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#4101 | |
Blu-ray Baron
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The fact that Dolby are already suggesting to coexist with HDR10+ means they likely see defeating HDR10+ outright as highly unlikely, and in fact may see a large risk of completely losing the dynamic metadata market to hdr10+. From Dolbys comments its clear its not only cheaper to license hdr10+, but also much cheaper to implement; studios ain't gonna spend more money for the heck of it when they don't need to, they aren't a charity either but also a business. Coexisting is the same type of talk HD DVD was talking up with Blu-ray when HD DVD group realized they couldn't outright win. We saw how that eventually turned out. Dolby likely sees the writing on the wall and is trying to get buy in into coexisting before they completely lose the market; I wouldn't be surprised if things move very rapidly once hdr10+ is fully launched given this talk from Dolby. Last edited by Ruined; 01-23-2018 at 09:54 AM. |
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#4102 | |
Banned
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Dolby's being polite and trying to downplay a format war. It's nothing like HD DVD since it's the superior format for one, and one pushed by multiple manufacturers. If anything HDR10+ is like HD DVD - pushed by a single manufacturer (Samsung = Toshiba), inferior specs, less software makers, less device types, "royalty free" is the new "region free", and something the industry really doesn't want or need and just confuses average customers. Not to mention the outright misinformation and FUD. |
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Thanks given by: | DanBa (01-23-2018), Geoff D (01-23-2018), gkolb (01-23-2018), JoeDeM (01-23-2018), MrMahn (01-23-2018), Shalashaska (01-23-2018), Staying Salty (01-23-2018) |
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#4103 |
Power Member
![]() Aug 2007
North Potomac, MD
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As much as we like we are not going to settle the HDR10+ vs DV argument here. It will play out in the marketplace. We are not the typical 4K viewer. Whoever has the best PR machine and distribution channels will become dominant. Most viewers will not even notice the difference between HDR10, DV or HDR10+.
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#4104 |
Blu-ray Knight
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They will coexist but whatever is used will mostly come down to cost. HDR10+ will obviously be dominant on the lessor titles and those from 3rd party distributors. That's why HDR10+ will be important, as otherwise we'd be seeing HDR10 instead for the vast majority of movies.
What will be interesting is to see which format dominates (if any) on the popular new releases coming out and which studios support which format (exclusively or non-exclusive). But on the lessor titles with small print runs where it's not cost effective to use DV, HDR10+ will be much better than just HDR10. |
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#4105 |
Power Member
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If I was a betting man, I would totally be betting against DV right now. They might be superior (like Beta was over VHS), but HDR and HDR+ are cheaper... and that is what the public always seems to want. I am willing to bet that DV will be gone in the home consumer market place within 2 years, and will only be seen in theatrical screenings. It will make sense for Dolby to do this on an economic level. Does everyone remember the whole Dobly Digital vs. DTS debates during the DVD era? Of course DD won out due to economic reasons. DTS was superior, but the public could barely discern a difference (and quite frankly didn't care)... and thus studios went almost exclusively with DD.
As cinefiles and movie lovers, our community is rooting for DV to take hold because it is clearly better than HDR. But to the casual consumer, they don't care. Ease of use and cost is all they really care about. Last edited by anthonyls; 01-23-2018 at 04:17 PM. |
Thanks given by: | Ruined (01-23-2018) |
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#4106 | |
Blu-ray Baron
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For projector owners DV is not necessarily the better solution. DV has no projector solution available at all currently and since it's closed and locked down projector manufacturers can't do anything with it until Dolby comes up with something. At least with HDR10+ we might see projector manufacturers put together a dynamic metadata system for projectors since it's an open standard. Finally for the general consumer hdr10+ is the better solution imo if it means its low cost translates to dynamic metadata on nearly every release. There is a pittance of DV titles compared to HDR10 and cost is likely a big part of that. With HDR10+ low cost we could start seeing dynamic metadata far more often than we do now. Last edited by Ruined; 01-23-2018 at 04:32 PM. |
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#4107 |
Senior Member
Sep 2010
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Blu-ray (vs) HD DVD are incompatible formats.
