first converted shot in Avatar occurs as early as about the one minute mark with the close-up of the ‘eye’ simply because the PACE Fusion 3-D rig just couldn’t get in that close to the marine’s eye. I didn’t hear any consumers or movie critics identify that either after they had viewed the theatrical or BD3D rendition. |
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