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#1561 |
Junior Member
Sep 2007
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#1562 | |
Retired Hollywood Insider
Apr 2007
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(this test was later repeated in film vs. simulated 4K digital face-off, which was even more revealing for the 2K vs 4K aspect of digital projection). Anyway, the general consensus among audience members was that the 2K was slightly sharper (and I’ll emphasize the word “slightly”) and showed better dynamic range than the 35mm print. Color (including blacks) was considered similar with both. Then I remember in the Spring of 2005, at the same venue, there was a screening of Steven Soderberg's Oceans 12, with alternating 35mm and 2K digital reels. As above, the film print was considered of “answer quality” and not some release print that had been stepped on hundreds of times already. Likewise, the projectors were state-of-art for that time and likely in far better maintenance than your typical film projector in your local movie theater. Anyway, the result was the same as above with the StEM material demonstration, i.e. everyone preferred the 2K reels over the 35mm. reels (slightly). It should be noted that a few attendees couldn’t discern any difference at all between the two. I think it’s now more accessible for hobbyists out there to form their own conclusions. For instance, one of my neighbors goes to a local Cineplex that has one of those Barco 2K projectors and he always mentions to me that he prefers features utilizing that projector rather than the film projectors used in their other auditoriums……no matter what the title. |
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#1563 |
Retired Hollywood Insider
Apr 2007
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And speaking of Lions, I’ll be attending a wedding during the spring in Chicago, where I’ve got relatives.
Does anyone know if the lions from The Ghost and the Darkness are still on exhibit in some museum there? Is that in downtown Chicago or where? I’ve always wanted to see how big they really were. |
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#1564 |
Retired Hollywood Insider
Apr 2007
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#1566 |
Expert Member
Jul 2007
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#1567 |
Retired Hollywood Insider
Apr 2007
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I already told "horseflesh" that I voted for Daniel Day-Lewis; otherwise I’d prefer to keep the other choices private.
I will tell you what I thought was the most difficult choice/category…….that being "Achievement in cinematography" and picking between Robert Elswit and Roger Deakins. If you recall, Roger was nominated for two ![]() http://www.cinema.ucla.edu/calendar/..._type=2&id=257 Here's the next one in the series for those that live in the L.A. area and would be interested in this type of thing………….. http://www.cinema.ucla.edu/calendar/..._type=2&id=270 |
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#1569 |
Retired Hollywood Insider
Apr 2007
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#1570 | |
Retired Hollywood Insider
Apr 2007
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He has quite the reputation among the seat warmers subculture. |
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#1571 |
Retired Hollywood Insider
Apr 2007
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#1572 | |
Retired Hollywood Insider
Apr 2007
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#1573 |
Retired Hollywood Insider
Apr 2007
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#1574 | |
Retired Hollywood Insider
Apr 2007
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Better looking esp. in real world applications, copying, changing, controlling, delivering. |
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#1575 |
Retired Hollywood Insider
Apr 2007
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Tests examined by SMPTE have demonstrated that an average commercial film will project on screen around 1k in resolution. This is due to the generational loss that occurs when the film is duped and film instability when projected will blur fine details.
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#1576 |
Retired Hollywood Insider
Apr 2007
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#1577 |
Retired Hollywood Insider
Apr 2007
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Later folks.
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#1578 | |
Active Member
Jan 2008
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![]() TheTsavoLions 140 railroad workers dead - just unbelivable. Field Museum, Chicago. I kind of liked The Ghost And The Darkness, but I haven't seen it for ages... |
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#1579 |
New Member
Nov 2007
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Penton, the lions are on display in the Field Museum in Chicago. They are actually not very big, but part of that has to do with what happened to the skins before they were mounted. They do a good job with the display.
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#1580 | |
Expert Member
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