List of 4K film transfers on Blu-ray shot on film (non-digitally shot)

[L'armée des ombres]

Originally Posted by eriaur

I Love You, Beth Cooper (2009) ?
http://www.imdb.com/title/tt1032815/technical



The Monuments Men
Behind the Scenes: The Monuments Men

"The outdoor exteriors were mainly shot on 35mm film while the interiors and night shots employed the digital Arri Alexa, according to the February issue of American Cinematographer Magazine."

http://www.imdb.com/title/tt2177771/technical

Imdb is not an accurate source

[L'armée des ombres]

Originally Posted by Pieter V

Insomnia (1997)
The Big Chill

https://www.blu-ray.com/news/?id=13738

Added

[rezpekt]

Originally Posted by L'armée des ombres

Imdb is not an accurate source

NATASHA LEONNET COLORIST CREDITS:
Love and Other Drugs (4k DI)
I Love You, Beth Cooper (4k DI)
Defiance (4k DI)
AVPR: Aliens Vs Predator - Requiem (4k DI)

[rezpekt]

YVAN LUCAS COLORIST CREDITS
Argo (4K DI)
The Next Three Days (4K DI)
Across The Universe (4K DI)

[L'armée des ombres]

Originally Posted by rezpekt

NATASHA LEONNET COLORIST CREDITS:
Love and Other Drugs (4k DI)
I Love You, Beth Cooper (4k DI)
Defiance (4k DI)
AVPR: Aliens Vs Predator - Requiem (4k DI)

Added

[rezpekt]

MITCH PAULSON COLORIST CREDITS
In The Valley Of Elah (4k DI)

[eriaur]

edit

[eriaur]

Originally Posted by L'armée des ombres

Imdb is not an accurate source

http://www.reduser.net/forum/showthr...l=1#post938055

[eriaur]

Essential Killing (2010):
4K Digital Intermediate by Alvernia Studios.

http://www.filmlight.ltd.uk/customer...ialkilling.php
"the film was finished at Alvernia Studios in Krakow, Poland in its recently-built 4K grading theatre. Final post work was conducted entirely in 4K and included scanning the original 35mm film negative on a Northlight 2 scanner and colour grading via Baselight EIGHT. "

My Blueberry Nights:
My Blueberry Nights gets 4K DI at Oriental Post

"Thailand postproduction facility Oriental Post used Imagica's Imager XE Advanced Plus film scanner in the 4K digital intermediate process for My Blueberry Nights from Director Wong Kar Wai and Director of Photography Darius Khondji, ASC, AFC. This project marks Oriental Post's first 4K DI and Wai's first English-language feature."

Katyn:
http://motion.kodak.com/motion/uploadedFiles/katyn.pdf
Przelecki was very pleased with the decision to use DI. He adds, “4K has given Katyn a fantastically convincing and modern look. It also widens distribution opportunities. The film can be screened in digital cinemas.”

The Omen (2006):
http://www.digitalcontentproducer.co...blos_07172006/

Modern VideoFilm, the premier post-production facility serving the Hollywood feature-film community, has taken delivery of three 4K Pablo on iQ color correction/DI systems.

Upon delivery, the iQs were quickly put to work on the DI for The Omen and the Ridley Scott directed A Good Year. Both are 20th Century Fox releases and were kept at 4K resolution throughout the entire post-production process.
“The major reason to keep a film in 4K throughout the DI process is to help preserve high resolution,” says Smirnoff. “

The Way Back:

http://if.com.au/article/Deluxe-and-...VDWHYXWQL.html

“We are particularly proud of The Way Back.” The movie was going to be Peter’s first full DI feature.
Fontenay spent a good deal of time in Bulgaria meeting also with the movies’ DOP Russell Boyd (Master & Commander) collaborating on a series of tests to develop and establish the look of the film. The DI was completed at 4K using EFILM’s proprietary Eworks colour grading system, Arri scanners and recorders in EFILM’s multiple colour timing suites.

http://www.imdb.com/title/tt1023114/...ef_=tt_dt_spec

[eriaur]

