List of 4K film transfers on Blu-ray shot on film (non-digitally shot)

[Geoff D]

Originally Posted by Poya

I kinda posted that already.

I was responding to Pieter who felt the need to confirm it even though you had kinda already graced us with that information.

[Poya]

Originally Posted by Geoff D

I was responding to Pieter who felt the need to confirm it even though you had kinda already graced us with that information.

Thanks. 😀

[littleprince32]

I believe the European editions of The Age of Innocence are sourced from a 4K scan.

FilmArena lists it as "Mastered in 4K" and there were reports in 2013 of a 4K scan and restoration.

[rafaelsalguero]

You know if 'OLIVER!" it's remastered in 4K ???

[Dylan34]

Originally Posted by L'armée des ombres

Here:

[Show spoiler]

So, alot of these 4K masters are Japanese discs only then?

[rdodolak]

Originally Posted by rafaelsalguero

You know if 'OLIVER!" it's remastered in 4K ???

Scanned at 4K but finished at 2K.

[mttmax]

Aloha has a 4K DI. Shot in 35mm.

Cameras:
Aaton Penelope, Angenieux Optimo Lenses
Arricam ST, Angenieux Optimo Lenses
Arriflex 435, Angenieux Optimo Lenses

http://us.digitalcinema.sony.com/pro...movie-releases

[tama]

In the "Hombre" thread apparently a poster states Twilight Time confirms that Fox issued a brand new 4K Master to them for that release.

Also on there Facebook page they confirmed that A Man of All Seasons is a new 4K scan from Sony.

[UseY0ur1llusi0n]

Originally Posted by tama

In the "Hombre" thread apparently a poster states Twilight Time confirms that Fox issued a brand new 4K Master to them for that release.

Also on there Facebook page they confirmed that A Man of All Seasons is a new 4K scan from Sony.

As well as "The Young Lions" being a brand new 4K master from Fox.

[Pieter V]

Originally Posted by Pieter V

Upcoming: The Apu Trilogy

No cover up yet.

https://forum.blu-ray.com/showthread.php?t=259475
http://indienyc.com/4k-restored-apu-...e-in-theaters/

Cover is up and the Amazon pre-order.

[jscoggins]

Originally Posted by Pieter V

Cover is up and the Amazon pre-order.

[Show spoiler]

Um, that's just a theatrical poster.

[Pieter V]

Originally Posted by jscoggins

Um, that's just a theatrical poster.

I know, but it's now easier to spot, for first post.

[L'armée des ombres]

Originally Posted by Pieter V

http://www.imdb.com/title/tt3460252/...ef_=tt_dt_spec

Added

[L'armée des ombres]

Originally Posted by Poya

Adjustment Bureau:
http://www.imdb.com/title/tt1385826/...ef_=tt_dt_spec

Added

[L'armée des ombres]

Originally Posted by Pieter V

Cover is up and the Amazon pre-order.

Added

[Pieter V]

Upcoming in theaters, but no database link yet: Aloha

Sound Mix Datasat | Dolby Digital | SDDS
Color Color
Aspect Ratio 1.85 : 1
Camera Aaton Penelope, Angenieux Optimo Lenses
Arricam ST, Angenieux Optimo Lenses
Arriflex 435, Angenieux Optimo Lenses
Negative Format 35 mm (Kodak)
Cinematographic Process Digital Intermediate (master format)
Super 35 (3-perf) (source format)

http://www.imdb.com/title/tt1243974/...ef_=tt_dt_spec

http://www.sony.nl/pro/article/digit...ies-aloha-2015

[PeterTHX]

Originally Posted by Pieter V

Upcoming in theaters, but no database link yet: Aloha

You sure aren't going to get 4K resolution out of 3-perf Super35.

[Geoff D]

Originally Posted by PeterTHX

You sure aren't going to get 4K resolution out of 3-perf Super35.

Why not? The ap is the same width as for 4-perf S35 (and is wider than anamorphic or flat 1.85 which both use the Academy ap offset for the soundtrack), and after all, it's the width that the the 4K resolution component is referring to. 2-perf shows (past and present) also scrub up nicely in 4K.

[PeterTHX]

Originally Posted by Geoff D

Why not? The ap is the same width as for 4-perf S35 (and is wider than anamorphic or flat 1.85 which both use the Academy ap offset for the soundtrack), and after all, it's the width that the the 4K resolution component is referring to. 2-perf shows (past and present) also scrub up nicely in 4K.

Because either full-frame or anamorphic 35MM has 4K of info.


Already you're cutting off part of the frame for 3-perf. Just like a letterboxed 2.39 BD isn't technically 1920x1080. The bars chop that down somewhat.


So it might look nice in 4K, but it isn't 4K.

[Geoff D]

Oh, you mean the vertical resolution won't get near 2160p? Fair enough, but by that same rationale the same should apply to a 4-perf S35 show matted down to 2.35 (which would use even less negative area than a 1.85 3-perf S35 movie, no?) and even flat 1.85, because all of those are losing real estate on the negative from what's exposed to what's actually projected.

Seeing as no flat format is actually meant to project the entire "full-frame" 4-perf 35mm ap then mentioning that is a bit disingenuous, and as for anamorphic, it's using more height of the negative for sure, but that advantage is negated somewhat by the inherent distortion and other foibles of the anamorphic glass. I LOVE anamorphic, don't get me wrongo, but I know of a veteran VFX supervisor who greatly prefers S35 for its sheer sharpness.