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#11523 |
Active Member
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I agree.
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#11526 |
Blu-ray Champion
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Have you seen some of the pictures from the new Hobbit movie? Although it is only sixty years before LotR, and Gandalf had been in Middle-earth for thousands of years, it looks like he's been using some 'Just for Wizards' on his hair and beard.
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#11528 | |
Banned
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#11530 | |
Blu-ray Samurai
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I agree with some of the scenes you mention, for example, the utter waste of time spent on Osgiliath and the "warg battle". For a movie that was a special effects spectacular, the warg scene left alot to be desired. Thousands of men threatened by (a few dozen?) wargs, where the CG was not up to the level of the rest of the film IMO. This battle, which appeared to be no more than a skirmish is later commented on at Helm's Deep by Bernard Hill (one of his few bad lines) as being some kind of victory that has cost them many lives. Equally mysterious is the appearance of the Corsairs of Umbar when Aragorn and company emerge from the Paths of the Dead. He starts crying because he sees them coming up the river - in ten (?) ships? According to Alan Lee, Sauron's main force at Minas Tirith as depicted in the film was about 200,000 - so an additional thousand (if that) is the show stopper? Other scenes were welcome but less well executed, for example the gift-giving scene in Lothlorien. I was really hoping for something spectacular here, because Lothlorien is one of my favorite chapters in the entire book - it is Tolkien's vision of heaven on earth and he put some of his most intense effort into this chapter and the character of Galadriel. In the movie, we get a somewhat frightening night scene of Caras Galadhon with an intimidating Galadriel. The EE adds the gift-giving scene with a scenario closer to what Tolkien described, with a more down-to-earth Galadriel. This is one place where huge improvements to the TE could have been implemented. Why not include the night scene at Nimrodel, one of the most enchanted places in the book, or better yet - Cerin Amroth, which WAS the most desirable place in Middle-earth. An excerpt from the book: "... Frodo stood awhile lost in wonder. It seemed to him that he had stepped through a high window that looked on a vanished world. A light was upon it for which his language had no name. All that he saw was shapely, but the shapes seemed at once clear cut, as if they had been first conceived and drawn at the uncovering of his eyes, and ancient as if they had endured for ever. He saw no colour but those he knew, gold and white and blue and green, but they were fresh and poignant, as if he had at that moment perceived them and made for them names new and wonderful. In winter here no heart could mourn for summer and spring. No blemish or sickness or deformity could be seen in anything that grew upon the earth. On the land of Lorien there was no stain... When he had gone and passed again into the outer world, still Frodo the wanderer from the Shire would walk there, upon the grass among elanor and niphredil in fair Lothlorien. [Aragorn] looked at Frodo and smiled. 'Here is the heart of Elvendom on earth,' he said, 'and here my heart dwells ever, unless there be a light beyond the dark roads that we still must tread, you and I." Is that the sense we get about this most important place from the movie? The gift-giving scene was welcome, and we'll take what we can get - at least they could have included the correct gifts. There are EE scenes that are questionable but harmless (e.g. Eowyn giving Aragorn soup), or harmless but strange (e.g., the lengthy sequence of Aragorn falling off of the cliff, being revived by Arwen and his horse and eventually making it to Helm's Deep). And then there are the bizarre scenes, such as the avalanche of skulls on the Paths of the Dead, when many other possibilities were available, such as the dramatic scene with the body of Baldor at the door of the cave to the unknown I quoted a few posts back. Lastly, the absurd scenes, such as the Witch-king breaking Gandalf's staff, Faramir's men beating the daylights out of Gollum, Frodo offering the Witch-king the Ring, etc, etc. There are just too many to list. For people who haven't read the book and liked the movies, I would imagine that most or all of the EE scenes would be spectacular. For those familiar with the story, the two hours of added material are welcome, but frustating for the tremedous number of lost opportunities and "might-have-been" moments. |
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#11531 | |
Blu-ray Champion
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I've been on record as saying that the Fellowship EE is a masterpiece...the best adaptation of the bunch. Even with the adaptive scenes, they fell very much like Tolkien in that film. Somewhere down the line, Jackson and company lost something because their choices in the final two films are very hit or miss and I've longed to try to understand why in the wake of the Fellowship EE. I'll disagree with you slightly on the gift giving scene. Different than the text, yes but still feels very Tolkien. I like the confrontation of the Witch King and Gandalf in the EE of King only because it solves a continuity problem of Gandalf's staff in the theatrical cut of the film. And, the Mouth of Sauron should've always been in the theatrical cut of King. Also, Aragorn revealing himself to Sauron using the Palantir should've also been in the theatrical cut as well. The Warg battle? Have it as it was in the book, which essentially was a chase sequence. By doing that, you get rid of a lot of fat that was added in the middle of Towers...especially the stuff with Aragorn. It's just not a good sequence as presented in the film. I think Jackson even comments on it in the commentary saying it was a sequence they figured out and finished very, very late in post-production of Towers. It shows. But, I do agree with your notion Bob that if somebody has not read the books, the extra stuff in the EE's is a treasure of goodies. Last edited by Jumpman; 01-07-2012 at 09:32 AM. |
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#11532 |
Blu-ray Champion
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But, it's not needed. Frodo is a walking example of what the Ring can do to a person. We don't need a flashback to remind us. We've had 8 hours up to that point of examples of the power of the Ring.