Plein Soleil (Purple Noon)
https://www.blu-ray.com/news/?id=11324

Queen Margot (La Reine Margot)
https://www.blu-ray.com/news/?id=13752

[L'armée des ombres]

Originally Posted by eriaur

Essential Killing (2010):
4K Digital Intermediate by Alvernia Studios.

http://www.filmlight.ltd.uk/customer...ialkilling.php
"the film was finished at Alvernia Studios in Krakow, Poland in its recently-built 4K grading theatre. Final post work was conducted entirely in 4K and included scanning the original 35mm film negative on a Northlight 2 scanner and colour grading via Baselight EIGHT. "

My Blueberry Nights:
My Blueberry Nights gets 4K DI at Oriental Post

"Thailand postproduction facility Oriental Post used Imagica's Imager XE Advanced Plus film scanner in the 4K digital intermediate process for My Blueberry Nights from Director Wong Kar Wai and Director of Photography Darius Khondji, ASC, AFC. This project marks Oriental Post's first 4K DI and Wai's first English-language feature."

Katyn:
http://motion.kodak.com/motion/uploadedFiles/katyn.pdf
Przelecki was very pleased with the decision to use DI. He adds, “4K has given Katyn a fantastically convincing and modern look. It also widens distribution opportunities. The film can be screened in digital cinemas.”

The Omen (2006):
http://www.digitalcontentproducer.co...blos_07172006/

Modern VideoFilm, the premier post-production facility serving the Hollywood feature-film community, has taken delivery of three 4K Pablo on iQ color correction/DI systems.

Upon delivery, the iQs were quickly put to work on the DI for The Omen and the Ridley Scott directed A Good Year. Both are 20th Century Fox releases and were kept at 4K resolution throughout the entire post-production process.
“The major reason to keep a film in 4K throughout the DI process is to help preserve high resolution,” says Smirnoff. “

The Way Back:

http://if.com.au/article/Deluxe-and-...VDWHYXWQL.html

“We are particularly proud of The Way Back.” The movie was going to be Peter’s first full DI feature.
Fontenay spent a good deal of time in Bulgaria meeting also with the movies’ DOP Russell Boyd (Master & Commander) collaborating on a series of tests to develop and establish the look of the film. The DI was completed at 4K using EFILM’s proprietary Eworks colour grading system, Arri scanners and recorders in EFILM’s multiple colour timing suites.

http://www.imdb.com/title/tt1023114/...ef_=tt_dt_spec

Added

[L'armée des ombres]

Originally Posted by eriaur

Plein Soleil (Purple Noon)
https://www.blu-ray.com/news/?id=11324

Queen Margot (La Reine Margot)
https://www.blu-ray.com/news/?id=13752

Added

[L'armée des ombres]

Originally Posted by rezpekt

YVAN LUCAS COLORIST CREDITS
Argo (4K DI)
The Next Three Days (4K DI)
Across The Universe (4K DI)

Added

[L'armée des ombres]

Originally Posted by rezpekt

MITCH PAULSON COLORIST CREDITS
In The Valley Of Elah (4k DI)

Added

[dvdmike]

Originally Posted by Pieter V

Insomnia (1997)
The Big Chill

https://www.blu-ray.com/news/?id=13738

There are two Insomnia transfers on BD from different masters

[rezpekt]

Originally Posted by dvdmike

There are two Insomnia transfers on BD from different masters

`This is the only BD of Insomnia announced/released so far and it only has one version of the film.

[dvdmike]

Originally Posted by rezpekt

`This is the only BD of Insomnia announced/released so far and it only has one version of the film.

Wrong Insomnia, my bad

[Pieter V]

Never mind.

[L'armée des ombres]

List updated

[eriaur]

Re-Animator ‘Unrated’ Version – new 4K restoration. UK release. (and germany previously)

https://forum.blu-ray.com/showpost.p...9&postcount=61

https://www.facebook.com/SecondSightFilms
"Following up on Friday's RE-ANIMATOR post and restoration work. We just wanted to clarify, in case there was any ambiguity in our post, that we have been supplied the material that was restored by TLEFilms Restoration and Preservation Services (as used by Capelight in Germany) as we have previously reported. We have then undertaken additional work on that material as detailed in Friday's post."