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#2941 |
Retired Hollywood Insider
Apr 2007
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Conversely, for Panny fans, vis-à-vis the GH5, bottom row, middle…..
https://drive.google.com/drive/folde...XBJcjFpMWF1eDA |
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#2942 | |
Retired Hollywood Insider
Apr 2007
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pass this onto mike and tell him to stop playing on twitter so much…..https://pixelogicmedia.workable.com/j/61489BA3B7 |
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#2943 | |
Retired Hollywood Insider
Apr 2007
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#2944 | |
Senior Member
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#2946 | |
Blu-ray Emperor
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#2948 | |
Blu-ray Baron
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I was not referring to the 20th centuryfox logo, sorry. I was referring to the other logos (one all in blue at the begining of every disc, and the other one with the eagle) |
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#2949 | |
Active Member
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#2950 | |
Banned
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Thanks given by: | Caleb C. (10-05-2017) |
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#2951 | |
Retired Hollywood Insider
Apr 2007
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Stacey, I know you’re an Army vet
![]() ![]() Remember folks as Donald, Jr. says - “It’s about safety. It’s about hearing protection. It’s a health issue, frankly, for me,” ……https://vid.me/UMFcf Right ![]() |
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Thanks given by: | FilmFreakosaurus (10-04-2017), PaulGo (10-05-2017) |
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#2952 | |
Retired Hollywood Insider
Apr 2007
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but still interested in this advanced topic and happen to be attending the upcoming SMPTE 2017 annual technical conference & exhibition in Hollywood, then sit in on the following session on Thursday morning (10/26) in Salon 2…. Hitting the Mark - A New Color Difference Metric for HDR and WCG Imagery "With the emerging demand for high-dynamic-range (HDR) and wide-color-gamut (WCG) technologies, display and projector manufacturers are racing to extend their color primaries in the cinema and in the home. With these brighter and wider colors, the question is: in calibration, how close is close enough? This answer is increasingly important for both the consumer and professional display/projector market as they balance design trade-offs. With HDR/WCG technology, an increasing issue is that many of the color difference metrics in common use today, such as ΔE00, substantially deviate from human perception and become unreliable for measuring color differences. This causes under and over prediction of color differences and can to lead to suboptimal design decisions and difficulties during calibration. There is a large amount of perceptual color difference data in the field today, however the majority was collected using reflective surfaces and very little reaches the boundaries of modern display capabilities. To provide a better tool for facilitating design choices, this paper will present a "ground truth" visible color difference dataset. These visual experiments were conducted between luminance levels of 0.1 and 1000 cd/m2 on high dynamic range laser cinema projectors with approximate BT.2100 color primaries. We will present our findings, compare against current metrics, and propose specifying color tolerances using the ΔICtCp metric for HDR and WCG imagery." Speakers: Elizabeth Pieri & Jaclyn Pytlar (Dolby Laboratories, USA) |
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#2953 | |
Blu-ray Baron
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#2954 | |
Retired Hollywood Insider
Apr 2007
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https://forum.blu-ray.com/showpost.p...postcount=2846
^ Don’t forget ‘The Departure’ also shot with the Venice…… |
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#2955 | |
Blu-ray Baron
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Sent from my SAMSUNG-SM-J320A using Tapatalk |
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#2956 |
Expert Member
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Quick question. I have a Sony X900E, and I'm having trouble dialing in default HDR settings that I like. There's just too much variation between different UHD discs.
I know the LG C7 OLED has an "active HDR" tone mapping feature. Does this help to produce a more consistent picture between UHDs? |
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#2957 | |
Blu-ray Baron
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#2958 |
Retired Hollywood Insider
Apr 2007
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Progress note regarding ongoing work within the American Society of Cinematographers Next Generation Cinema Display Subcommittee or NGCD, for short - https://forum.blu-ray.com/showthread...d#post12847729
The subcommittee is assembling a collection of content for evaluation on a cinema-sized HDR display later this year. With that as source content, there will be evaluation of the influence on the artistic values of dynamic range, dynamic luminance adjustment (if utilized), peak white, frame rate, limited resizing, and compressed bit rate with HDR content. The outcome of this effort will be to issue recommendations pertaining to theatrical HDR. |
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#2959 |
Power Member
![]() Aug 2007
North Potomac, MD
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My Galaxy S8+ has an AMOLED screen that can produce a brightness level of over 1000 nits. YouTube has added HDR to the version on this smartphone. All I can say is that HDR material from YouTube looks fantastic!
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Thanks given by: | mrtickleuk (10-06-2017), Robert Zohn (10-06-2017) |
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#2960 |
Retired Hollywood Insider
Apr 2007
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Throwback Thursday post - https://forum.blu-ray.com/showthread...n#post14016002 with update to last August.
Word is it’s going to be difficult, but they’re still hoping to meet a target date of late December wrt a commercial installation for Angelinos, don’t turn skeptical if install gets pushed back a little later. |
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