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#701 | |
Senior Member
Oct 2007
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Thanks given by: | DanBa (11-20-2016) |
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#702 |
Retired Hollywood Insider
Apr 2007
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Static Metadata is holding its own given its implementation with the release of The Grand Tour described on the last page, nevertheless, if you guys insist, a preview….https://standards.cta.tech/kwspub/pu...-G-Preview.pdf
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Thanks given by: | Richard Paul (11-26-2016) |
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#703 |
Retired Hollywood Insider
Apr 2007
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b.t.w. - this upcoming webcast in Jan. 2017 covers motivations for the ST 2094 standards suite for dynamic metadata, an overview of its various parts, some examples, and an outline of workflows using the standard (the guest speaker is the Chair…..https://www.smpte.org/standards/webc...namic_metadata
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Thanks given by: | DanBa (11-21-2016) |
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#704 |
Retired Hollywood Insider
Apr 2007
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Even at $1,200 they sell out, given what they cover….http://store.ascmag.com/asc-internat...ster_class.htm
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#705 |
Retired Hollywood Insider
Apr 2007
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http://nofilmschool.com/2016/11/sony...ign=TaoOfColor
^ “On the NAB stage in New York this week” and at Inter BEE 2016 last week….https://www.youtube.com/watch?v=qb4sbWMOMXQ#t=7m30s |
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#706 | ||
Retired Hollywood Insider
Apr 2007
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Last edited by Penton-Man; 11-22-2016 at 01:03 AM. Reason: placed YouTube at top of post instead of middle |
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#707 |
Retired Hollywood Insider
Apr 2007
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For Richard, more than a preview ….https://www.dvb.org/resources/public...-1_phase_2.pdf
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Thanks given by: | Richard Paul (11-26-2016) |
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#708 |
Retired Hollywood Insider
Apr 2007
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from ^
![]() 5.14.5.5 High Frame Rates 5.14.5.5.1 General The present clause extends clause 5.14.1.7. All specifications in clause 5.14.1.7 shall apply. Encoding: The frame rate for progressive material shall be 24 000/1 001, 24, 25, 30 000/1 001, 30, 50, 60 000/1 001, 60, 100, 120 000/1 001 or 120 Hz for all allowed luminance resolutions. |
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#709 |
Retired Hollywood Insider
Apr 2007
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speaking encoding
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#710 | ||
Retired Hollywood Insider
Apr 2007
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Going thru this back in ‘15 was worse….http://ffmpeg.org/pipermail/ffmpeg-u...ect.html#29583 One of the friendliest HDR encoding enablers devised to date…. http://www.selur.de/ I hope you’ve been maintaining that HDR YouTube playlist. I like YouTube. Be it HDR or SDR clips, you global 4-wheelers ![]() |
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#711 | |
Active Member
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I have added a lot of videos on my channel as well: https://www.youtube.com/channel/UCve...GBI5t9g/videos A lot of them are not only 4K HDR but also 60fps. However, you need Chromecast Ultra to view them at 60fps. The SDR versions of the streams have low framerate (6 fps) because of a bug I reported to YouTube. |
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Thanks given by: | ray0414 (11-22-2016) |
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#713 | |
Blu-ray Samurai
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But is YT hdr a new brand of hdr by YouTube, or is it the regular hdr10? Do you grade using YouTube tools or your own programs? |
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#714 | |
Active Member
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I color grade with DaVinci Resolve (only the paid Studio version has proper HDR support). Then I output in DNxHR HQX, then convert to H.264 10bit, then add HDR Metadata in an MKV container. Finally after upload they again transcode to something like VP9. It's a mess really, since probably Google does not want to pay the HEVC royalties. Sent from my SM-G900T using Tapatalk Last edited by zmarty; 11-22-2016 at 06:33 PM. |
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Thanks given by: | ray0414 (11-22-2016) |
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#715 | |
Retired Hollywood Insider
Apr 2007
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![]() I was but a humble follower who rode and raced Pentons nationally, as well as internationally (note my team USA helmet on the top row under the track lights, to the left of all the little finisher pins mounted on the cork board - https://forum.blu-ray.com/showthread...le#post8865467 ) I’ll tell you something about John’s character ![]() ![]() John personally picked up the phone, listened to my dilemma and without further ado sent out a brand new ignition to me next-day air, free of charge (mind you ignition units are not cheap). Thoughtfulness and support like that is no wonder why a lot of folks traveled from afar to make the west coast movie premiere of Penton:The John Penton Story at The Egyptian Theater in Hollywood in order to honor the man….http://www.cycleworld.com/2014/06/19...d-movie-review P.S. Don’t get me started, as I could talk bench racing all day long and never get any work done. |
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#716 | |
Retired Hollywood Insider
Apr 2007
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#718 |
Retired Hollywood Insider
Apr 2007
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http://www.whathifi.com/news/no-you-...k-ultra-hd-yet
^ Well folks can (watch it) at the PTS, the evening of Jan. 25th after listening to the production Opening Keynote in the morning….https://tech.ebu.ch/docs/events/prod..._programme.pdf The EBU puts on excellent events ![]() They’re also a collaborative leader in demoing the next great frontier ![]() |
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#719 | |
Retired Hollywood Insider
Apr 2007
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Thanks given by: | flyry (11-27-2016) |
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#720 |
Blu-ray Emperor
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That's kinda the point I think: IF the display can properly handle HDR10 then the lack of dynamic metadata isn't a huge concern, and never has been for such well-equipped folks. It's with the OLEDs and 'HDR lite' sets of the world (not to mention us poor old SDR boys!) whereupon the lack of scene-based changes really starts to hinder the presentation.
BUT naturally this will be levelled out in time as the HDR lite/SDR sets diminish and LG finally get a grip on their HDR10 processing implementation (already begun with a recent firmware update, I think?) so by the time dynamic metadata becomes a thing it may find itself as a solution without a problem. And HLG doesn't even need metadata in the same way, as the display applies the appropriate rendering intent. |
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