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Old 10-01-2012, 11:41 PM   #4321
enigma enigma is offline
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Quote:
Originally Posted by Clark Kent View Post
Someone get Tom Savini a copy immediately.
If they still ran Terrormania in Monessen, I'd personally deliver him mine. I've met here there on two or three different occasions in the past. Pretty nice guy.
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Old 10-01-2012, 11:42 PM   #4322
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I'm still laughing at people who think TT should have "quality control" and should somehow magically know if any frames of color timing have been changed.
So... it's laughable to think that a label dedicated to bringing films to the masses should know what those films look like? Seriously?

I get that color timing is subjective to a degree, but Twilight Time could have bought the 13 year old Columbia DVD for less than ten dollars and at least had a point of reference. Alternately, they could do what Universal is doing with that Hitchcock box set; pick a trusted reviewer, send them a check disc, and then don't replicate a damned thing until someone familiar with the material has had a chance to weigh in.

Twilight Time is selling themselves as a botique label focused on quality. So far, they've left it up to the studios they're licensing materials from to handle that end. The fact that Sony did the work isn't a good enough excuse; at the end of the day Twilight Time paid for those materials and didn't inspect them thoroughly enough to make sure they were right. Twilight Time's reputation for providing a quality product at a premium price is on the line here; Sony has made it clear they don't much care about these films to begin with. They pocketed the chump change this deal made them and have already forgotten about it. At best, they'll hand Twilight Time the unmolested HDTV master and say "enjoy eating the costs on the new run".


My copy won't be here until tomorrow, so I've got a question for anyone willing to check: Are the opening credits covered in dirt and "sparkle", like the HDTV broadcast? I'm betting that someone at Sony spent quite a bit of time and money to make this film look better than ever, but at some point in the chain the colorist went wild and ruined whatever hard work might have otherwised surfaced.

The fact that there's a scene 20 minutes in that shows the sun setting proves that whoever color corrected the film didn't have a damned clue what he was doing in regards to this film. Applying a day-for-night filter 20 years later is murky waters to begin with, but when you apply it on a scene that objectively takes place before the sun goes down... well, I think the only real term for that is "messing it up"...

...so I'll take five and be back once my copy's here.

Last edited by crazyBLUE; 10-01-2012 at 11:54 PM. Reason: altered a word
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Old 10-01-2012, 11:44 PM   #4323
ian2009 ian2009 is offline
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Quote:
Originally Posted by Kryptonic View Post
You must know him quite well.
Quote:
Originally Posted by Dickieduvet View Post
Hey folks,

Just had a direct reply to my personal massage from Tom Savini on FB.

His reply:

" I heard about this but I havent' seen it yet...."
Did you offer a happy ending with that?
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Old 10-01-2012, 11:45 PM   #4324
Dickieduvet Dickieduvet is online now
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Thankfully he didn't want extras, Just like the Blu-ray
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Old 10-01-2012, 11:45 PM   #4325
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Originally Posted by Dickieduvet View Post
Thankfully he didn't want extras, Just like the Blu-ray
Snap!
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Old 10-01-2012, 11:47 PM   #4326
ian2009 ian2009 is offline
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Originally Posted by Dickieduvet View Post
Thankfully he didn't want extras, Just like the Blu-ray
Tease. Just left him with blue -- er, nevermind. A blue movie. Yeah, that's it!
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Old 10-01-2012, 11:48 PM   #4327
enigma enigma is offline
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Originally Posted by ian2009 View Post
Tease. Just left him with blue -- er, nevermind. A blue movie. Yeah, that's it!
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Old 10-01-2012, 11:53 PM   #4328
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Quote:
Originally Posted by ocielz View Post
First pic is the actual movie and the second picture is from the Trailer on the special features.
Quote:
Originally Posted by ocielz View Post
The trailer is on the Disc with correct Color
If you're actually interested in how the trailer on the disc compares to the movie then there are already screen captures available in this post. These are accurate compared to any photos taken with a camera from a display.

Quote:
Originally Posted by rdodolak View Post
Since you asked, here are some comparisons between the film and trailer found on the disc. The film is on the left and the trailer on the right. Click on the images for the uncompressed images. The captures may not be the exact same frame, between the two, but are close enough. The framing between the film and trailer is also slightly different.













Note the sixth set of images of the emergency broadcast system message show a blue hue to the white lettering on the tube tv. However, the lettering in the fourth set of images with "directed by Tom Savini" is actually white although the picture is darkened. This would make the changes appear to be a purposeful decision rather than a blanket error.