Last edited by Jumpman; 01-07-2012 at 09:25 AM. |
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#11534 | |
Blu-ray Guru
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In addition I hated the hero fun during the battle of Helm's Deep. Gimli and Legolas joking and measuring penises during a dramatic battle? Legolas surfing on his shield? Aragorn and Gimli singlehandly fighting hundreds of Uruk-Hai? Man that was weak... Last edited by Lope de Aguirre; 01-07-2012 at 11:49 AM. |
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#11535 | |
Blu-ray Champion
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There's this fatigue in the craftsmanship in the last two films. This is why I have a hard time watching the Battle of Pelennor Fields. It's a start, stop, restart wave of CG that doesn't look as good or feel as good as the small engagement at the end of the Fellowship of the Ring. And I'm not against CG. I'm a lover of the Star Wars Prequels, so I see CG as a great tool. But, in my opinion, it wasn't deployed properly at the Battle of Pelennor Fields. It was at Helm's Deep. Last edited by Jumpman; 01-07-2012 at 11:46 AM. |
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#11536 | |
Blu-ray Guru
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Are you a huge fan of the LOTR books? Otherwise I can't really understand one critizising the last two Ring movies but enjoying the first two SW prequels. |
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#11537 |
Blu-ray Champion
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The thing I find most frustrating about the Lord of the Rings viewing experience is that once you've seen the EE's, it's almost impossible to watch the theatrical cuts, especially the first two. You pick up on so many continuity errors that are essentially fixed in the EE's.
At the same time, the EE's add stuff that either hurt, help, or are odd additions that make the EE's a weird viewing experience. I hope, one day, that Jackson goes back to the last two films and makes a mix of the theatrical cut and the extended cuts that he would consider his definitive cut of the last two pictures. Through editing (and maybe a reshooting session), he can fix those last two pictures that would hold up well against the Fellowship EE. |
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#11538 | |
Blu-ray Champion
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As for Star Wars vs. Lord of the Rings, it has more to with enjoying and being engulfed in that world and those characters more than the Rings Trilogy. I feel the same way about the Matrix Trilogy vs. the Rings Trilogy. I like the world of the Matrix more than Middle-Earth. The same goes for Potter, which I feel is the greatest of all cinematic franchise (even more so than my beloved Star Wars). But, I won't deny the entertainment value of the Rings Trilogy. And again, I feel that the Fellowship EE is the greatest, pure fantasy film since the original Star Wars film. It's that good. It's the main reason I rail against what Jackson did with the last two pictures. He got off on such a strong start that I thought it was inevitable that he would kill it with the last two pictures. I mean, I was starting to leave my love of Star Wars behind after viewing Fellowship for the first time. But, the last two Rings pictures happened and then Lucas pulled off Revenge of the Sith and I just felt there was no comparison. And, in all honesty, there's no comparison after what Yates did with Deathly Hallows Part 2. To me, it's the greatest franchise finale by freaking miles.... |
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#11539 | ||
Senior Member
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I've often described this film as kinda like LotR but firmly focussed on the love story between the leads. (Imagine a LotR with the Arwen-Aragorn love story at it's center and the war of the ring and Frodo's quest as subplots.) Since Jodhaa-Akbar is a quite long film (210 mins.) it still has time for it's subplots. Anyway, Jodhaa-Akbar's director is clearly a Jackson fan. In "The making of"-docu he's interviewed in his study with a large LotR-poster behind his desk. Here's a excerpt showcasing the two leads => |
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