Consumers can just require Dolby Vision TV makers or HDR10+ TV makers to just add a piece of HDR software in order to be compatible with the other HDR format. This upgraded TV will remain the same: same panel, same electronic parts, same mechanical parts! "HDR10" = PQ with (not always used) static metadata, or without static metadata (as specified in ATSC 3.0 and DVB UHD Phase 2) Dolby Vision = PQ + Dolby Vision dynamic metadata HDR10plus = PQ + HDR10plus dynamic metadata And Perceptual Quantizer transfer function for HDR signals (PQ) is created by Dolby. "MOVIELABS/DOLBY MEETING JUNE 19, 2013 PQ is not standardized, it is Dolby IP. Dolby said that ITU was starting a standards effort. However, PQ would be licensed and not given free of IP. Howard Lukk [Director of Standards at SMPTE] was not happy with that." https://wikileaks.org/sony/docs/05/d...9-13.4.doc.pdf Dolby people have changed their mind, and Dolby granted a free of charge license to its essential patent claims on ST 2084 PQ. https://kws.smpte.org/higherlogic/ws...0Statement.pdf Origins: "Dolby purchased Brightside Technologies in 2007 and has developed Dolby Vision from the basic HDR technology it got from Brightside." https://www.displaydaily.com/article...s-dolby-vision BrightSide Technologies Inc. (formerly Sunnybrook Technologies) was a firm spun-out from the Structured Surface Physics Laboratory of the University of British Columbia. https://en.wikipedia.org/wiki/BrightSide_Technologies |
Thanks given by: | Geoff D (01-23-2018) |
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#4108 |
Senior Member
Sep 2010
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"The royalty cost to add Dolby Vision ranges from less than $3 per TV to lower than $2 per TV."
http://www.avsforum.com/forum/465-hi...l#post47830961 A streaming 4K film is sold for much more. Why contribute to create an artificial HDR format war? It won’t bring any benefit to consumers! Push for universal HDR TV in the same way AVRs have universal support for audio formats (Dolby Digital, DTS, Dolby Atmos, DTS:X, ...)! |
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#4109 | |
Blu-ray Baron
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Dolby needs Samsung more than Samsung needs Dolby, and sales of Samsung 4K TVs reflect this. Samsung continues to be the top seller. People don't seem to care much about Dolby Vision when it comes to purchasing decision time. Last edited by Ruined; 01-23-2018 at 04:48 PM. |
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#4110 | |||
Banned
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Meanwhile more authoring suites have been announced and it looks like it may be added to ATSC 3.0 - this is the early days of the format. It's not mature and can only grow from here. |
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Thanks given by: | gkolb (01-23-2018) |
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#4111 | |
Banned
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Samsung sells a lot of 32" TVs installed in kids bedrooms and kitchens. Meanwhile go to Costco or Walmart of BestBuy and you will see many 4K TVs of many brands being sold. I know more people with Vizios and Sonys than Samsung 4K sets. |
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#4112 |
Senior Member
Sep 2010
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#4113 | |
Blu-ray Baron
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Outside of this forum people largely don't care about Dolby Vision. If they did Samsung wouldn't be blowing away the competition in sales as they are. Last edited by Ruined; 01-23-2018 at 04:55 PM. |
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#4114 | |
Banned
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Why did the industry go as a whole with HEVC instead of "open source and freely licensed" VP9? Why does nearly every Blu-ray disc have lossless audio when most buyers don't care about it? |
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#4115 | |
Blu-ray Baron
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#4116 | |
Banned
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That's how you spell "TCL" (a DV supporter)? |
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#4117 |
Blu-ray Guru
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#4120 | |
Blu-ray Baron
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You can ask this question for any TV manufacturer supporting Dolby Vision and the answer in every case is bad news for Dolby Vision. It's pretty clear the general public doesn't really care much about Dolby Vision when buying a 4k TV. Last edited by Ruined; 01-23-2018 at 05:49 PM. |
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