Last edited by rdodolak; 10-01-2012 at 11:57 PM.
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Old 10-02-2012, 12:01 AM   #4329
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Just finished watching - the onset of the dark color is so gradual in onset that it has to be an intentional, stylistic choice. can't wait for someone to chime in and end this nonsense because the truth is that the transfer itself doesn't look bad at all - just different from what people are used to.

someone somewhere along the way made a style decision on the color timing. this is clearly not an error.
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Old 10-02-2012, 12:01 AM   #4330
rdodolak rdodolak is offline
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Quote:
Originally Posted by Kentai View Post
My copy won't be here until tomorrow, so I've got a question for anyone willing to check: Are the opening credits covered in dirt and "sparkle", like the HDTV broadcast? I'm betting that someone at Sony spent quite a bit of time and money to make this film look better than ever, but at some point in the chain the colorist went wild and ruined whatever hard work might have otherwised surfaced.
I don't remember any dirt or sparkle in the opening credits. It appears to have been cleaned up compared to the other sources.
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Old 10-02-2012, 12:02 AM   #4331
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That is really bad. Why would a colorist lay the dark blue tint over the ENTIRE movie? There are scenes in the house that shouldn't be that dark. The TV broadcast is even BLUE! I'm sorry. This has to be remastered. It really is unacceptable.
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Old 10-02-2012, 12:02 AM   #4332
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Quote:
Originally Posted by jedilips View Post
Just finished watching - the onset of the dark color is so gradual in onset that it has to be an intentional, stylistic choice. can't wait for someone to chime in and end this nonsense because the truth is that the transfer itself doesn't look bad at all - just different from what people are used to.

someone somewhere along the way made a style decision on the color timing. this is clearly not an error.
Someone who apparently was not Tom Savini or was not a part of the production in any way.

There's a world of difference between a filmmaker altering the color timing of his film and supervising a transfer and a technician screwing with the way a film should look with no input from the filmmakers. This is why I'm fine with the new Aliens and Terminator remasters, but not this. If Savini had supervised this transfer it definitely wouldn't look so bad and I would at least know that it was the intention of the filmmaker.
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Old 10-02-2012, 12:09 AM   #4333
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That new color grading is awful, completely awful. Ugh, I'm getting tired of this trend of giving every remastered film a trendy, modern color regrading (often just hosing it down with teal paint and calling it a day.)

I can't see Sony offering a replacement (through TT) for an obscure release with such a small run. If anyone should push hard for it TT should, because I had complete confidence in the quality of their Sony releases prior to this and absolutely no confidence in them now. If TT gets a reputation for releases with poor PQ they can kiss their business goodbye. When you're dealing exclusively in niche videophile and collector circles word of poor quality travels like wild fire, whatever cachet they had managed to cultivate through releases like Fright Night would evaporate given a few releases like this.

I won't be returning my two copies for a refund, too much hassle and I could always just flip them and recoup their cost... but if this trend continues I won't have to worry about doing that in the future (I'll have no copies of any of their releases to begin with.)

Last edited by Stinky-Dinkins; 10-02-2012 at 12:14 AM.
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Old 10-02-2012, 12:13 AM   #4334
donidarko donidarko is offline
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Seems they actually went through the trouble of making a Blue tritone out of this movie. There is no white point in the entire footage that has been colorized. the whites are blue! come on here.
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Old 10-02-2012, 12:15 AM   #4335
hamchuck1 hamchuck1 is offline
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Quote:
Originally Posted by Stinky-Dinkins View Post
That new color grading is awful, completely awful. Ugh, I'm getting tired of this trend of giving every remastered film a trendy, modern color regrading (often just hosing it down with teal paint and calling it a day.)

I can't see Sony offering a replacement (through TT) for an obscure release with such a small run. If anyone should push hard for it TT should, because I had complete confidence in the quality of their Sony releases prior to this and absolutely no confidence in them now. If TT gets a reputation for releases with poor PQ they can kiss their business goodbye. When you're dealing exclusively in niche videophile and collector circles word of poor quality travels like wild fire, whatever cachet they had managed to cultivate through releases like Fright Night would evaporate given a few releases like this.

I won't be returning my two copies for a refund, too much hassle and I could always just flip them and recoup their cost... but if this trend continues I won't have to worry about doing that in the future (I'll have no copies of any of their releases to begin with.)
exactly!
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Old 10-02-2012, 12:19 AM   #4336
xxBachelor1981xx xxBachelor1981xx is offline
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Just think if HD-DVD would have won the format war then instead of blue tint we would have read tint on Night of the living dead and all the other transfers..
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Old 10-02-2012, 12:19 AM   #4337
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Just got my copy in the mail today and popped it in the player. That opening daytime scene (supposed to be, anyway) was so dark, I had to check to make sure i still didn't have my sunglasses on. It looks crisp and clear, just dark with a blue hue to everything. Me not overly happy about this one...
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Old 10-02-2012, 12:22 AM   #4338
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Maybe the correct name will be,

Night of the "BLUE" living dead - The Limited 3000 Dark Vader Blue Edition Series (BlueDark-ray)


Regards,

Last edited by sperezmore; 10-02-2012 at 12:26 AM.
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Old 10-02-2012, 12:24 AM   #4339
coolkev1701 coolkev1701 is offline
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Originally Posted by sperezmore View Post
Maybe the correct name will be,

Night of the "BLUE" living dead - Limited 3000 Dark Vader Blue Edition (BlueDark-ray)


Regards,
Nice! I like that.
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Old 10-02-2012, 12:34 AM   #4340
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Originally Posted by sperezmore View Post
Maybe the correct name will be,

Night of the "BLUE" living dead - The Limited 3000 Dark Vader Blue Edition Series (BlueDark-ray)


Regards,
If it was Paramount I'd guess they wanted it as part of their Sapphire Series.
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