Please remove this one from the list. Reviewer claims 4K. But Amazon page (info sourced from Pathé) claims a 2K Master. In September this Blu-ray will be re-released again. Also stating the 2K Master.
Finally that space eating cover is gone.
Amazon specs are probably the worst thing to base something on.
Brand new restoration from a 4K scan of the original negative, supervised by cinematographer Luciano Tovoli (Suspiria, Tenebrae) and approved by Dario Argento [127 mins]
Since you're using thumbnails, it might be better to switch to Medium tags to make navigation a little easier. It'd be a simple switch in a word processing program using the find and replace option to switch BD to medium (or small).
Since you're using thumbnails, it might be better to switch to Medium tags to make navigation a little easier. It'd be a simple switch in a word processing program using the find and replace option to switch BD to medium (or small).
Done !
Last edited by L'armée des ombres; 07-15-2015 at 08:46 PM.
Scanned at 4k and restored in 2k by Pinewood Post Production, this fantastic release comes with newly commissioned Steel Book art by the renowned Graham Humphreys, plus a new, specially commissioned hour long feature documentary - House of Cards - by horror film director Jake West of Nucleus Films. This collector's version is strictly limited to 4,000 individually numbered Steel Books, that also include a 12 page appreciation booklet by horror writer, Johnny Mains. Christopher Lee and Peter Cushing star in this British horror classic from Amicus Productions and Milton Subotsky, which was released in 1965. Five possible futures unfold in a card reading on a train - but they all end in...death!.
This title is valid too. I always thought requirements were 4K Mastered AND 4K Scanned? But now I see a lot more titles, I was wrong all the time. 4K scanning only and 2K Mastered is valid too then. I am glad it's not the rule here. Mastering in 2K and scanning in 4K also depends on the elements/workflow and the decision what's best for the movie. Like said here:
This title is valid too. I always thought requirements were 4K Mastered AND 4K Scanned? But now I see a lot more titles, I was wrong all the time. 4K scanning only and 2K Mastered is valid too then. I am glad it's not the rule here. Mastering in 2K and scanning in 4K also depends on the elements/workflow and the decision what's best for the movie. Like said here:
Runtime 1 hr 58 min (118 min)
Sound Mix Dolby Digital
Color Color
Aspect Ratio 2.35 : 1
Camera Arri Alexa M
Arricam LT, Zeiss Master Prime Lenses
Panavision 65 HR Camera, Panavision System 65 Lenses
Laboratory FotoKem Laboratory, Burbank (CA), USA
Modern VideoFilm (digital intermediate)
Technicolor, Hollywood (CA), USA
Negative Format 35 mm
65 mm
ARRIRAW
Cinematographic Process Digital Intermediate (4K) (master format)
Panavision Super 70 (source format)
Super 35 (source format)
This was a 4K grade?
Yes, and the workflow is the same as 2K, other than needing a 4K projector and making sure the equipment is fast enough. But for me, it’s just a matter of looking at a picture. I don’t really treat a 4K job any differently than a 2K job.
3D was scanned at 2K
2D = 4K. Just like Sony did for Priest (2D) and Men in Black 3 (2D)
Quote:
Runtime 1 hr 59 min (119 min) (USA)
Sound Mix Dolby Digital | SDDS | DTS
Color Color
Aspect Ratio 2.35 : 1
Camera Arriflex 435, Panavision Primo Lenses
Panavision Panaflex Millennium XL2, Panavision G-Series, ATZ and AWZ2 Lenses
Panavision Panaflex Platinum, Panavision G-Series, ATZ and AWZ2 Lenses
Phantom HD Camera, Panavision G-Series Lenses
Red One MX, Zeiss Ultra Prime Lenses
Laboratory Company 3, Los Angeles (CA), USA (digital intermediate)
DeLuxe, Hollywood (CA), USA
Film Length 3.157 m (Portugal, 35 mm)
3.246 m (Spain)
Negative Format 35 mm (Kodak Vision2 200T 5217, Vision3 500T 5219, Vision2 Expression 500T 5229)
Digital
Cinematographic Process Digital Intermediate (4K) (master format)
Panavision (anamorphic) (source format)
Redcode RAW (4.5K) (source format) (dual-strip 3-D) (3-D reshoots)
Spherical (source format) (one scene)
Printed Film Format 35 mm (Kodak Vision 2383)
D-Cinema (also 3-D version)
Runtime 1 hr 46 min (106 min) (USA)
Sound Mix Dolby Digital | Datasat | SDDS
Color Color
Aspect Ratio 1.85 : 1
Camera Arri Alexa, Zeiss Master Prime and Angenieux Optimo Lenses (one scene)
Arricam LT, Zeiss Master Prime and Angenieux Optimo Lenses
Arricam ST, Zeiss Master Prime and Angenieux Optimo Lenses
Arriflex 235, Zeiss Master Prime and Angenieux Optimo Lenses
Laboratory DeLuxe, Hollywood (CA), USA
EFILM Digital Laboratories, Hollywood (CA), USA (digital intermediate)
Film Length 2.893 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision3 500T 5219)
Digital
Cinematographic Process ARRIRAW (source format) (some scenes: second unit)
Digital Intermediate (4K) (master format)
Super 35 (source format)
Printed Film Format 35 mm (spherical) (Kodak Vision 2383)
D-Cinema (also 3-D version)
I found a WikiLeaks excel file with 4K scan DI info; that confirms these titles and the 3D 2K scan. That makes the list complete. All other titles in the excel file, were already on the list.
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