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#3261 | |
Active Member
Jun 2011
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Here's (yet another) comparison. First, a capture of the Polish/Thai BD dump played directly in VLC vs. a capture of a HandBrake MP4 re-encode (of the same BD dump) also played in VLC (nothing to see, they look the same): http://screenshotcomparison.com/comparison/59881 Then, the same MP4 as above, played in VLC vs. QuickTime X: http://screenshotcomparison.com/comparison/59885 The QuickTime capture is still tinted, but the result isn't as bad as the same file played in VLC. Edit: one more… http://screenshotcomparison.com/comparison/59888 The QuickTime version is probably still a bit green, but when compared to the same file in VLC, I'd say it looks kind of blue. Edit 2: XBMC appears to match QuickTime. I wonder what's up with VLC (funny thing is that most captures I've seen look like they've been taken with VLC). http://screenshotcomparison.com/comparison/59893 Edit 3: MPlayer (or at least, MPlayer OSX Extended), on the other hand, matches VLC. The point of the comparison being that most of the captures which have been posted look more like my VLC captures (IMO) and seem to exacerbate the problem. Last edited by Romansh; 06-16-2011 at 09:54 AM. |
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#3263 | |
Blu-ray Prince
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As far as color timing, Roy Disney oversaw the digital restoration of the True Life Adventures (as they were close to his heart, culturally important, and historically groundbreaking and influential). And yet an entire short True-Life feature - Prowlers of the Everglades - came to market with an accidental mastering error in which the entire cyan layer of the color film was left out, causing the film to have an unnatural, red tint. Red alligators, red swamp water, red cranes - no one could have seen it without realizing something was wrong, but the accident made it to disc. Disney later quietly replaced the discs for those who comlpained. I'll say again, I think Jackson is a very busy man right now, and was even hospitalized earlier this year. The magenta tint was discussed in a documentary regarding the former incarnation of Fellowship. It sounds for all the world that Jackson heard all the complaints about the visual quality of the theatrical Blu-Ray version of Fellowship, ordered a new master, and whoever performed it saw the magenta, and thought it was either a mistake or disagreed with it, and "corrected" it, along with lowering the contrast, and here we are today. |
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#3264 |
Junior Member
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The Reviewer whose name I forgot stated that he saw nothing like the green in the youtube video but there is some shade of cyan blue.
I agree about this. During the theatrical presentation which Jackson stated that this would be what the blu ray would look like there was no green tint at all. There is and added blue feel in some scenes but overall its fantastic and the movie looks 10X better than it used to. |
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#3266 | |
Blu-ray Guru
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Agreed. After 2 or more people with different opinions discuss the issue and cant agree, you just have to agree to disagree which I have also mentioned in my posts quite a few times at this point. This is a respectful way to end it when you cant agree. I strongly agree with you that at the very least offer the original version as we have been watching for nearly 10 years now since that is the version a LOT of us know and love. If they want to change it fine, but offer it as an option since not all people are going to like it (which is clearly obvious going off these LOTR threads alone). I dont feel we should all just have to go along with a major change to a film at any point in the history of the release. We are talking about a film we have been watching for nearly 10 years now and we should all just be "cool" with this change if it truly is meant to look this way? I dont agree with that and IMO either version can be considered "director intent" at that point and both should be considered valid. I think a LOT of this would be put to rest if we could get some sort of official type statement (the one we have is questionable at best IMO) from the man himself that the "actual" blu ray is as intended and if its not, then it needs to be fixed. I certainly dont think this is an unreasonable request at this point. Not saying this will make people like who dont, but at least we would know one way or the other if this is actually intended because it certainly does not look right to many of us as evidenced by these threads. Last edited by Todd Smith; 06-16-2011 at 01:03 PM. |
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#3267 | ||
Blu-ray Guru
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Do you have the ability to agree to disagree with those of us who dont agree with your opinion? Quote:
Last edited by Todd Smith; 06-16-2011 at 01:25 PM. |
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#3268 | |
Power Member
Jan 2009
Canada
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Peter Jackson actually cares about the fans. When that happens, the criticism is minimal. Therefore less posts. |
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#3271 |
Blu-ray Samurai
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They offer a behind-the-scenes perspective of the filming, and feature candid shots and horsing-around by the actors. I watched them for something to do on long flights, but they lack the structure and development of the regular special features.
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#3272 | |
Blu-ray Guru
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![]() Hopefully if we ever get the "Ultimate set" those will be put on BD with the rest of the special features and upgraded to an anamorphic video... |
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#3273 | |
Blu-ray Samurai
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#3274 | |
Blu-ray Guru
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#3275 | |
Retired Hollywood Insider
Apr 2007
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![]() Seriously, yes, several steps requiring interim adjustements. The big ones being - Color correction is done in the D.I. suite normally with some physical presence-guidance by one of the filmmakers (if alive and kicking) especially if the filmmaker is concerned about the *look* and it hasn’t been completely resolved in the dailies. It is standard procedure that the color corrected data files are subsequently used as the source for home video and digital cinema versions. Generally, the home video version is created in SMPTE Rec 709 color space (from the film color space of the source files), and rendered out to 2K (2048x1556) .dpx files. A typical post production workflow is that of the 2K data being then transferred to HDCAM SR 4:4:4 (best) tape for distribution….what people here like to refer to as “the HD master”. This is then converted to the final 8-bit 4:2:0 colorspace used for the Blu-ray replication master from which all the progeny is produced. |
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#3276 | |
Retired Hollywood Insider
Apr 2007
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![]() Check out the incorrectly mastered black level (among other things) on the first Blu-ray issue of Dirty Dancing…. https://www.blu-ray.com/movies/Dirty...ay/348/#Review |
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#3277 | ||
Blu-ray Champion
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Quote:
and they start cranking those big round valves as fast as they can? I picture Peter Jackson doing that. Or maybe this: [Show spoiler]
Last edited by frogmort; 06-16-2011 at 04:54 PM. |
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#3278 | |
Blu-ray Guru
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#3280 |
Blu-ray Guru
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I'll be seeing them in about 2 weeks, and as much as I "may" not like them, I'll still enjoy every single minute of my favorite films in STUNNING HD, especially audio! I can't wait to be able to judge this for myself!
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