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#6482 |
Blu-ray Samurai
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#6483 | |
Active Member
Jun 2011
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#6484 |
Active Member
Jun 2011
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#6485 |
Blu-ray Samurai
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LOL. I think I'm going to turn the saturation all the way down on my TV and watch it in black and white.
![]() Seriously though, do I think that WB is cover their tail? Yes. Do I think that PJ hasn't officially said anything because he knows it's not the version he approved? Yes. Do I think WB will eventually create a trade-in program? Maybe. 50/50 chance. Will I send back my pre-order when it arrives? No. Will I enjoy watching it? Probably. Will I stop asking myself questions only to answer them immediately? Not in this post. |
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#6486 |
Member
Apr 2010
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OK. If this really was PJ's intent,
I would ask of him "why?" What was his motivation to apply a linear green/teal filter and throttle back the brightness for the entirety of the Fellowship. One movie of three, the other two movies remaining untouched in a similar way. What was the artistic intent? What motivation? Why now try to visually separate the movies and break continuity, where before continuity seemed so important in the telling one Epic story? Why such a change from the PJ of 10 years ago, who preached the usefulness of digitally color grading each shot in a unique way, to the guy who now chooses to eliminate that dynamic from his movie? One movie.. of three.. I'm sure others have questions of their own. To me this is a bigger issue than the video quality on this release. |
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#6487 | |
Active Member
Jun 2010
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(Million) |
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#6488 | |
Active Member
Jun 2010
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#6489 | |
Banned
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It is getting more and more clear why he did this change now. |
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#6490 | |
Active Member
Jun 2010
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Last edited by karlosfunkster; 06-28-2011 at 07:20 AM. |
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#6491 | |
Active Member
Jun 2010
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#6492 | |
Active Member
Jun 2010
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And you have done a sterling job, thank you. |
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#6493 |
Blu-ray Archduke
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I Highly doubt this order will take 7-9 days (est. delivery: 7/6/11, NEXT Weds.), as it left Nevada later Mon. night.
It should be here by Friday/Saturday, at the latest. UPS Tracking Info: Sparks, NV, United States 06/27/2011 9:48 P.M. Departure Scan 06/27/2011 3:57 P.M. Origin Scan |
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#6494 | |
Blu-ray Samurai
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They were able to grow their business over the years and reached the point where they were able to use a higher quality of meat and the desired spices in a healthier burger. When the new healthy Wingnut burger was introduced, they lost a handful of old customers who really liked the original unhealthy burgers. The lost customers weren’t missed, because they were replaced tenfold by new health conscious patrons. The cook and owner were very pleased that they could finally offer the burger the way they wanted to when they first started the business. ![]() |
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#6495 |
Blu-ray Samurai
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Let's say the tint is intentional:
Think about it >>> because the transfer of FOTR (Theatrical) had issues they decided to spend money on a new transfer and new color grading...only for FOTR. So WB basically didn't want to spend more money. Right now they're selling an unfinished product which is not acceptable. |
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#6496 | |
Active Member
Jun 2011
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http://www.flickr.com/photos/3438608...in/photostream In order to get those to look even remotely similar you need to lay a sickly green tint (something like 150, 215, 168) over the entire ROTK image in "Multiply" mode, boost the contrast to around 90 (in a range that goes from -100 to 100), and then desaturate the image by about 20%. That doesn't really strike me as the ROTK image looking exactly like the FOTR image. It also doesn't strike me as making it remotely more clear why PJ would have intentionally made this change. HeKS |
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#6497 | |
Blu-ray Guru
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#6498 | |
Active Member
Jun 2011
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Pretty much everyone here who is complaining about the Green Tint is not insisting that FOTR needs to look precisely like it did upon the initial theatrical showings. The movies have been regraded since then, and the EE's even more so. More regrading was done with the TE blu-rays last year. With this in mind, it makes no sense whatsoever to claim that the current EE release is how PJ really wanted it and he's just been stuck with the original result from 2001 for the past decade. That's simply not true. The thing is, with each of the previous regrading efforts, the work was always carried out judiciously, scene-by-scene, with each change being made for a reason. Just look at the Digital Regrading documentary that has been posted in this thread several times. And here's another thing. Pretty much all of us are aware of and happy with the specific regrading of this sort that has been done to FOTR EE. Most of us don't seem to mind these specific changes that have been made yet again. What all of us object to is the blanket green tint and contrast boost that has been applied to the entire film indiscriminately AFTER the specific regrading choices of this release had already been applied, which is UNQUESTIONABLY a complete departure from the entire METHODOLOGY of color grading that has been used on these releases for the past 10 years ... and for some strange reason this entirely different methodological approach has only been applied to the first of the three films, isolating it from the rest of the series. If you're going to tell me that PJ has clearly been itching to do a lazy about-face regarding his entire digital grading methodology for the past 10 years, but ONLY when it comes to FOTR, then I'm going to tell you that he's clearly been smoking some crack for that same amount of time. HeKS |
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#6499 |
Junior Member
Jun 2011
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Well maybe everybody who doesn't like the green tint should buy this set now anyway, because who knows, maybe PJ decides to apply a red tint for TTT and a blue tint for ROTK for the Ultimate Edition...
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#6500 | |
Blu-ray Guru
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