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#4481 | |
Blu-ray Guru
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#4482 | |
Expert Member
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#4484 |
Blu-ray Samurai
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This is what I did, using my TV as the display. Quite a large difference brightness wise. It would be interesting to see what happens displaying caps through my Blu-ray player as suggested above, but I don't have the ability.
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#4485 |
Expert Member
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#4486 | |
Special Member
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![]() Also noticed the clicking of the camera sound cues were missing. This is overall just a huge F-Up... |
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#4487 |
Blu-ray Samurai
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Yes, a huge difference. Though I did make my own comparisons in full screen.
In the end, once everyone has the disc the caps won't matter. It's not like there's anyone else who needs to make a purchasing decision like with other Blu-rays. Some will send it back, some won't. Personally I don't feel the darkening makes a huge detriment to the image. It's a huge change obviously, and I don't like changes, but detail is not getting crushed out or anything like that. |
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#4489 | |
Special Member
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There is so much lost in the way of detail. The sets, the make-up... obviously if I had never seen the film I might not notice... but it's glaring and problematic for anyone who has seen the film and knows what it's supposed to look like. I can envision a situation where Savini/Romero signed off on this for a special edition 4-5 years ago that never ended up happening but something tells me this will turn out to be a case of the studio screwing up and deciding to darken/bluify the image to make it more "modern." A practice I see becoming more and more of a problem down the line... |
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#4490 | |
Blu-ray Ninja
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#4491 |
Expert Member
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But Sony are not trying to sell this movie; Twilight Time agreed a contract with Sony to sell 3000 copies of their movie (which Sony didn't care to release), in turn Sony hands over the print and it goes into production. It's not like they need to fiddle with the print to make it appeal more to a bigger audience, because it's a case of tough luck, the audience is 3000!
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#4494 | |
Special Member
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This transfer was sitting on the shelf for a few years before Sony handed this title to TT. That's how the deal works... Sony basically gets to unload HD masters they've worked on but have yet to release. They're not going to create a new one for TT, that costs money. They WILL however give them one they've created but have not used. That master was one they made INTENDING to release themselves but for whatever reason (studio politics, etc) have not. Also, Sony isn't trying to sell it NOW, but in 3 years the license agreement is up and they can release it themselves. I'm fairly certain someone made the decision to change the look of the film hoping to sell it to "modern" film-goers. It's a short-sighted mindset that happens once in a while. Last edited by mayorofsmpleton; 10-02-2012 at 02:36 PM. |
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#4495 | |
Blu-ray Samurai
Feb 2011
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"Look, uh, I know we left a message yesterday, but some of these...these fans...they're, uh, they sound really pissed. On our end we'd just like some kind of confirmation that these changes were the result of...well...the director or producer or somebody...anyway, give us a ring and let us know." |
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#4496 | |
Special Member
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There are a handful of us who think it looks bad by comparison or are bothered but not enough to really hurt sales of a title like Christine or The Blob '88. Those will continue to sell out... though I wouldn't be surprised if the smaller non-genre releases have trouble selling until reviews are up... |
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#4498 | |
Special Member
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My guess is Sony is going to say "I think that's correct. We're confident in the quality of the image." and TT is going to say "That's all we can report. We apologize if you're pissed. Feel free to send back for a refund if you don't want it..." |
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#4500 | |
Special Member
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SONY started realizing how poorly their catalogue titles were moving and decided to hold off on it. They start this deal with Twilight Time and voila! Last edited by mayorofsmpleton; 10-02-2012 at 02:46 PM. |
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