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#8401 | ||
Blu-ray Reviewer
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Now, whether it's distracting, obvious or apparent in every scene comes down to each person's imperfectly calibrated eyes ![]() Here's the thing, gents. Those analyzing the tint and trying to evaluate its presence, effects and origin have a reason to keep discussing the tint itself. There are many nuances to examining it. Those who don't see the tint, though, don't have a reason to continually berate those who do, other than outrage. State your peace and opinion, detail your experience most definitely. But please don't attack those who do detect the tint and find it distracting. Disagree, sure. Offer civil counter points and counter-analysis, yes please! I find it interesting that those who don't see the tint are not posting screenshots, analyses or objective evidence. Just personal experience and, sometimes, an unhealthy dose of insults. If the tint truly isn't noticeable, if it truly is a non-issue, if the crush and black-level problems aren't really there, please post objective evidence to counter the objective evidence being posted by those who do notice it all. I don't issue this as a challenge, but as a genuine invitation: prove it isn't an issue. It's an invitation I'd love to see at least one person accept. So far, I don't recall anyone from the "it's a non-issue" camp posting any of their own objective evidence to support their subjective experiences. Don't get me wrong, your subjective experience is very, very, very valuable and puts the tint into perspective for many members. But countering objective evidence with objective evidence is the only way to win an objective debate. Actually, it's the only way to enter an objective debate, but we won't get into semantics. Well, more than we already are ![]() I think it's obvious that it's getting way too heated in here. But, honestly, a good 80% of the anger is coming from those who don't see the tint anyway. It's strange - the people who should be overjoyed are the most upset. If the tint doesn't ruin your experience, don't let people talking about the tint ruin your experience. If you don't see it, be happy! Enjoy other threads! Watch FOTR again! Do exactly what you're saying those who notice the tint should be doing: just enjoying the movie and not worrying about analyzing every shot, point and comment that graces this thread. You're one of the lucky majority, so go out and enjoy your lucky majoritiness ![]() Last edited by Ken Brown; 07-03-2011 at 07:52 AM. |
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#8403 | |
Active Member
Jun 2011
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#8404 | |
Blu-ray Reviewer
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![]() Here's a screenshot (a larger version can be found in my FOTR review): ![]() |
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#8405 | |
Expert Member
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#8406 | |
Active Member
Jun 2011
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It'd be interesting to compare pictures with or without that fix for various lighting levels as well. I have to admit that I don't have that much of a problem with the contrast - which to me still looks fine. Please don't use the TE as reference here because I have seen several scenes there where the contrast was off, too, just in the opposite direction (not enough as opposed to too much) |
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#8407 |
Blu-ray Ninja
Jul 2009
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HeKS' fixes are far from "dreadful." They are quite interesting, actually. It almost seems as if Peter Jackson changed the color-timing to get a more natural looks from those Rivendel scenes. And they DO look more natural, once the green-tinting is removed. Makes me think more and more that the tinting is some kind of error on somebody's part.
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#8408 | |
Active Member
Jun 2011
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The problem is that FOTR has a consistent super contrast boost across the film. You might think that the heightened contrast here fits the mood better, and you might be right, but like I said, I'm not trying to do my own color grade. There are numerous scenes in FOTR, particularly in Moria, but also in Bree I think, that show the consistent contrast is FAR too high. So, if I want to get back to what I think was the intent of the color changes before the green tint and contrast boost, both of which are consistent, I can't leave off the contrast fix just because I think it might work in some particular scene. That's what I'd do if I was doing my own color grade, but that's not what I'm trying to accomplish. Generally speaking, the new color grade on FOTR is brighter all-around than previous versions. This is noticeable if you look in the highlights of the images. It's just that the green tint and contrast boost make a lot of things so drab that you don't notice the image is often brighter in the light areas than it used to be. Remember, the heightened contrast lends itself to extremes, so the areas of the image that it is most affected in the two versions of that sample are the midtones between the darkest and lightest parts. The contrast of my second sample without the contrast fix loses detail that is visible in the TE version. |
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#8409 | |
Active Member
Jun 2011
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Understood, but to make this clear it would probably be better to post 2 new images - one without and one with the contrast change to get a better idea how it works. |
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#8410 | |
Active Member
Jun 2011
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The fact of the matter is that everything indicates to me that the intended color changes to FOTR pretty consistently veered toward making the picture look more natural and bright and the same was done for the other films, which are definitely not identical to the theatrical versions. Almost across the board, as soon as the green tint is removed you notice that the bright areas of the picture are brighter than previous releases. That's even when the contrast issue remains. As soon as you account for the consistent contrast boost, the detail in the midtones comes back (provided it wasn't fully lost in the crush) and the resulting image is brighter than the old releases when using contrast levels that are comparable to the previous releases. |
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#8411 |
Expert Member
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So are they going to re-release the Theatrical versions with this green tint transfer?
Cos I'm thinking of buying both the Theatrical and the EE's (cos I like having the option to watch both) and it might be weird if one looks different due to not having tint :P Also, why not include the theatrical version on the same disc? Like they did with Avatar. |
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#8412 |
Active Member
Jun 2011
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#8413 |
Active Member
Jun 2011
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#8415 | |
Active Member
Jun 2011
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![]() Last edited by HeKS; 07-03-2011 at 08:51 AM. |
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#8417 |
Expert Member
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Its slightly improved, but still soulless. The scene needs an unnatural look to be more credible. If you watched that full fixed version on your television: you'd think you were watching a stage performance if it weren't for the musical score.
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#8418 |
Active Member
Jun 2011
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I still prefer the middle image with only the tint fix - but none of the 2 look offensive to me like the green one.
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#8419 | |
Active Member
Jun 2011
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I think you might need to see the scene in motion to get a better sense of what it really looks like ![]() |
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#8420 |
Active Member
Jun 2011
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I get your preference, but I'm about 99% sure that the one with just the tint-fix is not accurate to PJ's intent under the theory that he would not intentionally apply a consistent green tint and contrast boost as a blanket across the film.
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