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#281 |
Retired Hollywood Insider
Apr 2007
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For those indie shooters on a budget, don’t get the impression you absolutely need a mega thousand dollar Sony BVM-X300 for your personal HDR projects. For the money, you can get a great result economically by using the Atomos Shogun Flame (http://www.bhphotovideo.com/bnh/cont...2C&A=details&Q
) as a budget HDR grading monitor. Recently a Sony ICE (Independent Certified Expert <- basically an independent contractor for Sony rather than a Sony employee per se) brought his graded footage of a short film using the Atomos Flame into Sony’s Digital Motion Picture Studio and it was nearly spot on! as compared to running the same footage thru the ultra expensive Sony X300 critical reference monitor, granted it’s not perfect and is tiny compared to the X300. But the Atomos is remarkably accurate and gives you the right color range for 2020 grading. |
Thanks given by: | zmarty (08-03-2016) |
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#282 | |
Banned
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Sounds great, but most consumer and pro-sumer cameras still don't have the amount of latitude to create the images necessary for HDR without over or under exposing and many are still 8 bit with Rec 709 even if they have 2160p recording. You still need a serious video camera that costs some serious bucks with a greater usable f-stop range for that. |
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#284 | |
Banned
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10 bit and 12 bit are new technology chipset is not cheap. Finally coming 4K is improved large screen so need with HDR. |
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#285 | |
Retired Hollywood Insider
Apr 2007
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Freakosaurus, you and our feline friend (Opips, where’s your old avatar?) have inspired me to elaborate at bit further later on and while I think to type up a more serious technical reply to you for tomorrow’s posting (if indeed I survive the early morning ride ![]() ![]() ![]() ![]() Last edited by Penton-Man; 06-03-2019 at 11:06 PM. Reason: reposted original pic after the free imaging hosting service I use changed urls/servers |
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#286 | |
Banned
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#287 | |
Retired Hollywood Insider
Apr 2007
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![]() ….much less do I have the time for accessory viewing choices like the Discovery Channel, informative though it may be. |
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#288 | |
Retired Hollywood Insider
Apr 2007
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Give that, shooters consider HDR anything greater than about 10 or 11 stops. So even with an old Sony EX-1 (very low cost professional camera given its age and features) capturing 11 stops will benefit from HDR being shown on an HDR screen. Of course as you know and has been well publicized by countless conference speakers and bloggers (although they may not have provided an easy to read chart in color), HDR acquisition is most optimal when you’re acquiring in RAW or log with an ~ 14 stop or greater (claimed) high end professional camera…. ![]() |
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Thanks given by: |
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#289 |
Retired Hollywood Insider
Apr 2007
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P.S.
In regards to what may be considered a truly legitimate JoeQPublic consumer camera…the feature film Hardcore Henry was captured nearly entirely with cheapo GoPro3 Black Edition cameras which sell for around what? $400. and although I highly doubt it was mentioned in any of the reviews of the recent Blu-ray edition, I'll inform that that *lowly* GoPro acquisitioned movie was deemed to have enough dynamic range to be given a Dolby Vision grade/finish several months ago in Hollywood at this Dolby facility….https://forum.blu-ray.com/showthread...e#post11569063 to produce an HDR version of the movie. Last edited by Penton-Man; 08-02-2016 at 07:28 PM. Reason: added 'Dolby facility' for clarity |
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#290 |
Retired Hollywood Insider
Apr 2007
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A bit on broadcast….
http://www.nbcolympics.com/4khdr Captured by Sony HDC-4300 4K (broadcast) cameras using the future proof S-Log3 transfer function (which can preserve up to 20 stops dynamic range even though state of the art studio/broadcast cameras (the HDC- 4300) are capable of ~14 to 15 stops dynamic range currently). For the Opening Ceremony in HDR, the recorded signal is then converted to PQ (ST 2084) for transmission. Grading planned at 1000 nits peak brightness. |
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#291 |
Blu-ray Guru
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I know there was a lot of talk about problems with the Samsung player and the settings with HDR 4k Blu-rays and the settings needing to be different with some titles, but what about with non-HDR displays and in particular 1080p displays?
I have a projector that is 1080p and the Phillips player, and the 4k Blu-rays do not look right. The color is off somehow. I'm not sure if it's saturation or some other issue, but the standard Blu-rays of the same movies look better. I've tested the Samsung player as well and noticed the same thing. Does anyone else have this issue, and is there a good way to combat it? |
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#292 |
Retired Hollywood Insider
Apr 2007
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Sorry Kev, can’t help you with that old 1080p projector/UHD Blu-ray player chain. Perhaps ask or peruse some of the more projector-centric threads we have to see if anyone determined the juice was even worth the squeeze with that setup.
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#293 | |
Retired Hollywood Insider
Apr 2007
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For those planning on keeping their powder dry for the time being….
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#294 | |
Senior Member
Oct 2007
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#295 |
Special Member
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All the research I could do my tv I think is an 8 bit panel but they did an update to support HDR10, but I ran an xbox one 4k tv details test on my new xbox one s and all the boxes where checked including the ones that say my tv supports 4k 10-bit.
![]() Even if my tv is 8 bit does that mean I should pick 10 bit panel anyway? Or is it actually a 10-bit panel and some of the reviews are wrong? I guess my earlier question was answered and it does for sure support HDR! My tv is a Samsung JU7100FXZA http://www.bestbuy.com/site/samsung-...zQVcDBAZmK6Nwg |
Thanks given by: | ray0414 (08-03-2016) |
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#296 | |
Blu-ray Samurai
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Im pretty sure the ju7100 is 10 bit despite earlier reports that it was only 8 bit. |
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Thanks given by: | Outlaw1986 (08-03-2016) |
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#297 |
Special Member
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Thanks, a big relief that it is! So far Deadpool and Allegiant look great. Going to check out Batman vs. Superman tomorrow night probably! I think I'm going to re watch Deadpool this weekend again, then compare a couple scenes to the blu ray right away after I watch it when I have more time.
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#299 | |
Special Member
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#300 | |
Retired Hollywood Insider
Apr 2007
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Like you, I'm of the sentiment it is.
On a little bit more of an advanced colorful note, I’ve often wondered how “subject cDa29” a functional tetrachromat (http://www.digitaljournal.com/article/326976 ) sees our world. |
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